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ANIMAL FARM – A Review by John Strange

In 1945, George Orwell published a book in which he satirized the Russian Revolution with an allegory using a farm of animals who take control of their farm.  Angel Studios and Andy Serkis’ reenvisioning of this story uses animation to tell a story of a farm where the animals take control after the farmer is taken out of the picture.

The animals are led first by a sheep named Snowball (voiced by Lavern Cox).  Under her leadership, the farm is soon up and running as the animals all pitch in shoulder to shoulder to raise the food they need to live, an animal utopia.

Sadly, as in all tales of this sort, their utopia is sidelined by a pig, Napoleon (voiced by Seth Rogen), who feels that everyone is equal, but pigs are more special.  As the pig slyly takes control of the farm, everything goes downhill.

Animal Farm is a very well-made film, filled with excellent voice talent including Glenn Close, Jim Parsons, and Kathleen Turner.  The story is as relevant today as it was back in 1945.

The film will go over kids’ heads and make adults who know the story very uncomfortable.  Those who aren’t aware of the backstory may enjoy this film for its high production quality.  Sadly, I knew the original story.

 

Director: Andy Serkis

Cast: Seth Rogen, Gaten Matarazzo, Steve Buscemi,  Glenn Close, Laverne Cox, Kieran Culkin, Woody Harrelson, Jim Parsons, Andy Serkis, Kathleen Turner, Iman Vellani

MPA Rating: PG (for thematic elements, some action/violence, rude humor, and language)

Selig Rating: 3.5 Stars

Runtime: 95 Min.

Release Date: 05/01/2026

Language: English

Genre(s): Animation, Adventure, Comedy, Drama, Family, Fantasy, Mystery

Trailer: ANIMAL FARM Final Trailer

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

THE SHEEP DETECTIVES – A Review by John Strange

The Sheep Detectives takes a new approach to the old “whodunit” storyline.  Sheep herder and town grump, George Hardy (Hugh Jackman), is found dead in front of his trailer.  The town constable is useless.  The sheep decide they must investigate, using the training they received by listening to George read murder mysteries to them every day.

This is a fun story.  The talented cast includes Emma Thompson, who plays barrister Lydia Harbottle.  Her character is an over-the-top portrayal of all British barristers, giving us a good dose of humor in the film. 

The sheep are the true stars of the show.  Julia Louis-Dreyfus (Lily), Bryan Cranston (Sebastian), Chris O’Dowd (Mopple), and Regina Hall (Cloud) highlight a cast of voice actors that make this film a true delight to watch.  Watching these sheep overcome their instincts to honor their shepherd is wonderful.

I watched this film at a Saturday-morning showing, filled with young kids and parents.  The kids, sometimes a terror to this old critic for their loud outbursts, were quiet while watching the film with rapt attention.  Yes, the film is that good.

 

Director: Kyle Balda

Cast: Hugh Jackman, Nicholas Braun, Nicholas Galitzine, Molly Gordon, with Hong Chau and Emma Thompson, Julia Louis-Dreyfus, Bryan Cranston, Chris O’Dowd, Regina Hall, Patrick Stewart, Bella Ramsey, Brett Goldstein, Rhys Darby

MPA Rating: PG for thematic material, some violent content, and brief language

Selig Rating: 5 Stars

Runtime: 108 Min.

Release Date: 05/08/2026

Language: English

Genre(s): Action, Comedy, Mystery, Whodunnit

Trailer: THE SHEEP DETECTIVES Official Trailer #2

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

Billie Eilish: Hit Me Hard and Soft – The Tour Live in 3D – A Review By Cynthia Flores

If you’re a Billie Eilish fan, you need to see this in 3D. If you saw her live during her year-long tour, it will bring back great memories. For those who missed out, this is your chance to experience the show. That’s good, because Ms. Eilish is one of the best performers today.

There is some traditional music documentary behind-the-scenes, making-of kind of stuff that goes on during this film. But believe it or not, there’s not that much of it; it’s mostly the performance that you get. Billie Eilish has co-directing credits on this and co-wrote it, so perhaps this is what she wanted. She’s more focused on the music and the connection between her music and her fans than anything else.

In fact, I would say the word ‘connection’ is the common thread that runs through this whole documentary. Her fans are deeply devoted. And she gives the appearance of being just as devoted to them and to using her music to help people. As well as touching on why she dresses the way she does and why she does the things she does on stage, without getting bogged down in anything that would take away from the actual performance she gives each night on tour. I was extremely impressed with the connection you feel between her music and yourself while sitting in the theater. It is pretty impressive to achieve something like that in this medium.

​If the storyline was from Ms. Elish, then the production style for this film was driven by James Cameron. He emphasized using his 30 years of 3D movie-making experience to create this immersive, deep-focus experience that captures the energy of being in the crowd. Even down to people walking in front of you or the audio that’s around you when you’re in a mass of people like that.

Instead of using traditional filmmaking processes for this documentary, he chose to have his team of specialized camera people, led by Michael Laakmann and Florian Maier, who call themselves stereographers rather than cinematographers, use 3D technology from Cameron’s Lightstorm Vision company to capture the live show portion of the documentary. Lightstorm has always focused on revolutionizing 3D stereoscopic production and mixed reality content. All that being said, this gives the documentary a richer experience for anybody willing to wear those crazy 3D glasses.  These are not just any ordinary 3D glasses; if you choose to take them out of the theater, they set off alarms like you stole something from Target.  So don’t forget to leave them behind with your friends if you decide to go to the restroom or go grab some popcorn once you’re in the theater. The glasses themselves are still bulky, and if you’re prone to headaches from wearing 3D glasses, it won’t be as severe with these. Just remember not to set off any alarms, and you’ll be okay.

​I give Billie Eilish: Hit Me Hard and Soft – the Tour Live in 3D 4.5 stars. It’s a wonderful capture of her Manchester shows. You’ll feel like you’re in a great seat. See it in 3D for the full effect.

Directed by: James Cameron, Billie Eilish

Written by: Tarik Mikou, Billie Eilish

Rated: PG-13

Running Time: 1 hr 54 min

Documentary, Music

Release: In Theaters May 8th

Starring: Billie Eilish, Finneas O’Connell, Andrew Marshall, Solomon Smith, Agraham Nouri, Tom Crouch, Jane and Ava Horner, James Cameron

Interview with Cinematographer Allie Schultz

Cinematographer Allie Schultz had an in-depth chat with our Gadi Elkon about working as DP, her Texas ties, SXSW Festival and so much more!  Here is our Interview with DP Allie Schultz.

FUZE – Interview with Director David Mackenzie

Filmmaker David Mackenzie spoke with our Gadi Elkon about the Scottish Director’s latest film, FUZE.

The Greatest of These (City of Refuge) – Interview with Filmmaker Nick Nanton and Subject Pastor Bruce Deel

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The Greatest of These is now available on Amazon Prime Video, Apple TV, and Documentary+.  The documentary’s Emmy Award-winning Filmmaker Nick Nanton and Subject Pastor Bruce Deel talked with our Gadi Elkon about the film, the City of Refuge and so much more!

THE TRAVEL COMPANION – A Review by Jenn Rohm

The transition from childhood/student life to adulthood is rife with change.  Finding out who you are, what you want to do, how to make a living, who you will partner with, and how friendships change.  The Travel Companion explores some of these while also offering insight into independent filmmaking and traveling on a buddy pass.

This is the first feature film for co-directors Alex Mallis and Travis Wood.  Along with producer Weston Auburn, the three wrote this film’s script about male friendship as it transitions when things are not equal, and one enters a romantic relationship.

Simon (Tristan Turner) is still using his graduate film project as an entry into film festivals.  His best friend, since third grade, Bruce (Anthony Overbeck), supports him by attending screenings and sharing one of the perks of his job with an airline.  Every year, Bruce is allowed to select one person as his travel companion, who can book free standby flights.  This allows Simon the opportunity to film all over and collect footage for his current, as-yet-undefined project.  After a film festival screening, Simon invites Beatrice (Naomi Asa) to join Bruce and him for a drink.  Bruce and Beatrice click and start to see each other.  A shift in their friendship begins to show: Bruce starts to see that the natural give-and-take between them isn’t as balanced as it once was, and Simon sees his free travel being taken away.

Film festivals can be their own world.  Giving some insight into independent filmmaking and festivals can hopefully create interest in experiencing these events.  This was also a good choice to provide additional character building for Simon.  His passion is filmmaking; he doesn’t want to be tied down to a job that doesn’t allow him time to work on his current project.  He also needs to make enough to live, and those two things don’t typically allow for the opportunity or funds to travel all over the world.  He also struggles to focus on his current project with the very real fear of failure weighing him down.

This film, like many indie films, did not have a large budget, and one of the choices made to work within those limitations was to cast relatively unknown actors.  The casting choices worked well.  Turner gave us a believable young man; at times, his thoughts and actions made sense, and at others, you wanted to smack him upside the head to knock some sense into him.  Overbeck provided someone with similar life experiences further along the path to their future.  He didn’t fade away in his scenes, nor did he take them over; it was the right balance for the character and the story.

The choice to use fullscreen helped create an intimate feeling of being part of the story itself, not just watching as it happens.  The audience is drawn in and can focus on the main characters.  The filming choices also help to build out the script-driven characters.

This is an enjoyable and relatable film; I am glad to see it has been released for a wider audience to experience it.  Hopefully, after watching, you will want to get back into attending film festivals or experience them for the first time.  They happen all over, all year. . .Treat yourself to the experience.

 

Directors: Alex Mallis, Travis Wood

Cast: Tristan Turner, Anthony Overbeck, Naomi Asa

Selig Rating: 4 stars

Runtime: 1h 31m

Release Date: April 10, 2026

Genre(s): Comedy, Drama

Trailer: The Travel Companion trailer

Movie Site: The Travel Companion website

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

“Scared to Death” Available Across North America on TVOD May 5th, 2026

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Award-winning music video and feature director Paul Boyd turns up the volume with the irreverent, high-voltage horror-comedy SCARED TO DEATH, starring horror icons Lin Shaye (Insidious) and Bill Moseley (The Devil’s Rejects, The Texas Chainsaw Massacre 2), alongside rock frontman Kurt Deimer (Halloween:2018), in a genre-bending horror-comedy thrill ride packed with supernatural chaos and sharp humor, debuting across North America on TVOD/Digital release MAY 5, 2026.    Available on all the major digital platforms, the film blends supernatural scares with dark comedy, tapping into classic haunted-house tradition while embracing a contemporary, irreverent edge—inviting audiences to laugh, jump, and react in equal measure.

In Scared to Death a group of filmmakers attend a séance at an abandoned children’s orphanage to do research for a horror movie. Soon, supernatural events begin to manifest, in both horrific and darkly comical fashion. That’s their first mistake…

Alongside Shaye and Moseley, with Deimer delivering a breakout performance as the scene-stealing “Grog,” Scared to Death unites an eclectic, high-profile ensemble including Victoria Konefal (Days of Our Lives), Rae Dawn Chong (The Color Purple), Olivier Paris (The Wrong Tutor), B.J. Minor (Grey’s Anatomy), Jade Chynoweth (The Last Ship), and Lucinda Jenney (Practical Magic).

Scared to Death’s origins are rooted in Boyd’s own real-life experiences in a reportedly haunted Hollywood home, which inspired the film’s central theme of “believing is seeing.” That concept carries through the production itself, which was shot entirely on location inside the historic Woodbury-Story House in Altadena, California—an 1882 Victorian mansion whose authentic architecture, attic, basement, and séance room provided a fully immersive backdrop for the film’s eerie tone and practical effects-driven set pieces.

Film Synopis

Jasper is an opportunistic young filmmaker eager to climb the Hollywood ladder. While working as a low-level production assistant, he seizes an opportunity to step into the director’s chair by convincing his cantankerous boss to take their cast and crew to a real séance for research on their upcoming horror film. The chosen location is an abandoned children’s orphanage, shuttered decades earlier after the mysterious deaths of five children—each reportedly scared to death.
Once the séance begins, the group finds themselves trapped inside the house as unexplained and increasingly terrifying events unfold. As the line between performance and reality blurs, the filmmakers are forced to confront supernatural forces far beyond anything they imagined—along with their own fears, beliefs, and survival instincts.

KURT DEIMER IS ‘THE GROG’

The film’s digital debut also aligns with rising momentum around Kurt Deimer, whose highly anticipated new album, A Grog Is Born, will be released on May 8, 2026, further spotlighting the multi-hyphenate artist as both a recording performer and emerging genre presence.  Deimer not only stars in the film but also helped shape the creation of “The Grog,” a character already generating early audience attention as a potential new horror-comedy mainstay.

Scared to Death was written and directed by Scottish filmmaker Paul Boyd and the filmmaking team also features producers Eric Barrett and Todd Slater of Convoke Media.  Executive Producers Kurt Deimer, Peter Tochet, Lin Shaye, and Steven Poster, ASC, casting by Lindsay Chag, CSA, edited by Ed Shiers, cinematography by Steven Poster, ASC, music composer Misha Segal, Production Design by Scott Campbell and featuring original songs by Kurt Deimer.  The film comes to theaters in a deal that was negotiated by Todd Slater of Convoke Media on behalf of the filmmakers, with Harmon Kaslow representing Atlas Distribution Company.

Indie Psychological Thriller Film Mantis, Shot in North Texas, to Have World Premiere at 20th Annual Dallas International Film Festival April 23-30

The new psychological thriller film Mantis, from Native Texan Producer and Director Justice Hardy and Executive Producer Lindsey Barnes of 941 Productions and starring Ali Stolar and Matthew Pettigrew, Dallas Veteran Actor and Producer Danielle Wheeler and 2020 International Horror Film Awards Best Actor Daniel Van Thomas will screen at the 20th Annual DIFF | Dallas International Film Festival, the Southwest’s largest global Oscar® Qualifying Festival. Writer/producer/director Justice Hardy, executive producer Lindsey Barnes and Dallas actress Danielle Wheeler, who plays Marilyn in the film, as well as additional cast members will attend the screening. The film is scheduled for its world premiere Saturday, April 25 at 7:00 PM at the Texas Theater 2 and additional showing Wednesday, April 29 at 9:30 PM at Cinéopolis 7.

Written and directed by Hardy, who has created a new model for high-speed producing, in conjunction and the music of Lillianna Fischer, the thriller marks the feature film acting debut of Ali Stolar as well as the first full-length feature for actor and indie filmmaker Matthew Pettigrew (It Calls to Me, Degradation)  and award-winning actor Daniel Van Thomas.  In Mantis, a workaholic Rana (Ali Stolar) in denial of her husband’s sudden passing is forced to use a controversial technology at her latest job that stimulates the waning electrical activity in the human brain after death.

Writer/director Hardy said, “MANTIS explores the tension between control and identity in a way that feels both intimate and unsettling. We wanted to create something that stays with you—something that challenges what you think you’re watching even after it ends. On behalf of the filmmaking team, I want to thank the programmers at DIFF for including Mantis in this year’s 20th Anniversary edition. We are proud to be a part of the Film in Texas movement and DIFF could not be a better place for our world premiere.”

Executive producer Lindsey Barnes of 941 Productions (Fault Lines-Winner 48 Hour Film Festival Dallas and screened at Cannes Film Festival, It Calls to Me-Short)  added, “I’m really looking forward to being with the fans for this screening.  There is no audience more enthusiastic or supportive than fans of the horror genre in all its facets.  Horror, especially, is where filmmakers get to be bold. For me, I’m most drawn to psychological horror, horror grounded in character, and genre-blending work—whether that leans into thriller, mystery, or even dark comedy. I am delighted to be making great stories with great people from Texas in Texas.  We were delighted to film in Fort Worth and have such overwhelming support from Film Fort Worth and the Dallas Film Commission. Many thanks to DIFF.”

ASPIRETV IN PRODUCTION ON SEASON TWO OF “HARLEM GLOBETROTTERS: SECRETS OF THE CITY”

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AspireTV, the network that celebrates and reflects Black culture and urban lifestyle, is in production on the second season of Harlem Globetrotters: Secrets of the City from the Emmy-nominated studios of Sunwise Media and Herschend Entertainment Studios. The series was the first to be greenlit under the output deal with Sunwise Media to develop and produce multicultural programming through aspireTV Studios.

“The success of Harlem Globetrotters: Secrets of the City underscored the power of storytelling that is both globally expansive and culturally rooted,” said Angela Cannon, General Manager, aspireTV. “Our viewers connected deeply with the series’ celebration of Black culture, history and discovery, and we’re excited to build on that momentum with a second season in partnership with Sunwise Media as the Globetrotters continue their journey around the world.”

Harlem Globetrotters: Secrets of the City is a travel series that follows the Harlem Globetrotters as they span the globe on their historic 100-year world tour. The show combines adventure and cultural immersion; utilizing a documentary style that transports viewers to the soul of the city and the heart of the people wherever the team travels. The Globetrotters share untapped secrets of culture, cuisine and adventure from the most renowned cities around the globe. The Harlem Globetrotters have been touring the world for 100 years, visiting over 120 countries which has given them unfiltered access and connections to diverse cultures around the world.

The new season of Harlem Globetrotters: Secrets of the City will feature the team in Brussels, Amsterdam, Paris, Lagos, Athens, Rome, Tahiti and Chile.

“Our partnership with aspireTV helps us to deepen our relationship with our fans, giving them unprecedented access to our team, and players, as they tour countries around the globe,” said Harlem Globetrotters President, Keith Dawkins.

“Season two is an exciting milestone, and we’re proud that Handy Foundation apprentices have contributed to both seasons of Harlem Globetrotters: Secrets of the City,” said Ri-Karlo Handy, Founder and CEO of Sunwise Media and Founder of The Handy Foundation. “With the Harlem Globetrotters’ legacy as global ambassadors of goodwill, this partnership is a natural fit rooted in impact, opportunity and excellence. Serving as showrunner and leading a registered apprenticeship program, I’ve seen firsthand how apprenticeship strengthens the business. This show is better for it, with apprentices delivering real contributions, fresh perspectives, and production-ready talent at every level.”

Harlem Globetrotters: Secrets of the City is produced by Sunwise Media and Herschend Entertainment Studios. Keith Dawkins and Bronwen O’Keefe serve as executive producers as well as Ri-Karlo Handy.

AspireTV Studios, a purpose-driven business development strategy, is committed to supporting a more diverse and equitable creative supply chain. Together with Sunwise Media, a certified Minority Business Enterprise (MBE), aspireTV Studios will source and connect advertisers with diverse owned media, content creation, full-service production and distribution across cable, satellite and streaming platforms.