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AMERICAN SKYJACKER – A Review by Jenn Rohm

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Every time I travel by plane, I pass through security, something I have always accepted as necessary for passenger safety.  News coverage over the years has reinforced why these procedures continue to evolve, yet I had never given much thought to their origins.  The documentary American Skyjacker offers valuable insight into how and why today’s security measures, including the TSA, came to be.

Martin McNally’s hijacking of Flight 119 out of St. Louis was one of approximately 130 hijackings of an airplane in the United States between 1967 and 1972.  At the age of 28, he boarded Flight 119, intending to extort a ransom and vanish.  His plan, however, did not unfold as expected.

Directors Eli Kooris and Joshua Shaffer were inspired by Danny Wicentowski’s Riverfront Times article, ‘The Final Flight of Martin McNally’.  Through a well-crafted blend of interviews, archival news clips, and reenactments, the film traces the early days of commercial air travel, explores McNally’s motivations, and follows his life in prison and beyond.  McNally himself serves as the principal interviewee, and these same interviews are used in a podcast miniseries covering this turbulent era in aviation history.

The combination of historical footage and thoughtfully produced reenactments creates a vivid sense of time and place.  At moments, it feels as though the viewer has stepped directly into 1972, down to a particular fashion choice that becomes unexpectedly relevant to the story.

American Skyjacker succeeds not only because of its compelling subject matter but also because of its careful structure and engaging presentation.  It is a rare film that informs as effectively as it entertains.  If you are looking for an intriguing escape this holiday season, visit the film’s website for rental and purchase options and give it a watch.

 

Director: Eli Kooris, Joshua Shaffer

Cast: Martin McNally, Logan Spahitz, Angela Barber

Selig Rating: 4 stars

Runtime: 1h 38m

Genre(s): Documentary

Trailer: American Skyjacker trailer

Movie Site: American Skyjacker website – with link to buy/rent

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

EXIT PROTOCOL – A Review by Jenn Rohm

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There are different kinds of action movies; one subgenre is the bad action movie.  There is a balance needed for a bad action movie to be a good movie, and sometimes that balance is missed.  Exit Protocol has a few good points, it missed the balance of being one of the good bad movies.

This is the story of Sam Hayden and Scott Martin, is a killer for hire.  His targets are his co-workers who wish to leave “the Organization”.  The primary person he is now after is Charles Managold, Dolph Lundgren.  Having met someone on his last mission, he wants a safer life with her.  Augustus Shadrin, J.B. Yowell, is the head of “the Organization,” and he assigns Issac Florentine, Michael Jai White, and Wicked, Stephanie Beran, to also take out Charles.

There are more characters, which also hints at how many storylines are at play.  If Sam hadn’t been repeating himself while often contradicting himself, it would be easy to get lost.  The lesson of less is more would have been helpful here.

As I mentioned at the start, there was some good.  This was one of the best performances I have seen by Lundgren.  He has gotten a reputation for every character in action films being the same.  That is no longer true.  This film is worth watching to see his performance.

For fans of bad, bad movies, find it and check it out.  For fans of bad movies, if you come across it and have the time, give it a watch.

 

Director: Shane Dax Taylor

Cast: Scott Martin, Dolph Lundgren, Michael Jai White

MPAA Rating: Rated R for strong violence and language.

Selig Rating:2 stars

Runtime: 1h 24m

Release Date: November 7,2025

Genre(s): Action, Drama

Trailer: Exit Protocol Trailer

Movie Site: Exit Protocol Website

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

MY BROTHER’S KEEPER – A Review by John Strange

My Brother’s Keeper approaches the issue of PTSD and its effects on both the soldier and the people around him.  When Travis (T.C. Stallings) loses his best friend in Afghanistan, he comes home to the house where he grew up. 

He has worked multiple tours of duty.  These tours have piled losses and pain onto the man’s psyche.  Added to that load is his belief that the deaths of his parents were not a “driver error” accident.

His pain manifests in his anger.  Anger at himself as much as pointed at others.

This film is the story of his search for truth and healing.  His friends shepherd him toward both the church and a PTSD support group.  Pastor Hood (Jeff Rose) and Tiffany (Keshia Knight Pulliam) work with Travis, sometimes succeeding and other times watching him backslide.  But this is normal in recovery.

There are several external influences that keep Travis agitated as he works through the process of dealing with them.  His budding relationship with Tiffany appears to help, as does his return to his faith.

My Brother’s Keeper was a surprisingly hard film to watch and harder to review.  In part, because I am dealing with someone close to me who is experiencing a form of PTSD.  What everyone needs to see and believe is that in the world today, we see all sorts of stories about our military and first responders dealing with this disorder.  But the simple truth is that your mother, your brother, your sister, or your neighbor could all be dealing with trauma that makes everyday life difficult.  Sometimes, to the point where they simply shut down.

When you watch this film, and if someone in your life is dealing with these issues, please use this as a starting point for talking to them.  Most of us need help from time to time – these folks, more than most.

I found this film well-made and worth watching.  Hopefully, it can open more eyes than the films that put a man or woman in situations that require them to take up arms to protect their families and town.

 

Director: Kevan Otto

Cast: T.C. Stallings, Joey Lawrence, Robert Ri’chard, Gregory Alan Williams, Keshia Knight Pulliam, Blue Kimble, Shannen Fields, Jeff Rose, Kruz Valero, Ty Manns, Vj Roberts, Derrick Gilliam, Stephanie Katz

MPA Rating: PG-13 (for thematic material and some violence)

Selig Rating: 4 Stars

Runtime: 97 Min.

Release Date: 03/19/2020

Language: English

Genre(s): Drama, Family

Movie Site: MY BROTHER’S KEEPER Official Site

Trailer: MY BROTHER’S KEEPER Trailer

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

DAVID – A Review by Jenn Rohm

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Just in time for the holiday season, David arrives in theaters with a fresh retelling of a foundational biblical story. Based on the Book of Samuel in the Old Testament, the film follows David from his youth—when he is brought before King Saul to sing—through his iconic battle with Goliath and his eventual rise to become the King of Israel.

The animation blends traditional stop-motion techniques with digitally enhanced environments, creating a visually distinctive style. At times, the imagery is remarkably lifelike—particularly in moments such as the tree-filled opening sequence—while other scenes, including the confrontation with Goliath, lean more heavily into stylized animation. This artistic choice appears intentional, balancing fidelity to the source material with a gentler portrayal of intense moments for younger viewers.

The film’s musical elements are bright and memorable. Several songs feature catchy choruses that may linger with audiences long after the credits roll. Fortunately, these melodies are written to be uplifting and positive, aligning well with the film’s overall tone.

Clearly aimed at families, David offers content appropriate for a broad range of ages. That said, viewers familiar with the biblical narrative will know that certain scenes may be more intense for very young children. Parents should use their discretion—if needed, a well-timed break may help sensitive viewers navigate the story comfortably.

Ultimately, David is a thoughtfully crafted, well-paced film that delivers an encouraging message. Those who appreciate Christian faith–based storytelling will find much to enjoy in this heartfelt and visually engaging adaptation.

 

Selig’s Director: Phil Cunningham, Brent Dawes

Cast: Brandon Engman, Phill Wickham, Asim Chaudhry

MPAA Rating: action and violence

Selig Rating: 4 stars

Runtime: 1h 55m

Release Date: December 19, 2025

Genre(s): Animation, Adventure, Drama, Family, Musical, Faith

Trailer: David trailer

Movie Site: David website

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

WICKED TO RETURN TO DALLAS’ MUSIC HALL AT FAIR PARK MAY 6 – JUNE 14, 2026

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Broadway Dallas and Broadway Across America (BAA) are pleased to announce WICKED, Dallas’s most popular musical, will return to the Music Hall at Fair Park May 6 – June 14, 2026, as part of the 2025/2026 Broadway Series presented by Broadway Dallas. Tickets for the return engagement go on sale Friday, December 5.

Tickets will be available at BroadwayDallas.org or by calling 800-982-2728. Group orders of 10 or more may be placed by calling 214-426-4768 or emailing Groups@BroadwayDallas.org.

The 2021 engagement of WICKED in Dallas was the first Broadway tour in the U.S. to resume performances following the COVID-19 pandemic shutdown and completed a successful 5-week run seen by over 120,000 patrons, with the final gross in ticket sales outperforming the 2016 engagement by 3%.

Currently the 4th longest-running show in Broadway history, WICKED recently celebrated its 22nd Anniversary on Broadway.

Winner of over 100 international awards including the Grammy Award and three Tony Awards, WICKED has been performed in over 100 cities in 16 countries around the world (U.S., Canada, United Kingdom, Ireland, Japan, Germany, Holland, Australia, New Zealand, Singapore, South Korea, The Philippines, Mexico, Brazil, Switzerland and China) and has thus far been translated into six languages: Japanese, German, Dutch, Spanish, Korean and Portuguese. WICKED has been seen by over 72 million people worldwide and has over $6.2 billion in global sales.

In addition to the Broadway production, WICKED in North America has enjoyed unprecedented record-breaking sit-down engagements in Chicago, where it ran for nearly four years; Los Angeles, where it ran for two years; and San Francisco, where it ran for nearly two years, as well as two North American Tours.

The Broadway sensation WICKED looks at what happened in the Land of Oz…but from a different angle.  Long before Dorothy arrives, there is another young woman, born with emerald-green skin, who is smart, fiery, misunderstood, and possessing an extraordinary talent. When she meets a bubbly blonde who is exceptionally popular, their initial rivalry turns into the unlikeliest of friendships…until the world decides to call one “good,” and the other one “wicked.”

With a thrilling score that includes the hits “Defying Gravity,” “Popular” and “For Good,” WICKED has been hailed by The New York Times as “the defining musical of the decade,” and by Time Magazine as “a magical Broadway musical with brains, heart, and courage.”  NBC Nightly News calls the hit musical “the most successful Broadway show ever.”

Based on the novel by Gregory Maguire, WICKED has music and lyrics by Stephen Schwartz, and a book by Winnie Holzman.  The production is directed by Tony Award winner Joe Mantello with musical staging by Tony Award winner Wayne Cilento.  WICKED is produced by Marc Platt, Universal Stage Productions, The Araca Group, Jon B. Platt and David Stone.

The blockbuster film version of WICKED opened on November 22nd, 2024, and has become the highest grossing film based on a Broadway musical in history. The highly anticipated second film WICKED: FOR GOOD opened on Friday, November 21st, 2025.

For more information about WICKED, please visit www.WickedTheMusical.com.

First National Lampoon’s Christmas Vacation Station Wagon, RV, and Squirrel Bobbleheads Unveiled

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This morning, to celebrate the anniversary of the 1989 release of “National Lampoon’s Christmas Vacation,” the National Bobblehead Hall of Fame and Museum unveiled an officially licensed collection of three National Lampoon’s Christmas Bobbleheads featuring the Station Wagon, RV, and Squirrel. All three played prominent roles in the slapstick comedy that debuted on December 1, 1989. These mark the first bobbleheads of the National Lampoon’s Christmas Station Wagon, RV, and Squirrel. The special edition bobble is being produced by the National Bobblehead Hall of Fame and Museum, an official licensee of National Lampoons.

With classic wood paneling, which was popular at the time, the bobble is a replica of the Griswold family’s 1989 station wagon. It features a large Christmas tree tied to the roof of the vehicle. The bobbles, which are individually numbered to 1,989, are available exclusively through the National Bobblehead Hall of Fame and Museum’s Online Store. Expected to ship in May, the bobbleheads cost $35 each or $100 for the set of three, plus a flat-rate shipping charge of $8 per order.

Many people remember the boxy, wood-paneled, green 1979 Ford LTD Country Squire wagon (aka the “Wagon Queen Family Truckster”) from “National Lampoon’s Vacation,” but the Griswold family switched out vehicles for “Christmas Vacation.” There were two cars made for the movie – a 1988 model and a 1989 model. The car’s wood paneling was custom-made for the film, an homage to the original Family Truckster’s wood paneling. Over the years, fans have created replicas of the car for holiday events and parades.
One of the most memorable scenes involving the 1989 Ford Taurus Wagon is when Clark Griswold drives the family to cut down the perfect evergreen in the snow-covered countryside. The gigantic tree was later strapped to the roof of the car with the roots still attached. In an earlier scene, Clark gets into a road competition with the driver of a pickup truck in a dangerous game of cat and mouse. Clark gets the car stuck under a logging trailer, leaving him no choice but to veer the car off the road and jump hundreds of feet after launching his family over a snowbank. The car crashes into a sign that reads “TREES” at a tree farm.

The Christmas squirrel scene is one of the film’s most memorable and chaotic moments. When the Griswold family brings their freshly cut Christmas tree indoors, they unknowingly bring along a stowaway squirrel hiding in its branches. Once the tree warms up inside the house, the startled squirrel emerges and proceeds to wreak absolute havoc, leaping wildly around the living room, climbing up curtains, and causing the family to scatter in panic. The scene escalates hilariously when the family dog and cat join the chase, turning the carefully decorated room into a disaster zone. Clark Griswold’s bumbling attempts to catch the creature only make things worse, perfectly capturing the film’s theme of well-intentioned holiday plans gone spectacularly wrong. This slapstick sequence has become an iconic representation of the unpredictable chaos that can strike even the most carefully planned family Christmas celebrations, and it remains a favorite clip that gets shared every holiday season.

In the movie, Cousin Eddie and his family arrive at the Griswold home in a dilapidated RV that perfectly embodies their down-on-their-luck lifestyle. The battered motorhome parks uninvited in Clark’s driveway, and Eddie proceeds to empty its sewage tank directly into the street storm drain in one of the film’s most memorable (and revolting) scenes. The decrepit RV serves as both transportation and temporary housing for Eddie, his wife Catherine, their kids, and their Rottweiler Snots. The vehicle is a visual representation of Eddie’s financial struggles and oblivious lack of social graces—he and his family essentially move into the Griswolds’ home while keeping the RV parked outside as a constant reminder of their unwelcome extended stay. Later in the film, when Clark finally receives his long-awaited Christmas bonus, which turns out to be a jelly-of-the-month club membership instead of cash, his subsequent meltdown leads to Eddie kidnapping Clark’s boss in the RV to bring him to the Griswold house to make things right. The ramshackle motorhome has become as iconic to the film as the squirrel scene or the overloaded Christmas lights, symbolizing the unpredictable relatives who crash holiday celebrations everywhere.

“We’re thrilled to team up with National Lampoon’s to unveil the first bobbleheads of the station wagon, squirrel, and RV on the anniversary of the iconic movie,’” National Bobblehead Hall of Fame and Museum co-founder and CEO Phil Sklar said. “We’ve put a lot of work into these bobbleheads and think fans are going to love them!”

HAMNET – A Review by Cynthia Flores

From Academy Award-winning writer/director Chloé Zhao of 2021’s Nomadland fame comes the powerful story of love and loss that inspired the creation of Shakespeare’s masterpiece, Hamlet.

Chloé Zhao is a one-stop force of nature with this feature. She was not only the writer and director of Hamnet, but is also its producer and editor. This puts her in the company of such great directors as Christopher Nolan, Stanley Kubrick, Quentin Tarantino, Alfred Hitchcock, and George Lucas. Directors who are known for having this kind of extensive control over their creative vision and shaping their projects from conception to the final cut. Because of this freedom, Zhao has given us a beautiful, bone-achingly austere study on family, love, loss, and what we leave behind.

Hamnet is based on the best-selling historical fiction novel by Maggie O’Farrell, also titled Hamnet. In this book about William Shakespeare’s family, she speculated that the death of his 11-year-old son, Hamnet, from the plague inspired the writing of the iconic play Hamlet. So this film goes with that assumption and lets us see the lives of Agnes and William Shakespeare from their early sweet courting days to the bleak season of grieving the loss of a child.

The creator of this film, Chloé Zhao, when asked why she wanted to make this film, said:

I have been afraid of death all my life, and as a result, I have been afraid of love as well. I didn’t know how to keep my heart open, staring at the impermanence of life. I’ve made four films about characters experiencing great loss and finding themselves through acceptance. HAMNET is the accumulation of that journey. With the sacred container of Shakespeare’s Hamlet, I went down deeper into the underworld to retrieve what was lost, that made me so afraid to experience both love and death. Maggie had opened a portal with her book, a bridge for us to connect with Will in ways we haven’t before.

“All things in life must die, passing through nature to eternity.”

“To be or not to be, that is the question.”

“The rest is silence.”

Will had written a story about love and death, and I feel honored and fortunate to be able to interpret his messages for today’s audience. We knew, felt, that he was with us.

 

The casting for Hamnet is fantastic. I am predicting Best Actress, Actor, Best Supporting Actress, and two Best Supporting Actor Oscar nominations for the real-life brothers Noah and Jacobi Jupe, who play Hamlet on stage and Hamnet, Shakespeare’s actual son.

This film also has a haunting score by Englishman Max Tichter. He incorporated basic elements of Elizabethan music and instrumentation, then mixed them with electronic components to set the mood for each scene. His ability to translate profound human experiences, such as those Shakespeare’s family goes through, is magic in itself. The score seeps into the back of the audience’s mind, cementing them into the moments on screen that are so brilliantly acted. 

I give Hamnet 5 stars. It’s a brilliant film that will be on everyone’s best of list for this year, and the one to beat come Oscar time. It is a must-see film this holiday season. It will be added to people’s collections once it becomes available to purchase.

 

Directed by: Chloé Zhao

Written by: Chloé Zhao, Maggie O’Farrell

Rated: PG-13

Sekig Rsting: 5 Stars

Running Time: 2 hr 5 min

Drama/ Period / Biography

Wide Release: In theaters November 26th

Starring: Jessie Buckley, Paul Mescal, Jacobi Jupe, Emily Watson, Noah Jupe

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

THE OLD WOMAN WITH THE KNIFE – A Review by Cynthia Flores

Well Go USA has done it again. As a company, they always strive to exhibit films with craft and substance. This new film, The Old Woman with the Knife, meets that mark and is a must-see movie.

The film is the origin story of Hornclaw (Lee Hye-yeong). She is known as the lead assassin in an organization that deals in pest control. This is a euphemism for killing evil or corrupt people who deserve it.

We learn that when she was young, she was cast out to die as useless. That is, until Ryu (Kim Mu-yeol) and his family take her in and treat her kindly. After she thwarts an American soldier from raping her, Ryu takes her under his wing and teaches her how to be deadly and of use to the organization that he works for.

Much time has passed, and Hornclaw is now sixty-five, with knives being her weapon of choice. She is one of the organization’s top assassins, feared and respected by all. But her deadly precision is beginning to falter as her age and battle wounds catch up with her body. In the world of assassins, uselessness is not tolerated well.

Her fame is sought by a reckless young assassin named Bullfight (Kim Sung-cheol). Think back to the old Wild West when the young gunslingers tried to take down the older, infamous gunslingers to get instant credibility. Hornclaw has to deal with this nuisance while hiding her shaking hand and navigating the new politics of the organization, which may want her and her old ideas of who they can take out gone so that they can make more money. Hornclaws’ survival depends on “staying sharp” – both blade and mind.

The style, cinematography, and score for this film are top-notch, delivering a high-octane, blood-soaked take on aging. Veteran Korean actress Lee Hye-yeong has appeared in a few other films featuring intense action sequences throughout her four-decade career. But she’s more of a dramatic actress, having worked in live theater, classic movies, and TV dramas. These chops give weight to her portrayal of Hornclaw in The Old Woman with the Knife. Adding a layer of gravitas to what could have just ended up as a throwaway action movie.

In real life, Lee is only 62 years old. But you would think she is a kick ass action star with all the physicality of this role. Her portrayal of Hornclaw in this film elevates it to a study on aging and obsolescence while delivering all the sensational over-the-top fighting sequences we love in this kind of film.

I give The Old Woman with the Knife 4 stars. It’s a great film to anchor a franchise on. There is plenty of fighting action to keep fans happy and coming back for more. Catch it on your favorite streaming platform or, better yet, buy the DVD or Blu-ray to add it to your collection.

 

Directed by: Kyu-dong Min

Written by: Gu Byeong-mo, Kim Dong-wan, Kyu-dong Min

Rated: NR

Selig Rating: 4 Stars

Running Time: 120 min

Foreign/ Action/ Thriller

Release: lands on Blu-ray and DVD exclusively through Amazon® on November 25

Starring: Lee Hye-yeong, Kim Sung-cheol, Kim Mu-yeol

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

HEAVEN – A Review by Jenn Rohm

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Lightyear Entertainment has remastered Diane Keaton’s directorial debut film Heaven.  In 1987, she interviewed a variety of people with differing religious beliefs, asking questions such as “Are you afraid to die?” “What happens in heaven?” and “Is there sex in heaven?”  This was mixed with clips from several films, including Stairway to Heaven (1946), Metropolis (1926), Green Pastures (1936), A Guy Named Joe (1943), The Horn Blows at Midnight (1945), and The Passion of Joan of Arc (1928).

When the film was released, it received mixed reviews, including Roger Ebert’s in the Chicago Sun-Times. He wrote, “I am glad I saw. Some of the old film clips, for example, of angels being issued their wings.  A debate between a believer and an atheist.  And the utter certainty of some of the subjects, who know for sure what cannot by definition, be known at all.”  Additionally, his opinion was the “… movie that is not quite realized.  The weakness, I think, is in Keaton’s excessive attention to visual detail.”

Keaton had a clear vision, and it is very reflective of when this was made.  With most of the interviews taking place in white rooms, some with windows showing scenes from movies, while others lit with red light and shadows, as if blinds were hung in front of the light source.  This switch between High-key and Low-key was very avant-garde and supports this being more art house than mainstream.  Later in 1987, Keaton directed the music video for “Heaven Is a Place on Earth” (Belinda Carlisle), and in my opinion, this was a more refined version of her vision.

I am also glad that I watched the piece.  I have found myself thinking about how I would answer the questions and about some of the answers given.  Interviewees covered a broad spectrum of beliefs, from the holier-than-thou misogynistic to atheistic defending not needing to prove what they do not believe exists, does not exist.  People in the middle of the scale had some sweet and humorous responses, such as Jesus in jeans and a T-shirt, and ones about how much they love their partner.

Watching it in 2025 also had a bit of a time capsule effect for me.  The way the set and lighting were done, the music choices, the hair, makeup, and wardrobe.  This led to memories of my life in 1987, and it was a lovely walk down memory lane.

 

 

Director: Diane Keaton

Cast: Michael Agbabian, James Allport, Lazaro Arvizu

MPAA Rating: PG-13

Selig Rating: 3 stars

Runtime: 1h 18m

Original Release Date: April 17, 1987

Link to hi-def rental November 14 – December 31, 2025: HEAVEN hi-def rental

Genre(s): Documentary

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

ADO – Interview with Filmmaker Sam Henderson

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Filmmaker Sam Henderson spoke with Gadi Elkon about the close-to-home inspiration for his powerful short film, ADO.