Category: Film - Theatrical

PILLION – A Review by Cynthia Flores

This new, bold, subversive film, Pillion, is the feature directorial debut for British writer-director Harry Lighton. I know fans of HBO's True Blood will recognize the hot motorcycle-riding leather-clad hunk at the...

ABRIL – A Review by Jenn Rohm

People who make films have experienced life in ways that can influence the stories they tell.  Director, Writer, and Cast Member Hernán Jiménez has chosen to do so with his recent project,...

GOOD LUCK, HAVE FUN, DON’T DIE – A Review by John Strange

You would think that after seeing the poster featuring Sam Rockwell's character, this might not be a mainstream comedy.  You would be correct.  Writer Matthew Robinson (The Invention of Lying (2009) and...

A Private Life – A Review by Jenn Rohm

Foreign films can give a high-level overview of how people in other countries live.  When you cast a well-known American actor in the lead role as an American living in Paris, it...

SCARLET – A Review by Jenn Rohm

What happens if you take the frame of Shakespeare’s Hamlet, issues of acceptance, and the political power movements in the world today, and then a touch of Buddhist philosophy?  Director Mamoru Hosoda...

STOP TIME – A Review by Jenn Rohm

Grief is an emotion most of us have experienced and many films create the feeling of grief using different techniques with sound, lighting, and script.  Few films focus on grief, and even...

SOLO MIO – A Review by John Strange

I have seen a lot of films in my forty-plus years as a film critic.  I have seen a lot of man or woman left at the altar films, too.  Solo Mio...

MERCY – A Review by John Strange

Everyone is hot about AI these days.  Companies around the world are developing AI engines to, some say, make life easier. In Mercy, the near-future city of Los Angeles has decided that crime...
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