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A BIG BOLD BEAUTIFUL JOURNEY – A Review by Jenn Rohm

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Life is messy, and dating is even more so.  What would happen if you could experience specific moments in your life that shape your relationships?  What if the person you want to date (and who wants to date you) was able to share that experience?  This is the central theme in Kogonada’s latest release, A Big Bold Beautiful Journey.

David, Colin Farrell, attends a friend’s wedding, where he meets Sarah, Margot Robbie.  The two of them find each other attractive, but they don’t take it further than those initial conversations.  The next day, while on the way home, they cross paths again and go on a journey together. The summary from SONY pictures is on spot without giving much away:

Some doors bring you to your past. Some doors lead you to your future. And some doors change everything. Sarah (Margot Robbie) and David (Colin Farrell) are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on A Big Bold Beautiful Journey – a funny, fantastical, sweeping adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present…and possibly getting a chance to alter their futures.

The audience is taken on a cinematic journey through a variety of movie styles. At times, the visual choices and narrative rhythm evoke the whimsical precision of Wes Anderson’s The Grand Budapest Hotel. In other moments, the story dips into the surreal, reminiscent of Eternal Sunshine of the Spotless Mind. One sequence exploring David’s past even unfolds as a high school musical, adding a playful layer to the storytelling.

A personal favorite of mine is a series of scenes staged in minimalist theater—barebones and raw, down to the dusty floor that left the actors’ feet visibly dirty. These moments strip away spectacle and focus on emotion.

It’s not just the script or the set design that transports us—the cinematography plays a vital role. The deliberate use of crisp or grainy visuals mirrors the aesthetic of the TV shows and films from the eras we’re dropped into, grounding the segments in its own time and texture.

The opinions on this film appear to be polar extremes; I happen to be on the like it/enjoyed it side of the scale.  I suggest checking it and deciding where you land on the scale.  I also recommend choosing the GPS package option the next time you rent a car.

 

Director: Kogonada

Cast: Colin Farrell, Margot Robbie, Kevin Kline

MPAA Rating: Rated R for language.

Selig Rating: 4 stars

Runtime: 1h 39m

Release Date: September 19, 2025

Genre(s): Drama, Fantasy, Romance

Movie Site: A Big Bold Beautiful Journey website

Trailer: A Big Bold Beautiful Journey trailer

 

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

THE SENIOR – A Review by John Strange

In 2007, Mike Flynt went out for the Sul Ross State University football team.  What’s odd about this?  Mike was 59 years old!

Mike had something to prove to himself.  At the beginning of his senior year in the early 70s, this team captain was kicked off the team and out of school for fighting.

The Senior is based on the book that Mike Flynt wrote about this.  Michael Chiklis plays the older Mike as he discovers he still has a year of football eligibility.  At 59, he is still dealing with the issues his father left him with emotionally.  He is too quick to use his fists to solve problems.

Watching the scene of Mike walking out on the football field for the first time since he left the university was intense.  I talked to Michael Chiklis at a red carpet about this scene.  (See the interview and others from the film on the Selig Film News YouTube channel.)  The cameras were rolling as he walked onto the field for the first time in years.  You can see the emotions play across his face.

The football action is believable.  The story of Mike fighting for acceptance and to fit in with these young kids is well written, well directed, and well acted.  Watching Mike Flynt doing what it takes to get his body and mind right for playing the game of football is a large part of the film.  He must come to terms with who and what he is to survive this. 

The Senior is an excellent film made here in North Central Texas, over in Haltom City, with the football scenes played at Birdville Stadium.  In fact, per Mr. Chiklis during our interview, they shot the whole movie in this area.  He was impressed with the diversity of locations here in North Texas.

And look for local actors and actresses playing parts in the film.  There are several!

I will definitely be adding this film to my collection!

 

Director: Rod Lurie

Cast: Michael Chiklis, Mary Stuart Masterson, Rob Corddry, Brandon Flynn, Todd Terry, Terayle Hill, Brady Box, Aiden Call, Steve Mokate, Erica Muse, Gail Cronauer, Chris Setticase, Major Dodge, Robin Clayton, Vhelma Richardson, Malik Watson, Corey Knight

MPA Rating: PG (for thematic content, violence, language, and a suggestive reference)

Selig Rating: 5 Stars

Runtime: 99 Min.

Release Date: 09/19/2025

Language: English

Genre(s): Drama, Sport

Trailer: THE SENIOR Official Trailer

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

THE SENIOR – A Review by Jenn Rohm

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Fall has arrived, school is back in session, in Texas, we are hoping for a chill in the air, and Football season is starting.  What better time to release one man’s redemption story on the gridiron?

Based on the true story of Mike Flynt, we follow the tale of a man whose college experience was marked by an event that changed the course of his life.  Almost forty years later, he returns to a class reunion and comes up with an idea on how to make restitution.

Michael Chiklis plays the adult Mike Flynt, and Mary Stuart Masterson is adult Eileen Flynt, both providing believable performances.  I got caught up in the story and at times forgot they were acting out someone else’s story.  Other than the first time they were on screen, and I recognized who they were, did any prior roles cross my mind.  It can be a challenge to play the role of another person, especially when that person is still alive.  The cast of this project appears to have taken great care to be true to the real person they were representing.  I also appreciate that some of the not-so-pretty moments in life were included in a way to support the why of certain behaviors, and never as an excuse for the behaviors.

College football is part of this story as well.  The way practices and games were filmed struck a balance between making you feel like you were on the field and in the stands.  Football fans will appreciate this perspective.

The film also touches on some personal Christian religious moments and the impact of faith on some of the characters’ lives.  This provides a deeper insight into the people’s identities, without being “preachy” to the audience.

For fans of Football, Texas, and/or stories based on real people, this is a well-made option.

 

Director: Rod Lurie

Cast: Michael Chiklis, Mary Stuart Masterson, Rob Coddry

MPAA Rating: Rated PG for thematic content, violence, language, and a suggestive reference.

Selig Rating: 3.5 stars

Runtime: 1h 39m

Release Date: September 19, 2025

Genre(s): Drama, Sport

Movie Site: The Senior website

Trailer: The Senior trailer

 

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

LONDON CALLING – A Review by Jenn Rohm

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Aging is something we all (hopefully) go through.  Some people take parts of it harder than others.  In the new action/comedy/drama film, London Calling, the audience gets to see this from the perspective of the once top hitman, Tommy Ward, played by Josh Duhamel.  When out on a job, he makes a mistake that accepting changes with aging could have prevented.  To keep himself alive, he must leave the country.  The story picks up a year later in the United States, where his now boss, Benson, Rick Hoffman, assigns him the task of “manning up” his son.  Julian, Jeremy Ray Taylor, is a good teenager who is a little on the geeky side.  Ward finds himself torn between wanting to fulfill his assignment and the desire to preserve Julian’s true self.

The good outweighed the negatives for me on this one.  My first negative is that the story itself is a version of stories we have seen before, and I found it to be very predictable.  And my second negative was that the gore factor went further than I like.  There are others out there who will say it didn’t go far enough, and they are welcome to their opinion.  Now, for what I liked about this movie.  The choices in how this was filmed are what pulled me in, and the characters the cast brought to the screen kept me watching.  Lighting choices in the opening sequence and the view from Ward’s perspective helped clarify the events unfolding.  There is also a continuation of lighting changes, being gloomier for the night sequences in London, which shifted to very bright in California.  As I didn’t check the time while watching, I will say the pacing was good.  An enjoyable balance between action sequences, learning about the characters, and occasional moments of teenage life was struck.

The portrayal of the characters by the cast was believable.  Duhamel brings us a hitman who, for the most part, accepts who he is and the mistakes he has made in the past.  The character is a little vain with some fear of aging.  At his core, he is loyal and as honest as he can be in his line of work.  Taylor brings a touch of innocence and awkwardness, paired with a large heart.  He wants to make his father proud, yet doesn’t want to lose the person he has become in the process.  Neil Sandilands and Brandon Auret are the McRory brothers. They don’t apologize for who they are, and their fidelity to each other is unquestionable.

If you like action/comedy/drama and are looking for a way to sit back, relax, and maybe enjoy a few too many gunshots take the time to check this one out.

 

Director: Allan Ungar

Cast: Josh Duhamel, Jeremy Ray Taylor, Rick Hoffman

MPAA Rating: Rated R for strong/bloody violence, language throughout, drug use and some sexual content.

Selig Rating: 3.5 stars

Runtime: 1h 54m

Release Date: September 19, 2025

Genre(s): Action, Comedy, Drama

Movie Site:

Trailer: London Calling trailer

 

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

WALTZING WITH BRANDO – A review by Jenn Rohm

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Hollywood is filled with interesting people, and there are some the world would like to know more about.  Marlon Brando is one of these people.  He was an advocate for many things and helped show ways to do so.  Waltzing with Brando allows the audience to learn about one of his legacies located in the atoll of Tetiaroa.  This area is made up of multiple small islands surrounding a lagoon.  It is about 20 minutes by air from the main island of Tahiti, French Polynesia.  The Tetiaroa Society conducts scientific research with a focus on its ecology.  There is also a luxury resort with villas, a spa, and options for activities.  The story is based on the book by Bernard (Bernie) Judge, which he wrote using his journals from his real-life experience in Tahiti with Brando.

Billy Zane becomes Marlon Brando on the screen, from his natural physical similarities and the work by the film’s makeup department, led by Cici Anderson.  His performance shows that he has studied footage of Brando and successfully replicates his mannerisms and speech patterns.  During his research and work on this project, Zane learned about Brando’s interest in environmental rights and options to live without damaging the planet.

The film covers 1969 – 1974 and is primarily the story of Bernard Judge, Jon Heder, being hired to create an environmental resort in Tahiti.  Judge is a happily married man and father.  He is living the dream life for the time.  Upon arriving in Tahiti, he is shown a different way of life with fewer societal rules and an appreciation for the planet.  Once he is connected with Brando, Judge slowly begins to question and adapt to living in French Polynesia.  The building of an environmentally sound facility becomes his focus.  And the struggle between what is realistic and the best choices is balanced against Brando’s vision and the available finances.

Those familiar with Brando’s filmography are aware that this time period covers the filming of The Godfather and Last Tango in Paris.  Moments showing possible options for Brando’s preparation and filming scenes from these movies are included. One notable scene involving a purring cat was selected to be re-enacted.  There are also highlights from moments of Brando’s activist side with marginalized groups of people.  This includes supporting Martin Luther King Jr. and his work, and the American Indian Movement, with the 1973 Academy Awards, with Scheen Littlefeather refusing his award for him.

Blended in with these polarizing beliefs and opinions, the beauty of the islands allows the audience to feel like they themselves are on a tropical vacation.  A bonus is that the necessary yet annoying mosquitoes are not present.

I enjoyed this film and have found myself researching The Tetiaroa Society and its other areas of activism.  It is worth the price of a ticket to see on a big screen, taking a moment to escape and possibly inspiring yourself to make a few changes in how you live.

At the time of writing this piece, the MPAA rating was not available.  If you have younger people under your care, it is up to you to decide if they are mature enough for the content of this film.  The term hedonistic has been used as a descriptor for some of his life choices.

Director: Bill Fishman

Cast: Billy Zane, Jon Heder, Camille Razat

Selig Rating: 4 stars

Runtime: 1h 44m

Release Date: September 19, 2025

Genre(s): Drama

Trailer: Waltzing with Brando trailer

Boise Film Festival 2025 Announces Film Lineup and Panels for October Fest

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The Boise Film Festival returns for its highly anticipated second edition October 2-5, kicking things off with a celebration of Idaho-shot and produced short films screening at the Historic Egyptian Theater. BFF has grown its highly curated line up, now totaling 38 films, including 16 features (12 narrative and 4 documentaries), and 22 shorts. This year’s edition will also feature the film festival’s master classes on film producing and screenwriting, headed up by award-winning Idaho-based filmmaker Heather Rae (Fancy Dance, Frozen River, Trudell), and director/screenwriter Steven Susco (Unfriended: Dark Web, The Grudge, The Grudge 2), and will conclude with BFF’s celebrated big show filmmaker awards ceremony, which will be hosted by comedian Craig Shoemaker.

The film festival’s epicenter and all screenings will be held at Boise’s Egyptian Theater (700 West Main Street) and The Flicks (646 West Fulton Street), with the filmmaking panels taking place at Idaho Film Society (1212 W. Bannock Street).

BFF Founders and Executive Directors, Christine and Mark Holder (producers of Bandidos, Beasts of No Nation) said, “We knew following the success of last year’s debut was going to be a challenge, but it was one we were excited to take on. From the beginning, we have been dedicated to promoting and celebrating our local Idaho-based filmmakers and productions, and Opening Night will start things off right giving them the rock star treatment with a gala red carpet event. We also anticipate a number of our talented filmmakers making the trip to Boise with their films to meet the city’s film lovers and talk about film in a city that provides the best backdrop to those conversations they could imagine.  Add our master classes and another planned big show for our filmmaker awards, and this will be a weekend you won’t want to miss.”

Opening the new film festival will be a special collection of short films locally shot and produced, as the Boise Film Festival gives them a gala platform. Those films include Taylor Hildebrande’s After the End about four young woman forced to scavenge a dangerous wasteland for survival;

Hailey Jackson Boucher’s period drama Brackett & Folder about an inmate pleading for release so she can care for her WWI veteran father; Andrew Ellis’ Dog Person about a man whose life is turned upside down by a person in a dog mask; Drew Garcia’s Fan Film a dark look at filmmakers who pursue their vision at any cost; and Dylan Hamar’s period thriller The Rabbit about a desperate hunter who runs afoul of a vengeful Native spirit.

Also screening on Opening Night will be Tom Taylor’s animated short Sam and Duke’s Big River Adventure which finds the adventurous duo is off an amazing journey along a river in their tiny boat; Justin Bass’ Sloppy Joe in which a personal chef strives to reignite joy in his dissatisfied client; Kody Newton’s Thad & Mr. Black about a recently homeless man and his little yorkie trying to impress his dream girl; Jessica Melton’s Violet looks at a couple in the future dealing with thoughts and feelings she shouldn’t be having; and Colin Kelly Hingel’s Wormhole which looks at what happens when a man, post-break up, gets on a mysterious video chat website.

Highlights among the narrative features include Matthew Shear’s Fantasy Life, winner of two awards at SXSW, about a man who stumbles into a job babysitting his psychiatrist’s three granddaughters, ending up in a house with the woman he pines for, her husband, the three kids, and all four grandparents, including his psychiatrist. Kuna, Idaho local filmmaking brothers B. Robert Anderson, and J. Markus Anderson’s If You Should Leave Before Me focuses on a married couple who serve as guides to the recently deceased, leading them to the afterlife. Tyler Cornack’s Mermaid focuses on a man who discovers a wounded mermaid at his lowest point fighting a drug addiction. Tina Romero’s Queens of the Dead, Tribeca Film Festival Audience Award winner pits drag queens against zombies in Brooklyn.

Documentary features include Adam Bhala Lough’s Deep Faking Sam Altman which tales a deep dive into understanding the technology and people at the center of the AI boom with the assistance of an AI version of the father of AI, OpenAI CEO, Sam Altman. The film debuted at SXSW. Abraham Troen and Angelique Molina’s Just Sing  is an inspiring coming-of-age musical documentary that follows the SoCal VoCals as they vie for the championship title in the International Competition of Collegiate A Cappella—the “Super Bowl of song.” Cody Sheehy’s The Last Dive        a man whose life was transformed by an unlikely friendship with a 22-foot oceanic manta ray. Now in his 80’s, the man embarks on one final journey to a remote island in hopes of reuniting with his old friend. Jesse Moss and Amanda McBaine’s festival favorite Middletown follows a group of teenage misfits, inspired by a renegade English teacher, who embark on a student film project, unexpectedly uncovering a vast conspiracy.

As part of the Boise Film Festival’s mission to bring Hollywood to Boise, BFF will feature three Inner Circle Master Classes focused on insider looks at film producing and screenwriting. Friday, October 4, VFX Producer Tyler Cordova (Lilo & Stitch) will head up a VFX Masterclass sharing the artistry and innovation behind today’s most breathtaking visual effects on the big screen. Saturday, October 5, Heather Rae will take aspiring filmmakers through the producing toolkit from the ground up at her Producing Masterclass with Heather Rae at the Idaho Film Society. Rae, award-winning producer and advocate for artist-driven, culturally resonant cinema, will lead an intensive session, breaking down the real-world path taking a film from concept to market. On Sunday, October 6, Steven Susco will take the reins during the Writing Fearlessly: Steven Susco on Story & Screen panel, also at the Idaho Film Society. Susco will lead emerging and mid-career screenwriters through topics including story conception and development, writing for genre and character, structuring suspense, dialogue that resonates, and strategies for breaking into and sustaining a career in screenwriting.

The Boise Film Festival will have its job cut for it matching the show they put on during last year’s Closing Night Gala and Filmmaker Awards Ceremony. This year’s MC duties will be handled by comedian Craig Shoemaker on Sunday, October 5 at the Grove Hotel (245 S. Capitol Blvd.), Along with the announcement and presentation of the filmmaker awards (both jury and audience) will be a special presentation honoring film producer Larry Leasure (My Promise to PJ, The Diamond Detectives) with the Esther Simplot Excellence in the Arts Award.

To purchase passes and tickets, or for more information, please go to: https://www.theboisefilmfest.com/.

 

2025 BOISE FILM FESTIVAL (BFF) Official Selections

 

OPENING NIGHT GALA SELECTIONS

 

After the End

Director: Taylor Hildebrande

Country: USA; Running Time: 10:10 minutes

4 young woman scavenge the wasteland of what used to be farms for seeds and other useful items. But when nature shows how dangerous it can be, things get deadly.

 

Brackett & Folder

Director: Hailey Jackson Boucher

Country: USA, Running Time: 8 minutes

Based off a true story in 1923, inmate Hannah Folden pleads with the warden for her release from the Idaho state penitentiary so that she may take care of WWI veteran Walter Brackett, who is suffering from Tuberculosis.

 

Dog Person

Director: Andrew Ellis

Country: USA, Running Time: 4 minutes

A man on vacation has his life turned upside down by a person in a dog mask.

 

Fan Film

Director: Drew Garcia

Country: USA, Running Time: 16 minutes

In Fan Film, ambition blurs into obsession as filmmakers pursue their vision at any cost, spiraling into a dark journey of creation and consequence.

 

The Rabbit

Director: Dylan Hamar

Country: USA, Running Time: 10 minutes

In 1910, a desperate hunter steals a freshly killed rabbit to feed his starving family. But what seems like a small act of survival awakens a vengeful Native spirit that stalks him through the snowbound wilderness. As desperation turns to terror, he discovers that some thefts can never be forgiven.

 

Sam and Duke’s Big River Adventure       

Director: Tom Taylor

Country: USA; Running Time: 9:26 minutes

Sam and Duke are at it again. This time the adventurous duo is off an amazing journey along a river in their tiny boat. Take a ride with Sam and Duke and enjoy the beauty, wonder and perils of their biggest adventure yet. This is the third animated short children’s movie installment for The Adventures of Sam and Duke.

 

Sloppy Joe

Director: Justin Buss

Country: USA, Running Time: 14 minutes

A personal chef strives to reignite joy in his dissatisfied client.

 

Thad & Mr. Black

Director: Kody Newton

Country: USA, Running Time: 12 minutes

Thad is recently homeless with his little yorkie named Mr. Black. After they meet his dream girl, Sandy, Thad has to try to impress her in her coffee shop.

 

Violet

Director: Jessica Melton

Country: USA, Running Time: 12 minutes

In a near future where love and marriage face new complexities, Violet confronts Henry about thoughts and feelings she shouldn’t be having.

 

Wormhole

Director: Colin Kelly Hingel

Country: USA, Running Time: 14:16 minutes

After getting broken up with over the phone, a guy distracts himself with screen time and other vices. He decides to visit a mysterious video chat website called ‘Wormhole’ where he meets someone. The following day becomes peculiar.

 

 

NARRATIVE FEATURES

 

American Sweatshop

Director: Uta Briesewitz

Countries: USA/Germany, Running Time: 93 minutes

A content moderator (Lili Reinhart) is tasked with purging offensive media from the internet. When she witnesses a crime in a video, she is lured away from the safety of her keyboard as she obsessively seeks to hold someone accountable.

 

April X

Director: Michael K. Parandi

Country: USA; Running Time: 96 minutes

In a fractured near-future, twin siblings Bax and April are separated by forces neither fully understands. We watch Bax spiral into madness, unraveling the boundary between identity and memories.

 

Fantasy Life

Director: Matthew Shear

Country: USA; Running Time: 91 minutes

After losing his job as a paralegal, Sam Stein suffers a panic attack and stumbles into a job babysitting his psychiatrist’s three granddaughters. The girls’ mother, Dianne, is an actor whose once-promising career has stalled; she’s in a difficult marriage to David, a rock bassist. When David goes abroad on tour, Dianne and Sam discover an easy rapport. Sam joins Dianne’s family to babysit for the summer on Martha’s Vineyard, and he ends up in a house with the woman he pines for, her husband, the three kids, and all four grandparents, including his psychiatrist.

 

Hello Out There!       

Director: Otis Blum

Country: USA; Running Time: 90 minutes

Minnie, a young journalist, and Rex, her cousin fresh out of rehab, road trip through New Mexico to meet a mysterious man who claims to have proof of alien life and access to Area 51. As the journey unfolds a more personal reason for the quest comes to light.

 

Idiotka

Director: Nastasya Popov

Country: USA, Running Time: 82 minutes

In West Hollywood’s Russian immigrant district, Margarita lives out the American Dream: competing on a reality show. Will she slay, serve, or survive?

 

If You Should Leave Before Me

Directors: B. Robert Anderson, J. Markus Anderson

Country: USA, Running Time: 116 minutes

Mark and Joshua, a married couple, face a devastating loss that strains their relationship. To escape grief, they focus on their unconventional jobs as guides for the recently deceased, leading them to the afterlife.

 

In Our Blood

Director: Pedro Kos

Country: USA, Running Time: 89 minutes

Emily Wyland teams up with cinematographer Danny to shoot an intimate documentary about reuniting with Emily’s estranged mother after a decade apart. When her mother suddenly goes missing, possibly succumbing to the addictions that first tore her family apart, Emily and Danny must piece together increasingly sinister clues to find her before it’s too late.

 

Magic Hour   

Director: Katie Aselton

Country: USA; Running Time: 80 minutes

Erin and Charlie escape to the desert to navigate an unexpected and challenging new phase of their relationship.

 

Mermaid

Director: Tyler Cornack

Country: USA, Running Time: 105 minutes

A Percocet-addicted ‘Florida Man’ finds a wounded mermaid at his lowest point. Fascination becomes a drug infused, one sided relationship — sending him further into decline. When word spreads about his secret, he’ll stop at nothing to protect her.

 

Omaha           

Director: Cole Webley

Country: USA; Running Time: 83 minutes

After a family tragedy, siblings Ella and Charlie are unexpectedly woken up by their dad and taken on a journey across the country, experiencing a world they’ve never seen before. As their adventure unfolds, Ella begins to understand that things might not be what they seem.

 

Queens of the Dead

Director: Tina Romero

Country: USA, Running Time: 99 minutes

Drag queens and club kids battle zombies craving brains during a zombie outbreak at their drag show in Brooklyn, putting personal conflicts aside to utilize their distinct abilities against the undead threat.

 

Recollection

Director: Caden Butera

Country: USA, Running Time: 119 minutes

In a society where people rely on technology to remove painful memories, a glitch returns Kate’s memories, uncovering a dark truth about her past and those responsible. It’s 2033, and memory cleansing has taken society by storm. Thanks to Vitality’s technology, yesterday’s troubles are forever forgotten…or so sullen Kate (Rosslyn Luke) believes until a glitch floods her with memories of a life erased. Now, Vitality wants to make Kate forget again. On the run, Kate joins reclusive Teddy (Falk Hentschel) who believes Vitality killed his wife and is hiding proof in one of Kate’s memories. Kate agrees to help find her missing memory and use it to expose Vitality. After close calls and dead ends, Kate and Teddy meet Sid Dyas (Eric Roberts), a sleazy clerk in Vitality’s underground who reveals a bigger conspiracy at play. Teddy and Kate are quick to devise a plan that hits straight at the heart of Vitality.

 

 

DOCUMENTARY FEATURES

 

Deep Faking Sam Altman   

Director: Adam Bhala Lough

Country: USA; Running Time: 103 minutes

Director Adam Bhala Lough sets out to better understand the technology and people at the center of the AI boom. His quest sends him on a path towards the father of AI, OpenAI CEO, Sam Altman. When he isn’t able to sit down with Altman himself, Adam travels to India to create an AI version of him to interview instead. Sam Bot is a new kind of documentary subject and collaborator, who challenges Adam in surprising and hilarious ways. Together, Adam and Sam Bot explore what it means to be alive, create art, and understand each other in an increasingly artificial world. Hartbeat partners with Vox Media Studios and Lough for this documentary based on reporting from New York Magazine.

 

Just Sing       

Directors: Abraham Troen, Angelique Molina

Countries: UK/USA; Running Time: 93 minutes

Just Sing is an inspiring coming-of-age musical documentary that follows the SoCal VoCals as they vie for the championship title in the International Competition of Collegiate A Cappella—the “Super Bowl of song.” Beyond the high-pressure rehearsals and fierce competition, the film delves into the personal journeys of its members, each facing their own battles in the pursuit of self-discovery, their dreams in music, and friendship.

 

The Last Dive

Director: Cody Sheehy

Country: USA; Running Time: 88 minutes

Terry is a legendary figure in Baja Mexico, an American veteran who has spent decades living on—and in—the water. Once a man burdened by a troubled past, Terry’s life was transformed by an unlikely friendship with Willy, a 22-foot oceanic manta ray. For nearly two decades, Willy would slap his wings against the hull of Terry’s sailboat to signal their next dive, and together they explored the ocean’s depths—an extraordinary bond that turned Terry into an unexpected conservationist. Now in his 80’s, Terry embarks on one final journey to a remote island in hopes of reuniting with his old friend. But he’s also searching for something deeper: peace, closure, and a chance to say goodbye.

 

Middletown   

Directors: Jesse Moss, Amanda McBaine

Country: USA; Running Time: 116 minutes

  1. Upstate New York. A group of teenage misfits, inspired by a renegade English teacher, embark on a student film project and uncover a vast conspiracy that is poisoning the ground beneath their feet. Banding together to confront the indifferent adults, corrupt politicians and a violent criminal organization threatening their small town, they produce an investigative documentary that causes shockwaves in their community.

 

 

 

ADDITIONAL SHORT FILMS

 

The Callback 

Director: Kara Herold

Country: USA; Running Time: 13:11 minutes

Maggie has one goal: landing a callback for a film role. Even with minuscule odds, she believes a callback will lead her to the roles she wants, the ones with depth, despite the gatekeeping of a patriarchal film industry. Believing in herself to the point of denial, Maggie applies her artistry to a multitude of outdated women’s roles: girl next door, supportive wife, pretty but silent girlfriend. Casting directors, however, aren’t impressed with her creative interpretations of these one-dimensional roles, despite painstakingly diagramming the life of a midwestern housewife “on the verge of making it,” and studying Russian for the part of “soccer mom. But the moment after she dumps all of her acting paraphernalia into a large garbage bag, her phone pings–a callback! Maggie is placed in position, contorted, bloody, covered in leaves in an abandoned field. Ever the professional, her face goes blank as the crew readies for her close-up. She’s on her way!

 

The Cello Collective                                                              World Premiere                               

Director: Ron Torres

Country: USA; Running Time: 12 minutes

Professional Cellist Sophie Marshall founds a cello collective in her hometown of Pocatello, Idaho.

 

Cherry-Colored Funk           

Director: Chelsie Pennello

Country: USA; Running Time: 16:25 minutes

Serial grifter Winston Lee has just changed his name to Roberto Ferrari and opened Roberto’s Italian Ice and Gelati – his ticket to wealth and respect. Unfortunately for Ferrari, instead of customers, seemingly everyone he’s ever wronged walks through the front door, each on a mission to settle their grievances. With an enigmatic DJ set blaring over the store speakers, Ferrari is forced to navigate the onslaught while desperately trying to cling to his dream.

 

Cub    

Director: Sofia Rubin

Country: USA; Running Time: 9:26 minutes

12-year-old Kim hates Martial Arts. Her hair is in her mouth, her opponent is a vicious little princess, and her sports bra is squeezing the life out of her. But this is her biggest tournament yet, and Dad will damn her to Hell if she doesn’t win. The scouts are here, and they could make or break her (and Dad’s) career. As anxiety and expectations build, Kim’s body starts to change: new hair sprouts from her arms, new claws pierce through her gloves, new canines knock out her mouth guard. And as Kim transforms, so does everyone else. Everyone is an animal, screeching and hollering. If they want a show, Kim will give them a show. She’ll go straight for the jugular. How about this for a prize fighter, Dad?

 

Kind Mother  

Director: Clare O’Connor

Country: USA; Running Time: 15 minutes

An estranged mother arrives at the silent retreat that her daughter is attending. When the two women engage in an unusual – and fantastical – power struggle, limits are tested, generational trauma is brought to light, and together they must grapple with mortality.

 

Reprogrammed        

Director: Christopher Guerrero

Country: Colombia, USA; Running Time: 7:40 minutes

In retro-future Los Angeles, Andrea, a lonely roboticist obsessed with creating IRIS, her groundbreaking AI masterpiece, isolates herself from everyone she loves. But as she teaches IRIS the complexities of being human, Andrea’s creation forces her to confront painful echoes of her own fractured relationship with her estranged father. Realizing true sentience means understanding messy, human connections, Andrea must mend her past before she can bring artificial life into the world, rediscovering the true meaning of family, forgiveness, and being alive.

 

Not Here

Director: Cassius Michael Kim

Country: USA, Running Time: 15 minutes

In rural Texas, Sarah’s unraveling life intersects with that of her neighbor, Jack, through a shared discovery of betrayal. As she confronts her own pressing crisis, complicated by a legal mandate in the State, she seeks Jack’s help.

 

Houston, We Have a Crush

Director: Omer Ben Shachar

Country: USA, Running Time: 10 minutes

After finding a phone accidentally left behind by an astronaut, a lonely alien develops an all-consuming crush that tests his hold on reality.

 

In the Dark

Director: Molly Ehrenberg-Peters

Country: USA, Running Time: 15:40 minutes

Haunted by her past, struggling film photographer Jade travels from New York City to her hometown in the California desert to reunite with her first love Ryan, from whom she’s been estranged for over a decade, to restage a portrait of him. While the two reconnect at their local diner, reminiscing about the past and skimming the details of the present, Jade becomes overwhelmed by a slew of repressed memories. Once she takes the photo she’s come for, which just might be the skeleton key to moving on from her former life, Jade confronts Ryan about the sexual assault that ended their relationship, the psychological burden she’s carried with her, and the limits of forgiveness.

 

Just Kids

Director: Jackie Bao

Country: USA; Running Time: 5:11 minutes

Ben, an ambitious Asian-American man shaped by his father’s immigrant experience, is visited by his inner child on his way to the top. Through an unlikely elevator ride, he experiences his childhood dreams, meets a vulnerable father, and finds a renewed sense of self.

 

Not Here

Director: Cassius Michael Kim

Country: USA; Running Time: 15:42 minutes

In rural Texas, Sarah’s unraveling life intersects with that of her neighbor, Jack, through a shared discovery of betrayal. As she confronts her own pressing crisis, complicated by a legal mandate in the State, she seeks Jack’s help.

 

The Understudies     

Director: Nick Galarza

Country: USA; Running Time: 19 minutes

The Understudies follows a starry-eyed theater geek Marlo, who, despite being just the understudy, tackles the responsibility and preparation of the lead role of his high school play.

DOWNTON ABBEY: THE GRAND FINALE – A Review by Cynthia Flores

If you’re not a dyed-in-the-wool Downton Abbey fan, starting with season 1 in 2010 and running through fifty-two episodes, which ended in 2015, and two other feature films in 2019 and 2022, then stop reading right now. Do yourself a favor and check out a review about the latest horror film, or watch sports on TV. What I am saying is that this film is not for you.

If you wander into the theater by accident or you’re on a date with one of these “Downton” fans, you’ll sit through the film and wonder what all the fuss is about. To the untrained eye, this film is slow-paced and a bit confusing if you don’t know all the backstory. And dare I say, dull.

However, to us legions of fans of the Crawley family saga and their staff who have served them through the years, it is scrumptious. It is a perfect farewell love letter to all of us. This film shows us the Crawley family and their staff as they enter the 1930s. This is a time when Lady Mary (Michelle Dockery) finds herself at the center of a public scandal that threatens the household with social disgrace. Also, the Crawleys, like most royal families of the time in England, who were used to having big houses and estates, are facing tough financial decisions that will impact the way they live out their remaining years in this modern world. These decisions will ripple through to those who have spent the majority of their lives proudly working for them at Highclere Castle.

I won’t give away any of the plot twists because there really are not that many. Instead, the film ties up loose ends. It follows the natural progression of Robert (Hugh Bonneville) and his wife Cora (Elizabeth McGovern) as they turn over the reins of the castle to Lady Mary.

The British (BSC) cinematography by Ben Smithard, who shot the first Downton Abbey feature in 2019, is back for this fine goodbye. His style and lush work are the other characters in this film. He has a talent for putting the audience firmly in a certain place and time without seeming contrived. He works well with the film’s British director, Simon Curtis. Mr. Curtis also worked with Ben on the sweet 2017 film Goodbye Christopher Robin

As a fan of Downton Abbey, you’re really going to giggle at the inside jokes and enjoy seeing everybody we loved in the series make an appearance in this film in one way or another. They even honor the late Dowager Countess of Grantham, Violet Crawley (Maggie Smith), in a heartfelt, touching way.

I give Downton Abbey: The Grand Finale 4 stars. It’s a film really only for the fans, but there are enough of us to make it worth the effort. Catch this on the big screen in theaters and enjoy this sweet goodbye with a room full of other people like yourself who enjoyed meeting the Crawleys.

 

Directed by: Simon Curtis

Written by: Julian Fellows

Rated: PG

Selig Rating: 4 Stars

Running Time: 2 hrs 3 min

Drama

Release: In theaters September 12th

Starring: Michelle Dockery, Joanne Froggatt, Elizabeth McGovern, Hugh Bonneville, Laura Carmichael, Brendan Coyle. Jim Carter

 

The Selig Rating Scale:

5 Stars – Excellent movie, well worth the price.

4 Stars – Good movie

3 Stars – OK movie

2 Stars – No need to rush. Save it for a rainy day.

1 Star – Good that I saw it on the big screen but wish I hadn’t paid for it.

VANEAST PICTURES LAUNCHES WORLDWIDE SALES OF AMBLESIDE

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Vaneast Pictures founded by Danielle Gasher has acquired the worldwide sales rights for the upcoming  period romance, Ambleside starring Ellie Bamber (Animal Friends), Rhona Mitra (Underworld: Rise of the Lycans), Rupert Penry-Jones (The Batman), JJ Feild (Captain America: The First Avenger), Mehdi Dehbi (Messiah) and Edward Akrout (Rodin). Directed by Mitch Jenkins, the screenplay was by Jason Wingard, Mitch Jenkins and the late Alan Govinden. Ambleside is based on the novel by Romesh Gunsekera and inspired by the lives of the Producers Alan and Maria Jesus Govinden.

In 1925, eighteen-year-old Lucy Gladwell is sent from England to live with her controlling uncle on the exotic paradise of Mauritius. When she falls for Krishna, a charismatic local labourer, their forbidden romance ignites across rigid divides of class. As pressure mounts and time runs out, Lucy must choose between duty and the deepest love she’s ever known — a choice that could cost her everything.

“Ambleside is a beautifully made period romance, anchored by Ellie Bamber’s luminous performance and a story of timeless love. We are confident it will resonate with worldwide audiences seeking both prestige and commercial appeal,” said Danielle Gasher, Vaneast Pictures.

“One of the greatest privileges of my life is to honour my husband in bringing Ambleside to the world, a project we both started together. As a debut producer, stepping into this role meant more than just getting Ambleside made, it meant championing a story that dares to ask  the hard questions. This film doesn’t offer easy answers, and that’s exactly why I believed in it,” said Producer Maria Govinden.

Ellie Bamber’s upcoming projects include portraying Kate Moss in the biopic, Moss & Freud, as well as a part in Warner Bros.’ Animal Friends alongside Ryan Reynolds, Jason Momoa, and Aubrey Plaza.

Ambleside is produced by Alan Govinden, Maria Govinden and Julia Govinden of AMG International and Paula Crickard of Atelier 11.

DIFF SHORTS Film Festival Announces Lineup for 2025 Edition

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DIFF SHORTS Film Festival has announced the lineup for the 2025 event, which will be held October 17 through 19 at Angelika Film Center & Café located in Mockingbird Station. With a goal of elevating short films and celebrating shorts filmmakers, the second annual DIFF SHORTS Film Festival 2025 will feature 12 themed film blocks with 85+ films, Q&As, industry panels, daily red carpets, and receptions for filmmakers and sponsors.

“With the exciting launch last year of the inaugural DIFF Shorts Film Festival, we are very pleased to present the second edition in October,” said James Faust, DIFF Artistic Director. “This year’s festival will feature more than 85 short films that showcase this unique and powerful medium for storytelling. Audiences can expect everything from laugh-out-loud comedies to moving dramas and edge-of-your-seat horrors—all packed into three unforgettable days.”

Programmers Choice Awards at the DIFF SHORTS Film Festival 2025 will be given for Best Narrative Film, Best Texas Film, Best Music Video, Best College Student Film, Best Animated Film, Best Documentary Film, and Best First-Time Filmmaker.

Audience Awards will be given for Best Narrative Film, Best Texas Film, Best Music Video, Best College Student Film, Best High School Student Film, Best Animated Film, Best Documentary Film, and Best First-Time Filmmaker.

This year’s Shorts Blocks bring together an exciting mix of stories and styles—something for every kind of movie lover. From heartfelt journeys through grief to fresh perspectives from high school filmmakers, from family-friendly adventures and coming-of-age tales to explorations of identity and relationships, the lineup is as varied as it is vibrant. Audiences can also look forward to late-night thrills, sports-themed stories, Latino voices, music videos, and everything in between. Each block is curated to showcase the creativity and diversity of voices shaping today’s short-film landscape, making every screening its own unique cinematic experience.

“Short films are where filmmakers can push boundaries—experimenting with structure, style, and story in ways that feel bold and alive,” said Amber Ekleberry, DIFF Director of Programming. “The films in this year’s lineup pack a real punch. They’re daring, inventive, and will stay with audiences long after the lights come up.”

DIFF SHORTS 2025 Official Selections | Directors | Countries of Origin

FILMS:
#1 BAD DAD – Natalie Camou – United States
AFRICAN FAMILY DINNER – Ibrahim Mursal – Norway, Somalia, Sudan
APOLLO – Giles Perkins – United States
ARROYO – John Garcia – United States
A VERY CROWDED ROOM – Nate Wilburn – United States
A WOMAN IS MANY THINGS (JUST FINE ISN’T ONE OF THEM) – Chase Musslewhite – United States
BANANAHEAD – Christopher Greenslate – United States
BATTLE OF LA – Patrick Pizzolorusso – United States
CONFESSION: BASED ON A TRUE STORY – Tommy Alexander Shumate – United States
CRAB CLAW – Steve Sanders – United States
DATING – Ammad Shaikh – United States
DELIVERY – Victor Brasil Salgado – United States
DOGS OUT OF TIME – Braden Bickle – United States
DRAINOMANIA – Christopher Greenslate – United States
DRIP – Vicente González – Colombia
ECHOES OF POMEGRANATE – Alex Bijan Zandi – United States
EGG TIMER – Rosie May Bird Smith – United Kingdom
EL BAR DE HERNANDO – Andres Felipe Bernal Farias, Maria Gomez – Colombia
FIND ME IN THE VOID – Denver Humphrey – United States
FLASH WARNING – Allegra Leguizamo – United States
FORCE 5 – David Marshall – United States
FOREVERGREEN º Nathan Engelhardt & Jeremy Spears – United States
FUTURE IS PANARAMA – Muschirf Shekh Zeyn – Syrian Arab Republic
GHOSTED – Chris Gray – United States
HASTA EN LA LUZ – Valeria A Avina – Mexico
HIGHBINDER – Max Galante – United States
I DO WITHOUT YOU – Vivian Miranda – United States
IN LOVING MEMORY OF MY TRANSGRESSIONS – Jorge. – United States
IT’S ALL GOOD – David Chausse – France
IT’S ALWAYS IN YOU – Kayla Gilchrist – United States
KARAVIDHE – Eoin Doran – United Kingdom
KITTY BRAVO IN FREEFALL FAILURE – Spencer Bryant – United States
KRÖNINGEN – Sebastian Storgaard – Sweden
MAY HEAVEN FORGIVE US – Andrés Buitrago – Colombia
MIME – Gabri Blankson – United States
MR. MITTENS – Glenn Maxwell – United States
NECHES – Katy McCarthy – United States
NO BIRTHDAYS OR BAPTISMS – Omar Castillo, Juan Fernando Ramírez, Luis Fernando Ramírez – Mexico
OMELET SUNDAY – Nolan Ladison – United States
OUTLAWS – Edy Miguel Recendez – United States
POP FLY – Aaron Roman – United States
POW! – Joey Clift – United States
RAGAMUFFIN – Kaitlyn Mikayla – United States
RED ROSE – Levi Cooper – United States
ROCK PAPER SCISSORS – Franz Böhm – United Kingdom
SENDER UNKNOWN – Lauren Coggiola – United States
SHIT FOR MUM – Rocío Rubio – Spain
SPRAY BOTTLE – Jenna Kanell – United States
STARDUST – Christian Meola – United States
STARS BY TINA – Janie Mars – United States
SWORDPLAY – Noah Sutton & Nathan Paine – United States
THE 21 – Tod Polson – United States
THE DEATH OF JAMES – Sam Chou – Canada
THE HAITIAN SNAP – Stefan Puente – United States
THE MAN IN THE UPPER ROOM – Sean Alan Stone – United States
THE PICNIC – Cory DeMeyers – United States
THE RODITI RULE – Ella Hestand, Charity Robinson – United States
THE THINGS WE KEEP – Joanna Fernandez – United States
TO WRITE THE ENDING – Shaler Keenum – United States
TRAUMA MINES – Wes Evans Heidenreich – United States
UNTIL DAYLIGHT COMES – Madysen Dougherty – United States
UNTITLED ARTIST – Lilly Goba – United States
VOX HUMANA – Don Josephus Raphael Eblahan – Philippines
WAR – Danny Shepherd – United States
WHEN EVERYTHING WAS BLUE – Christina Chironna – United States
ZIDDH – Aryaman Adik – India

MUSIC VIDEOS:
ANTISOCIAL – Tobias Rothacker – Germany
BUTTER BEAN – BELLY ACHE – Arius Ziaee, Dave Merson Hess – United States
COWBOYS AND INDIANS: LEAVING FOR GOOD – Paul Armstrong – United States
HANGOVER – Chloe Desaulles – United States
LOVELY MIND – Leopoldo Calderas – United States
WONDERLAND – Andrew Goldfarb – United States
OH ROSIE! – Alexia Lewis – United States
SUNRISE ACADEMY: SUNKISSED – Julian Sol Jordan, Yakob Dye – United States
THORNS – Judd Myers – United States
WHEN WILL I EVER LEARN – Timothy Bubel – United States

TRIBECA AUDIENCE AWARD-WINNING COMEDY BAD SHABBOS SURPASSES $1.5 MILLION AT U.S. BOX OFFICE

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Menemsha Films is proud to announce that its award-winning comedy Bad Shabbos has exceeded $1.5 Million at the U.S. theatrical box office. Following its incredible theatrical success, the film will be released on Digital platforms (including Prime Video, Apple TV, Google Play, Cable VOD and more) for rental or purchase starting Tuesday, September 16th.

Bad Shabbos is entering its seventeenth consecutive week at the Quad Cinema in New York City, where it opened May 23rd and has surpassed $130K in box office at that one theatre alone. The film also enjoyed extended runs in Los Angeles, San Francisco, Boston, Washington DC, Chicago and cities nationwide.

Kyra Sedgwick (“The Closer”) leads an all-star ensemble cast in Bad Shabbos, including Cliff “Method Man” Smith (“The Wire”, legendary rap group Wu-Tang Clan), David Paymer (Academy Award nominee for “Mr. Saturday Night”), Milana Vayntrub (“This Is Us”, ATT’s “Lily”), Jon Bass (“Miracle Workers”), Meghan Leathers (“For All Mankind”), Theo Taplitz (“Showing Up”), Catherine Curtin (“Orange is the New Black”, “Stranger Things”), John Bedford Lloyd (“Ozark”) and Ashley Zuckerman (“Succession”).

Directed by Daniel Robbins (“Pledge”), co-written by Robbins and Zack Weiner (“Citizen Weiner”) and produced by Adam Mitchell of Carnegie Hill Entertainment, Bad Shabbos premiered at the 2024 Tribeca Film Festival, where it won the Audience Award for Best Narrative Feature.

Neil Friedman, the President of Menemsha Films, stated: “The success of this film in theaters is a testament to the enormous talents of this filmmaking team and its wonderful ensemble cast, and shows how important it is for comedies to be seen with a crowd. We are thrilled to bring this modern comedy classic home to Digital platforms so audiences can share it with their friends and family this holiday season.”

In Bad Shabbos, David (Jon Bass) and his fiancée Meg (Meghan Leathers) are about to have their parents meet for the first time over a Shabbat dinner when an accidental death (or murder?) gets in the way. With Meg’s Catholic parents due any moment, this family dinner soon spirals into a hilarious disaster. Sedgwick and Smith, the matriarch and doorman/family friend, respectively, lead a hilarious ensemble that puts a modern stamp on a story that explores interfaith relationships and family dynamics.

Bad Shabbos is co-written by Robbins and Zack Weiner, produced by Adam Mitchell of Carnegie Hill Entertainment, executive produced by Ross Saxon, Irina Dashevsky, Riccardo Maddalosso, Derek Rubin and co-executive produced by Joaquin Acrich.