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WALTZING WITH BRANDO – A review by Jenn Rohm

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Hollywood is filled with interesting people, and there are some the world would like to know more about.  Marlon Brando is one of these people.  He was an advocate for many things and helped show ways to do so.  Waltzing with Brando allows the audience to learn about one of his legacies located in the atoll of Tetiaroa.  This area is made up of multiple small islands surrounding a lagoon.  It is about 20 minutes by air from the main island of Tahiti, French Polynesia.  The Tetiaroa Society conducts scientific research with a focus on its ecology.  There is also a luxury resort with villas, a spa, and options for activities.  The story is based on the book by Bernard (Bernie) Judge, which he wrote using his journals from his real-life experience in Tahiti with Brando.

Billy Zane becomes Marlon Brando on the screen, from his natural physical similarities and the work by the film’s makeup department, led by Cici Anderson.  His performance shows that he has studied footage of Brando and successfully replicates his mannerisms and speech patterns.  During his research and work on this project, Zane learned about Brando’s interest in environmental rights and options to live without damaging the planet.

The film covers 1969 – 1974 and is primarily the story of Bernard Judge, Jon Heder, being hired to create an environmental resort in Tahiti.  Judge is a happily married man and father.  He is living the dream life for the time.  Upon arriving in Tahiti, he is shown a different way of life with fewer societal rules and an appreciation for the planet.  Once he is connected with Brando, Judge slowly begins to question and adapt to living in French Polynesia.  The building of an environmentally sound facility becomes his focus.  And the struggle between what is realistic and the best choices is balanced against Brando’s vision and the available finances.

Those familiar with Brando’s filmography are aware that this time period covers the filming of The Godfather and Last Tango in Paris.  Moments showing possible options for Brando’s preparation and filming scenes from these movies are included. One notable scene involving a purring cat was selected to be re-enacted.  There are also highlights from moments of Brando’s activist side with marginalized groups of people.  This includes supporting Martin Luther King Jr. and his work, and the American Indian Movement, with the 1973 Academy Awards, with Scheen Littlefeather refusing his award for him.

Blended in with these polarizing beliefs and opinions, the beauty of the islands allows the audience to feel like they themselves are on a tropical vacation.  A bonus is that the necessary yet annoying mosquitoes are not present.

I enjoyed this film and have found myself researching The Tetiaroa Society and its other areas of activism.  It is worth the price of a ticket to see on a big screen, taking a moment to escape and possibly inspiring yourself to make a few changes in how you live.

At the time of writing this piece, the MPAA rating was not available.  If you have younger people under your care, it is up to you to decide if they are mature enough for the content of this film.  The term hedonistic has been used as a descriptor for some of his life choices.

Director: Bill Fishman

Cast: Billy Zane, Jon Heder, Camille Razat

Selig Rating: 4 stars

Runtime: 1h 44m

Release Date: September 19, 2025

Genre(s): Drama

Trailer: Waltzing with Brando trailer

Boise Film Festival 2025 Announces Film Lineup and Panels for October Fest

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The Boise Film Festival returns for its highly anticipated second edition October 2-5, kicking things off with a celebration of Idaho-shot and produced short films screening at the Historic Egyptian Theater. BFF has grown its highly curated line up, now totaling 38 films, including 16 features (12 narrative and 4 documentaries), and 22 shorts. This year’s edition will also feature the film festival’s master classes on film producing and screenwriting, headed up by award-winning Idaho-based filmmaker Heather Rae (Fancy Dance, Frozen River, Trudell), and director/screenwriter Steven Susco (Unfriended: Dark Web, The Grudge, The Grudge 2), and will conclude with BFF’s celebrated big show filmmaker awards ceremony, which will be hosted by comedian Craig Shoemaker.

The film festival’s epicenter and all screenings will be held at Boise’s Egyptian Theater (700 West Main Street) and The Flicks (646 West Fulton Street), with the filmmaking panels taking place at Idaho Film Society (1212 W. Bannock Street).

BFF Founders and Executive Directors, Christine and Mark Holder (producers of Bandidos, Beasts of No Nation) said, “We knew following the success of last year’s debut was going to be a challenge, but it was one we were excited to take on. From the beginning, we have been dedicated to promoting and celebrating our local Idaho-based filmmakers and productions, and Opening Night will start things off right giving them the rock star treatment with a gala red carpet event. We also anticipate a number of our talented filmmakers making the trip to Boise with their films to meet the city’s film lovers and talk about film in a city that provides the best backdrop to those conversations they could imagine.  Add our master classes and another planned big show for our filmmaker awards, and this will be a weekend you won’t want to miss.”

Opening the new film festival will be a special collection of short films locally shot and produced, as the Boise Film Festival gives them a gala platform. Those films include Taylor Hildebrande’s After the End about four young woman forced to scavenge a dangerous wasteland for survival;

Hailey Jackson Boucher’s period drama Brackett & Folder about an inmate pleading for release so she can care for her WWI veteran father; Andrew Ellis’ Dog Person about a man whose life is turned upside down by a person in a dog mask; Drew Garcia’s Fan Film a dark look at filmmakers who pursue their vision at any cost; and Dylan Hamar’s period thriller The Rabbit about a desperate hunter who runs afoul of a vengeful Native spirit.

Also screening on Opening Night will be Tom Taylor’s animated short Sam and Duke’s Big River Adventure which finds the adventurous duo is off an amazing journey along a river in their tiny boat; Justin Bass’ Sloppy Joe in which a personal chef strives to reignite joy in his dissatisfied client; Kody Newton’s Thad & Mr. Black about a recently homeless man and his little yorkie trying to impress his dream girl; Jessica Melton’s Violet looks at a couple in the future dealing with thoughts and feelings she shouldn’t be having; and Colin Kelly Hingel’s Wormhole which looks at what happens when a man, post-break up, gets on a mysterious video chat website.

Highlights among the narrative features include Matthew Shear’s Fantasy Life, winner of two awards at SXSW, about a man who stumbles into a job babysitting his psychiatrist’s three granddaughters, ending up in a house with the woman he pines for, her husband, the three kids, and all four grandparents, including his psychiatrist. Kuna, Idaho local filmmaking brothers B. Robert Anderson, and J. Markus Anderson’s If You Should Leave Before Me focuses on a married couple who serve as guides to the recently deceased, leading them to the afterlife. Tyler Cornack’s Mermaid focuses on a man who discovers a wounded mermaid at his lowest point fighting a drug addiction. Tina Romero’s Queens of the Dead, Tribeca Film Festival Audience Award winner pits drag queens against zombies in Brooklyn.

Documentary features include Adam Bhala Lough’s Deep Faking Sam Altman which tales a deep dive into understanding the technology and people at the center of the AI boom with the assistance of an AI version of the father of AI, OpenAI CEO, Sam Altman. The film debuted at SXSW. Abraham Troen and Angelique Molina’s Just Sing  is an inspiring coming-of-age musical documentary that follows the SoCal VoCals as they vie for the championship title in the International Competition of Collegiate A Cappella—the “Super Bowl of song.” Cody Sheehy’s The Last Dive        a man whose life was transformed by an unlikely friendship with a 22-foot oceanic manta ray. Now in his 80’s, the man embarks on one final journey to a remote island in hopes of reuniting with his old friend. Jesse Moss and Amanda McBaine’s festival favorite Middletown follows a group of teenage misfits, inspired by a renegade English teacher, who embark on a student film project, unexpectedly uncovering a vast conspiracy.

As part of the Boise Film Festival’s mission to bring Hollywood to Boise, BFF will feature three Inner Circle Master Classes focused on insider looks at film producing and screenwriting. Friday, October 4, VFX Producer Tyler Cordova (Lilo & Stitch) will head up a VFX Masterclass sharing the artistry and innovation behind today’s most breathtaking visual effects on the big screen. Saturday, October 5, Heather Rae will take aspiring filmmakers through the producing toolkit from the ground up at her Producing Masterclass with Heather Rae at the Idaho Film Society. Rae, award-winning producer and advocate for artist-driven, culturally resonant cinema, will lead an intensive session, breaking down the real-world path taking a film from concept to market. On Sunday, October 6, Steven Susco will take the reins during the Writing Fearlessly: Steven Susco on Story & Screen panel, also at the Idaho Film Society. Susco will lead emerging and mid-career screenwriters through topics including story conception and development, writing for genre and character, structuring suspense, dialogue that resonates, and strategies for breaking into and sustaining a career in screenwriting.

The Boise Film Festival will have its job cut for it matching the show they put on during last year’s Closing Night Gala and Filmmaker Awards Ceremony. This year’s MC duties will be handled by comedian Craig Shoemaker on Sunday, October 5 at the Grove Hotel (245 S. Capitol Blvd.), Along with the announcement and presentation of the filmmaker awards (both jury and audience) will be a special presentation honoring film producer Larry Leasure (My Promise to PJ, The Diamond Detectives) with the Esther Simplot Excellence in the Arts Award.

To purchase passes and tickets, or for more information, please go to: https://www.theboisefilmfest.com/.

 

2025 BOISE FILM FESTIVAL (BFF) Official Selections

 

OPENING NIGHT GALA SELECTIONS

 

After the End

Director: Taylor Hildebrande

Country: USA; Running Time: 10:10 minutes

4 young woman scavenge the wasteland of what used to be farms for seeds and other useful items. But when nature shows how dangerous it can be, things get deadly.

 

Brackett & Folder

Director: Hailey Jackson Boucher

Country: USA, Running Time: 8 minutes

Based off a true story in 1923, inmate Hannah Folden pleads with the warden for her release from the Idaho state penitentiary so that she may take care of WWI veteran Walter Brackett, who is suffering from Tuberculosis.

 

Dog Person

Director: Andrew Ellis

Country: USA, Running Time: 4 minutes

A man on vacation has his life turned upside down by a person in a dog mask.

 

Fan Film

Director: Drew Garcia

Country: USA, Running Time: 16 minutes

In Fan Film, ambition blurs into obsession as filmmakers pursue their vision at any cost, spiraling into a dark journey of creation and consequence.

 

The Rabbit

Director: Dylan Hamar

Country: USA, Running Time: 10 minutes

In 1910, a desperate hunter steals a freshly killed rabbit to feed his starving family. But what seems like a small act of survival awakens a vengeful Native spirit that stalks him through the snowbound wilderness. As desperation turns to terror, he discovers that some thefts can never be forgiven.

 

Sam and Duke’s Big River Adventure       

Director: Tom Taylor

Country: USA; Running Time: 9:26 minutes

Sam and Duke are at it again. This time the adventurous duo is off an amazing journey along a river in their tiny boat. Take a ride with Sam and Duke and enjoy the beauty, wonder and perils of their biggest adventure yet. This is the third animated short children’s movie installment for The Adventures of Sam and Duke.

 

Sloppy Joe

Director: Justin Buss

Country: USA, Running Time: 14 minutes

A personal chef strives to reignite joy in his dissatisfied client.

 

Thad & Mr. Black

Director: Kody Newton

Country: USA, Running Time: 12 minutes

Thad is recently homeless with his little yorkie named Mr. Black. After they meet his dream girl, Sandy, Thad has to try to impress her in her coffee shop.

 

Violet

Director: Jessica Melton

Country: USA, Running Time: 12 minutes

In a near future where love and marriage face new complexities, Violet confronts Henry about thoughts and feelings she shouldn’t be having.

 

Wormhole

Director: Colin Kelly Hingel

Country: USA, Running Time: 14:16 minutes

After getting broken up with over the phone, a guy distracts himself with screen time and other vices. He decides to visit a mysterious video chat website called ‘Wormhole’ where he meets someone. The following day becomes peculiar.

 

 

NARRATIVE FEATURES

 

American Sweatshop

Director: Uta Briesewitz

Countries: USA/Germany, Running Time: 93 minutes

A content moderator (Lili Reinhart) is tasked with purging offensive media from the internet. When she witnesses a crime in a video, she is lured away from the safety of her keyboard as she obsessively seeks to hold someone accountable.

 

April X

Director: Michael K. Parandi

Country: USA; Running Time: 96 minutes

In a fractured near-future, twin siblings Bax and April are separated by forces neither fully understands. We watch Bax spiral into madness, unraveling the boundary between identity and memories.

 

Fantasy Life

Director: Matthew Shear

Country: USA; Running Time: 91 minutes

After losing his job as a paralegal, Sam Stein suffers a panic attack and stumbles into a job babysitting his psychiatrist’s three granddaughters. The girls’ mother, Dianne, is an actor whose once-promising career has stalled; she’s in a difficult marriage to David, a rock bassist. When David goes abroad on tour, Dianne and Sam discover an easy rapport. Sam joins Dianne’s family to babysit for the summer on Martha’s Vineyard, and he ends up in a house with the woman he pines for, her husband, the three kids, and all four grandparents, including his psychiatrist.

 

Hello Out There!       

Director: Otis Blum

Country: USA; Running Time: 90 minutes

Minnie, a young journalist, and Rex, her cousin fresh out of rehab, road trip through New Mexico to meet a mysterious man who claims to have proof of alien life and access to Area 51. As the journey unfolds a more personal reason for the quest comes to light.

 

Idiotka

Director: Nastasya Popov

Country: USA, Running Time: 82 minutes

In West Hollywood’s Russian immigrant district, Margarita lives out the American Dream: competing on a reality show. Will she slay, serve, or survive?

 

If You Should Leave Before Me

Directors: B. Robert Anderson, J. Markus Anderson

Country: USA, Running Time: 116 minutes

Mark and Joshua, a married couple, face a devastating loss that strains their relationship. To escape grief, they focus on their unconventional jobs as guides for the recently deceased, leading them to the afterlife.

 

In Our Blood

Director: Pedro Kos

Country: USA, Running Time: 89 minutes

Emily Wyland teams up with cinematographer Danny to shoot an intimate documentary about reuniting with Emily’s estranged mother after a decade apart. When her mother suddenly goes missing, possibly succumbing to the addictions that first tore her family apart, Emily and Danny must piece together increasingly sinister clues to find her before it’s too late.

 

Magic Hour   

Director: Katie Aselton

Country: USA; Running Time: 80 minutes

Erin and Charlie escape to the desert to navigate an unexpected and challenging new phase of their relationship.

 

Mermaid

Director: Tyler Cornack

Country: USA, Running Time: 105 minutes

A Percocet-addicted ‘Florida Man’ finds a wounded mermaid at his lowest point. Fascination becomes a drug infused, one sided relationship — sending him further into decline. When word spreads about his secret, he’ll stop at nothing to protect her.

 

Omaha           

Director: Cole Webley

Country: USA; Running Time: 83 minutes

After a family tragedy, siblings Ella and Charlie are unexpectedly woken up by their dad and taken on a journey across the country, experiencing a world they’ve never seen before. As their adventure unfolds, Ella begins to understand that things might not be what they seem.

 

Queens of the Dead

Director: Tina Romero

Country: USA, Running Time: 99 minutes

Drag queens and club kids battle zombies craving brains during a zombie outbreak at their drag show in Brooklyn, putting personal conflicts aside to utilize their distinct abilities against the undead threat.

 

Recollection

Director: Caden Butera

Country: USA, Running Time: 119 minutes

In a society where people rely on technology to remove painful memories, a glitch returns Kate’s memories, uncovering a dark truth about her past and those responsible. It’s 2033, and memory cleansing has taken society by storm. Thanks to Vitality’s technology, yesterday’s troubles are forever forgotten…or so sullen Kate (Rosslyn Luke) believes until a glitch floods her with memories of a life erased. Now, Vitality wants to make Kate forget again. On the run, Kate joins reclusive Teddy (Falk Hentschel) who believes Vitality killed his wife and is hiding proof in one of Kate’s memories. Kate agrees to help find her missing memory and use it to expose Vitality. After close calls and dead ends, Kate and Teddy meet Sid Dyas (Eric Roberts), a sleazy clerk in Vitality’s underground who reveals a bigger conspiracy at play. Teddy and Kate are quick to devise a plan that hits straight at the heart of Vitality.

 

 

DOCUMENTARY FEATURES

 

Deep Faking Sam Altman   

Director: Adam Bhala Lough

Country: USA; Running Time: 103 minutes

Director Adam Bhala Lough sets out to better understand the technology and people at the center of the AI boom. His quest sends him on a path towards the father of AI, OpenAI CEO, Sam Altman. When he isn’t able to sit down with Altman himself, Adam travels to India to create an AI version of him to interview instead. Sam Bot is a new kind of documentary subject and collaborator, who challenges Adam in surprising and hilarious ways. Together, Adam and Sam Bot explore what it means to be alive, create art, and understand each other in an increasingly artificial world. Hartbeat partners with Vox Media Studios and Lough for this documentary based on reporting from New York Magazine.

 

Just Sing       

Directors: Abraham Troen, Angelique Molina

Countries: UK/USA; Running Time: 93 minutes

Just Sing is an inspiring coming-of-age musical documentary that follows the SoCal VoCals as they vie for the championship title in the International Competition of Collegiate A Cappella—the “Super Bowl of song.” Beyond the high-pressure rehearsals and fierce competition, the film delves into the personal journeys of its members, each facing their own battles in the pursuit of self-discovery, their dreams in music, and friendship.

 

The Last Dive

Director: Cody Sheehy

Country: USA; Running Time: 88 minutes

Terry is a legendary figure in Baja Mexico, an American veteran who has spent decades living on—and in—the water. Once a man burdened by a troubled past, Terry’s life was transformed by an unlikely friendship with Willy, a 22-foot oceanic manta ray. For nearly two decades, Willy would slap his wings against the hull of Terry’s sailboat to signal their next dive, and together they explored the ocean’s depths—an extraordinary bond that turned Terry into an unexpected conservationist. Now in his 80’s, Terry embarks on one final journey to a remote island in hopes of reuniting with his old friend. But he’s also searching for something deeper: peace, closure, and a chance to say goodbye.

 

Middletown   

Directors: Jesse Moss, Amanda McBaine

Country: USA; Running Time: 116 minutes

  1. Upstate New York. A group of teenage misfits, inspired by a renegade English teacher, embark on a student film project and uncover a vast conspiracy that is poisoning the ground beneath their feet. Banding together to confront the indifferent adults, corrupt politicians and a violent criminal organization threatening their small town, they produce an investigative documentary that causes shockwaves in their community.

 

 

 

ADDITIONAL SHORT FILMS

 

The Callback 

Director: Kara Herold

Country: USA; Running Time: 13:11 minutes

Maggie has one goal: landing a callback for a film role. Even with minuscule odds, she believes a callback will lead her to the roles she wants, the ones with depth, despite the gatekeeping of a patriarchal film industry. Believing in herself to the point of denial, Maggie applies her artistry to a multitude of outdated women’s roles: girl next door, supportive wife, pretty but silent girlfriend. Casting directors, however, aren’t impressed with her creative interpretations of these one-dimensional roles, despite painstakingly diagramming the life of a midwestern housewife “on the verge of making it,” and studying Russian for the part of “soccer mom. But the moment after she dumps all of her acting paraphernalia into a large garbage bag, her phone pings–a callback! Maggie is placed in position, contorted, bloody, covered in leaves in an abandoned field. Ever the professional, her face goes blank as the crew readies for her close-up. She’s on her way!

 

The Cello Collective                                                              World Premiere                               

Director: Ron Torres

Country: USA; Running Time: 12 minutes

Professional Cellist Sophie Marshall founds a cello collective in her hometown of Pocatello, Idaho.

 

Cherry-Colored Funk           

Director: Chelsie Pennello

Country: USA; Running Time: 16:25 minutes

Serial grifter Winston Lee has just changed his name to Roberto Ferrari and opened Roberto’s Italian Ice and Gelati – his ticket to wealth and respect. Unfortunately for Ferrari, instead of customers, seemingly everyone he’s ever wronged walks through the front door, each on a mission to settle their grievances. With an enigmatic DJ set blaring over the store speakers, Ferrari is forced to navigate the onslaught while desperately trying to cling to his dream.

 

Cub    

Director: Sofia Rubin

Country: USA; Running Time: 9:26 minutes

12-year-old Kim hates Martial Arts. Her hair is in her mouth, her opponent is a vicious little princess, and her sports bra is squeezing the life out of her. But this is her biggest tournament yet, and Dad will damn her to Hell if she doesn’t win. The scouts are here, and they could make or break her (and Dad’s) career. As anxiety and expectations build, Kim’s body starts to change: new hair sprouts from her arms, new claws pierce through her gloves, new canines knock out her mouth guard. And as Kim transforms, so does everyone else. Everyone is an animal, screeching and hollering. If they want a show, Kim will give them a show. She’ll go straight for the jugular. How about this for a prize fighter, Dad?

 

Kind Mother  

Director: Clare O’Connor

Country: USA; Running Time: 15 minutes

An estranged mother arrives at the silent retreat that her daughter is attending. When the two women engage in an unusual – and fantastical – power struggle, limits are tested, generational trauma is brought to light, and together they must grapple with mortality.

 

Reprogrammed        

Director: Christopher Guerrero

Country: Colombia, USA; Running Time: 7:40 minutes

In retro-future Los Angeles, Andrea, a lonely roboticist obsessed with creating IRIS, her groundbreaking AI masterpiece, isolates herself from everyone she loves. But as she teaches IRIS the complexities of being human, Andrea’s creation forces her to confront painful echoes of her own fractured relationship with her estranged father. Realizing true sentience means understanding messy, human connections, Andrea must mend her past before she can bring artificial life into the world, rediscovering the true meaning of family, forgiveness, and being alive.

 

Not Here

Director: Cassius Michael Kim

Country: USA, Running Time: 15 minutes

In rural Texas, Sarah’s unraveling life intersects with that of her neighbor, Jack, through a shared discovery of betrayal. As she confronts her own pressing crisis, complicated by a legal mandate in the State, she seeks Jack’s help.

 

Houston, We Have a Crush

Director: Omer Ben Shachar

Country: USA, Running Time: 10 minutes

After finding a phone accidentally left behind by an astronaut, a lonely alien develops an all-consuming crush that tests his hold on reality.

 

In the Dark

Director: Molly Ehrenberg-Peters

Country: USA, Running Time: 15:40 minutes

Haunted by her past, struggling film photographer Jade travels from New York City to her hometown in the California desert to reunite with her first love Ryan, from whom she’s been estranged for over a decade, to restage a portrait of him. While the two reconnect at their local diner, reminiscing about the past and skimming the details of the present, Jade becomes overwhelmed by a slew of repressed memories. Once she takes the photo she’s come for, which just might be the skeleton key to moving on from her former life, Jade confronts Ryan about the sexual assault that ended their relationship, the psychological burden she’s carried with her, and the limits of forgiveness.

 

Just Kids

Director: Jackie Bao

Country: USA; Running Time: 5:11 minutes

Ben, an ambitious Asian-American man shaped by his father’s immigrant experience, is visited by his inner child on his way to the top. Through an unlikely elevator ride, he experiences his childhood dreams, meets a vulnerable father, and finds a renewed sense of self.

 

Not Here

Director: Cassius Michael Kim

Country: USA; Running Time: 15:42 minutes

In rural Texas, Sarah’s unraveling life intersects with that of her neighbor, Jack, through a shared discovery of betrayal. As she confronts her own pressing crisis, complicated by a legal mandate in the State, she seeks Jack’s help.

 

The Understudies     

Director: Nick Galarza

Country: USA; Running Time: 19 minutes

The Understudies follows a starry-eyed theater geek Marlo, who, despite being just the understudy, tackles the responsibility and preparation of the lead role of his high school play.

DOWNTON ABBEY: THE GRAND FINALE – A Review by Cynthia Flores

If you’re not a dyed-in-the-wool Downton Abbey fan, starting with season 1 in 2010 and running through fifty-two episodes, which ended in 2015, and two other feature films in 2019 and 2022, then stop reading right now. Do yourself a favor and check out a review about the latest horror film, or watch sports on TV. What I am saying is that this film is not for you.

If you wander into the theater by accident or you’re on a date with one of these “Downton” fans, you’ll sit through the film and wonder what all the fuss is about. To the untrained eye, this film is slow-paced and a bit confusing if you don’t know all the backstory. And dare I say, dull.

However, to us legions of fans of the Crawley family saga and their staff who have served them through the years, it is scrumptious. It is a perfect farewell love letter to all of us. This film shows us the Crawley family and their staff as they enter the 1930s. This is a time when Lady Mary (Michelle Dockery) finds herself at the center of a public scandal that threatens the household with social disgrace. Also, the Crawleys, like most royal families of the time in England, who were used to having big houses and estates, are facing tough financial decisions that will impact the way they live out their remaining years in this modern world. These decisions will ripple through to those who have spent the majority of their lives proudly working for them at Highclere Castle.

I won’t give away any of the plot twists because there really are not that many. Instead, the film ties up loose ends. It follows the natural progression of Robert (Hugh Bonneville) and his wife Cora (Elizabeth McGovern) as they turn over the reins of the castle to Lady Mary.

The British (BSC) cinematography by Ben Smithard, who shot the first Downton Abbey feature in 2019, is back for this fine goodbye. His style and lush work are the other characters in this film. He has a talent for putting the audience firmly in a certain place and time without seeming contrived. He works well with the film’s British director, Simon Curtis. Mr. Curtis also worked with Ben on the sweet 2017 film Goodbye Christopher Robin

As a fan of Downton Abbey, you’re really going to giggle at the inside jokes and enjoy seeing everybody we loved in the series make an appearance in this film in one way or another. They even honor the late Dowager Countess of Grantham, Violet Crawley (Maggie Smith), in a heartfelt, touching way.

I give Downton Abbey: The Grand Finale 4 stars. It’s a film really only for the fans, but there are enough of us to make it worth the effort. Catch this on the big screen in theaters and enjoy this sweet goodbye with a room full of other people like yourself who enjoyed meeting the Crawleys.

 

Directed by: Simon Curtis

Written by: Julian Fellows

Rated: PG

Selig Rating: 4 Stars

Running Time: 2 hrs 3 min

Drama

Release: In theaters September 12th

Starring: Michelle Dockery, Joanne Froggatt, Elizabeth McGovern, Hugh Bonneville, Laura Carmichael, Brendan Coyle. Jim Carter

 

The Selig Rating Scale:

5 Stars – Excellent movie, well worth the price.

4 Stars – Good movie

3 Stars – OK movie

2 Stars – No need to rush. Save it for a rainy day.

1 Star – Good that I saw it on the big screen but wish I hadn’t paid for it.

VANEAST PICTURES LAUNCHES WORLDWIDE SALES OF AMBLESIDE

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Vaneast Pictures founded by Danielle Gasher has acquired the worldwide sales rights for the upcoming  period romance, Ambleside starring Ellie Bamber (Animal Friends), Rhona Mitra (Underworld: Rise of the Lycans), Rupert Penry-Jones (The Batman), JJ Feild (Captain America: The First Avenger), Mehdi Dehbi (Messiah) and Edward Akrout (Rodin). Directed by Mitch Jenkins, the screenplay was by Jason Wingard, Mitch Jenkins and the late Alan Govinden. Ambleside is based on the novel by Romesh Gunsekera and inspired by the lives of the Producers Alan and Maria Jesus Govinden.

In 1925, eighteen-year-old Lucy Gladwell is sent from England to live with her controlling uncle on the exotic paradise of Mauritius. When she falls for Krishna, a charismatic local labourer, their forbidden romance ignites across rigid divides of class. As pressure mounts and time runs out, Lucy must choose between duty and the deepest love she’s ever known — a choice that could cost her everything.

“Ambleside is a beautifully made period romance, anchored by Ellie Bamber’s luminous performance and a story of timeless love. We are confident it will resonate with worldwide audiences seeking both prestige and commercial appeal,” said Danielle Gasher, Vaneast Pictures.

“One of the greatest privileges of my life is to honour my husband in bringing Ambleside to the world, a project we both started together. As a debut producer, stepping into this role meant more than just getting Ambleside made, it meant championing a story that dares to ask  the hard questions. This film doesn’t offer easy answers, and that’s exactly why I believed in it,” said Producer Maria Govinden.

Ellie Bamber’s upcoming projects include portraying Kate Moss in the biopic, Moss & Freud, as well as a part in Warner Bros.’ Animal Friends alongside Ryan Reynolds, Jason Momoa, and Aubrey Plaza.

Ambleside is produced by Alan Govinden, Maria Govinden and Julia Govinden of AMG International and Paula Crickard of Atelier 11.

DIFF SHORTS Film Festival Announces Lineup for 2025 Edition

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DIFF SHORTS Film Festival has announced the lineup for the 2025 event, which will be held October 17 through 19 at Angelika Film Center & Café located in Mockingbird Station. With a goal of elevating short films and celebrating shorts filmmakers, the second annual DIFF SHORTS Film Festival 2025 will feature 12 themed film blocks with 85+ films, Q&As, industry panels, daily red carpets, and receptions for filmmakers and sponsors.

“With the exciting launch last year of the inaugural DIFF Shorts Film Festival, we are very pleased to present the second edition in October,” said James Faust, DIFF Artistic Director. “This year’s festival will feature more than 85 short films that showcase this unique and powerful medium for storytelling. Audiences can expect everything from laugh-out-loud comedies to moving dramas and edge-of-your-seat horrors—all packed into three unforgettable days.”

Programmers Choice Awards at the DIFF SHORTS Film Festival 2025 will be given for Best Narrative Film, Best Texas Film, Best Music Video, Best College Student Film, Best Animated Film, Best Documentary Film, and Best First-Time Filmmaker.

Audience Awards will be given for Best Narrative Film, Best Texas Film, Best Music Video, Best College Student Film, Best High School Student Film, Best Animated Film, Best Documentary Film, and Best First-Time Filmmaker.

This year’s Shorts Blocks bring together an exciting mix of stories and styles—something for every kind of movie lover. From heartfelt journeys through grief to fresh perspectives from high school filmmakers, from family-friendly adventures and coming-of-age tales to explorations of identity and relationships, the lineup is as varied as it is vibrant. Audiences can also look forward to late-night thrills, sports-themed stories, Latino voices, music videos, and everything in between. Each block is curated to showcase the creativity and diversity of voices shaping today’s short-film landscape, making every screening its own unique cinematic experience.

“Short films are where filmmakers can push boundaries—experimenting with structure, style, and story in ways that feel bold and alive,” said Amber Ekleberry, DIFF Director of Programming. “The films in this year’s lineup pack a real punch. They’re daring, inventive, and will stay with audiences long after the lights come up.”

DIFF SHORTS 2025 Official Selections | Directors | Countries of Origin

FILMS:
#1 BAD DAD – Natalie Camou – United States
AFRICAN FAMILY DINNER – Ibrahim Mursal – Norway, Somalia, Sudan
APOLLO – Giles Perkins – United States
ARROYO – John Garcia – United States
A VERY CROWDED ROOM – Nate Wilburn – United States
A WOMAN IS MANY THINGS (JUST FINE ISN’T ONE OF THEM) – Chase Musslewhite – United States
BANANAHEAD – Christopher Greenslate – United States
BATTLE OF LA – Patrick Pizzolorusso – United States
CONFESSION: BASED ON A TRUE STORY – Tommy Alexander Shumate – United States
CRAB CLAW – Steve Sanders – United States
DATING – Ammad Shaikh – United States
DELIVERY – Victor Brasil Salgado – United States
DOGS OUT OF TIME – Braden Bickle – United States
DRAINOMANIA – Christopher Greenslate – United States
DRIP – Vicente González – Colombia
ECHOES OF POMEGRANATE – Alex Bijan Zandi – United States
EGG TIMER – Rosie May Bird Smith – United Kingdom
EL BAR DE HERNANDO – Andres Felipe Bernal Farias, Maria Gomez – Colombia
FIND ME IN THE VOID – Denver Humphrey – United States
FLASH WARNING – Allegra Leguizamo – United States
FORCE 5 – David Marshall – United States
FOREVERGREEN º Nathan Engelhardt & Jeremy Spears – United States
FUTURE IS PANARAMA – Muschirf Shekh Zeyn – Syrian Arab Republic
GHOSTED – Chris Gray – United States
HASTA EN LA LUZ – Valeria A Avina – Mexico
HIGHBINDER – Max Galante – United States
I DO WITHOUT YOU – Vivian Miranda – United States
IN LOVING MEMORY OF MY TRANSGRESSIONS – Jorge. – United States
IT’S ALL GOOD – David Chausse – France
IT’S ALWAYS IN YOU – Kayla Gilchrist – United States
KARAVIDHE – Eoin Doran – United Kingdom
KITTY BRAVO IN FREEFALL FAILURE – Spencer Bryant – United States
KRÖNINGEN – Sebastian Storgaard – Sweden
MAY HEAVEN FORGIVE US – Andrés Buitrago – Colombia
MIME – Gabri Blankson – United States
MR. MITTENS – Glenn Maxwell – United States
NECHES – Katy McCarthy – United States
NO BIRTHDAYS OR BAPTISMS – Omar Castillo, Juan Fernando Ramírez, Luis Fernando Ramírez – Mexico
OMELET SUNDAY – Nolan Ladison – United States
OUTLAWS – Edy Miguel Recendez – United States
POP FLY – Aaron Roman – United States
POW! – Joey Clift – United States
RAGAMUFFIN – Kaitlyn Mikayla – United States
RED ROSE – Levi Cooper – United States
ROCK PAPER SCISSORS – Franz Böhm – United Kingdom
SENDER UNKNOWN – Lauren Coggiola – United States
SHIT FOR MUM – Rocío Rubio – Spain
SPRAY BOTTLE – Jenna Kanell – United States
STARDUST – Christian Meola – United States
STARS BY TINA – Janie Mars – United States
SWORDPLAY – Noah Sutton & Nathan Paine – United States
THE 21 – Tod Polson – United States
THE DEATH OF JAMES – Sam Chou – Canada
THE HAITIAN SNAP – Stefan Puente – United States
THE MAN IN THE UPPER ROOM – Sean Alan Stone – United States
THE PICNIC – Cory DeMeyers – United States
THE RODITI RULE – Ella Hestand, Charity Robinson – United States
THE THINGS WE KEEP – Joanna Fernandez – United States
TO WRITE THE ENDING – Shaler Keenum – United States
TRAUMA MINES – Wes Evans Heidenreich – United States
UNTIL DAYLIGHT COMES – Madysen Dougherty – United States
UNTITLED ARTIST – Lilly Goba – United States
VOX HUMANA – Don Josephus Raphael Eblahan – Philippines
WAR – Danny Shepherd – United States
WHEN EVERYTHING WAS BLUE – Christina Chironna – United States
ZIDDH – Aryaman Adik – India

MUSIC VIDEOS:
ANTISOCIAL – Tobias Rothacker – Germany
BUTTER BEAN – BELLY ACHE – Arius Ziaee, Dave Merson Hess – United States
COWBOYS AND INDIANS: LEAVING FOR GOOD – Paul Armstrong – United States
HANGOVER – Chloe Desaulles – United States
LOVELY MIND – Leopoldo Calderas – United States
WONDERLAND – Andrew Goldfarb – United States
OH ROSIE! – Alexia Lewis – United States
SUNRISE ACADEMY: SUNKISSED – Julian Sol Jordan, Yakob Dye – United States
THORNS – Judd Myers – United States
WHEN WILL I EVER LEARN – Timothy Bubel – United States

TRIBECA AUDIENCE AWARD-WINNING COMEDY BAD SHABBOS SURPASSES $1.5 MILLION AT U.S. BOX OFFICE

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Menemsha Films is proud to announce that its award-winning comedy Bad Shabbos has exceeded $1.5 Million at the U.S. theatrical box office. Following its incredible theatrical success, the film will be released on Digital platforms (including Prime Video, Apple TV, Google Play, Cable VOD and more) for rental or purchase starting Tuesday, September 16th.

Bad Shabbos is entering its seventeenth consecutive week at the Quad Cinema in New York City, where it opened May 23rd and has surpassed $130K in box office at that one theatre alone. The film also enjoyed extended runs in Los Angeles, San Francisco, Boston, Washington DC, Chicago and cities nationwide.

Kyra Sedgwick (“The Closer”) leads an all-star ensemble cast in Bad Shabbos, including Cliff “Method Man” Smith (“The Wire”, legendary rap group Wu-Tang Clan), David Paymer (Academy Award nominee for “Mr. Saturday Night”), Milana Vayntrub (“This Is Us”, ATT’s “Lily”), Jon Bass (“Miracle Workers”), Meghan Leathers (“For All Mankind”), Theo Taplitz (“Showing Up”), Catherine Curtin (“Orange is the New Black”, “Stranger Things”), John Bedford Lloyd (“Ozark”) and Ashley Zuckerman (“Succession”).

Directed by Daniel Robbins (“Pledge”), co-written by Robbins and Zack Weiner (“Citizen Weiner”) and produced by Adam Mitchell of Carnegie Hill Entertainment, Bad Shabbos premiered at the 2024 Tribeca Film Festival, where it won the Audience Award for Best Narrative Feature.

Neil Friedman, the President of Menemsha Films, stated: “The success of this film in theaters is a testament to the enormous talents of this filmmaking team and its wonderful ensemble cast, and shows how important it is for comedies to be seen with a crowd. We are thrilled to bring this modern comedy classic home to Digital platforms so audiences can share it with their friends and family this holiday season.”

In Bad Shabbos, David (Jon Bass) and his fiancée Meg (Meghan Leathers) are about to have their parents meet for the first time over a Shabbat dinner when an accidental death (or murder?) gets in the way. With Meg’s Catholic parents due any moment, this family dinner soon spirals into a hilarious disaster. Sedgwick and Smith, the matriarch and doorman/family friend, respectively, lead a hilarious ensemble that puts a modern stamp on a story that explores interfaith relationships and family dynamics.

Bad Shabbos is co-written by Robbins and Zack Weiner, produced by Adam Mitchell of Carnegie Hill Entertainment, executive produced by Ross Saxon, Irina Dashevsky, Riccardo Maddalosso, Derek Rubin and co-executive produced by Joaquin Acrich.

Tallgrass Film Festival Returns for Its 23rd Year October 16-19, Featuring New Partnership with Boulevard Theatres and Gala Screenings at Century II

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The Tallgrass Film Festival, Wichita’s premier celebration of independent cinema, returns October 16–19, 2025, bringing more than 175 films, panels, parties, and special events to venues across downtown Wichita. Now in its 23rd year, the festival continues to draw filmmakers and audiences from around the globe while championing Wichita’s thriving arts community. Tallpasses are now on sale at https://tff25.eventive.org/passes/buy, with our full announcement on September 12.

For its 23rd edition, the Tallgrass Film Festival embraces the theme “Cinema is in our DNA.” Reflecting this spirit, the festival returns to Old Town with screenings at the newly renovated Boulevard Theatre and continues its partnership with Century II, where select Gala screenings will once again be presented in the Mary Jane Teall Theater.

“As a Wichitan, Tallgrass has always been the place to celebrate filmmakers, diverse stories and create excitement around independent films,” said Sierra Franklin-Morton, Interim Executive Director of Tallgrass Film Association. “We’re thrilled to bring another incredible lineup to Wichita and can’t wait for our community to experience it.”

This year we are able to offer multiple screenings of most films which hopefully will elevate the overall festival experience for filmmakers and audiences alike. Our Gala Films offer something for everyone, so movie lovers of all kinds will be able to find a great film as a highlight of their evening during the festival week. – Andre Seward, Tallgrass Film Festival Programming Director

A new highlight of the 2025 festival includes:

New Perks for Tallpass Holders, including the ability to reserve Gala screening tickets before the public beginning today and an invitation to the Pre-Fest Program Reveal this Wednesday (9/10) from 6pm – 8pm at the Emily Bonavia Tallgrass Film Center.

SELECTIONS ANNOUNCED:
Gala Films (Various Categories)

Spotlight Films (Out of Competition Films)

 

GALA FILMS
OPENING NIGHT GALA

 

IT’S DOROTHY!

Director: Jeffrey McHale

RT:97m/USA

Kansas Premiere

Documentary Feature Competition

 

Since Dorothy Gale started her epic journey down the Yellow Brick Road 125 years ago in L. Frank Baum’s The Wonderful Wizard of Oz, she’s become a beacon for marginalized voices across our culture. IT’S DOROTHY! brings to life her timeless adventures in Oz through the human experiences of a new generation of star performers, infused with the spirit and influence of Judy Garland and others. With a chorus of cultural luminaries, unforgettable music, and a magical remix of archival and cinematic art, this film centers the perspectives of women, people of color, and LGBTQ+ voices. Exploring the meaning of a cherished character through the eras, we celebrate Dorothy as an enduring symbol of hope and a touchstone in our universal quest to fly over the rainbow and find home again.

 

 

This film plays on Thursday, October 16th at 7:30 and 8:00PM Central at Boulevard Theatres Old Town.

 

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FRIDAY NIGHT GALA

 

CORONER TO THE STARS

Directors: Ben Hethcoat, Keita Ideno

RT: 83m/USA

Kansas Premiere

Documentary Feature Competition

 

Coroner to the Stars chronicles the extraordinary journey of Dr. Thomas Noguchi, the former Los Angeles County Chief Medical Examiner-Coroner whose groundbreaking autopsies forever shaped American culture. From Marilyn Monroe and Robert Kennedy to Sharon Tate and Natalie Wood, Noguchi pushed forensic science into the spotlight—even as Hollywood elites and political adversaries sought to silence him. A Japanese immigrant who unwittingly rose to fame in a city driven by stardom, Noguchi’s fearless pursuit of truth often placed him in the crosshairs of controversy.

This film plays on Friday, October 17th at 8:00PM Central at Mary Jane Teall Theatre at Century II.

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SATURDAY NIGHT GALA

 

OUR HERO, BALTHAZAR

Director: Oscar Boyson

RT: 91m/USA

Regional Premiere

Narrative Feature Competition

 

From first-time feature filmmaker Oscar Boyson comes a thoroughly audacious coming-of-age story that fearlessly explores the impact of social media and American gun culture on modern adolescence through an incisive yet blackly comic lens. Hoping to impress an activist classmate, wealthy New York City teenager Balthazar “Balthy” Malone (Jaeden Martell, It, Knives Out) begins posting emotional videos on social media, pleading for stricter gun laws. But his tearful clips soon attract the attention of an online troll who claims he is planning a school shooting. Acting on impulse, Balthy heads to Texas to try to prevent the tragedy by befriending the potential shooter “IRL”—a term his crush used and Balthy misunderstood.

But the misguided teen’s journey to the south takes a turn for the surreal once he meets fellow lost soul Solomon (Asa Butterfield, Sex Education, Hugo) IRL. Together, the two boys from vastly different worlds must navigate a confusing and combustible set of misunderstandings, both absurd and terrifying. Even though they find genuine moments of connection, their path nevertheless moves them ever closer toward an all-too-preventable fate.

 

A masterful marriage of dark comedy and bracing, nuanced character drama, Our Hero, Balthazar stars Jaeden Martell, Asa Butterfield, Chris Bauer, Jennifer Ehle, Anna Baryshnikov, Noah Centineo, Becky Ann Baker, Avan Jogia and Pippa Knowles.

 

Co-written by Boyson and Ricky Camilleri, the film is also produced by Boyson and Camilleri, as well as Jon Wroblewski, David Duque-Estrada, Miles Skinner, Alex Hughes and Jaeden Martell.

 

THUMP (short) plays with OUR HERO, BALTHAZAR

Director: Katja Stirnemann

RT: 12m/USA

Kansas Premiere

Narrative Short Competition

 

A teen girl prepares to leave for prom when a sudden thump halts her. Marked by the experience, she and her mother retreat into unspoken rituals—until the past demands a reckoning they can no longer ignore. Inspired by true events, “Thump” is a raw, surreal descent into the unknown.

These films play on Saturday, October 18th at 8:00PM Central at Mary Jane Teall Theatre at Century II.

 

CLOSING NIGHT GALA

 

LESBIAN SPACE PRINCESS

Directors: Emma Hough Hobbs, Leela Varghese

RT: 87m/USA

Kansas Premiere

 

The introverted Princess Saira, daughter of the flamboyant lesbian Queens of planet Clitopolis, is devastated when her girlfriend, the bounty hunter Kiki, suddenly breaks up with her for being too needy. When Kiki is kidnapped by the Straight White Maliens – forgotten incels of the future – Saira must leave the comforts of gay space to deliver the requested ransom: her Royal Labrys, the most powerful weapon known to lesbian kind. The only problem is… Saira doesn’t have it! With just a 24-hour window to get the weapon and save Kiki, Saira finds herself on an inter-gay-lactic journey of self-discovery which includes encounters with a problematic spaceship and a new-found friendship with gay-pop runaway Willow. A riotous, candy-coloured animated comedy adventure through the vastness of queer space.

 

SHE RAISED ME (short) plays with LESBIAN SPACE PRINCESS

Director: Ben Lewis

RT: 14m/USA

Kansas Premiere

Narrative Short Competition

 

SHE RAISED ME is a dark comedy about a struggling playwright named Louie, whose plan to break up with his boyfriend goes awry, when he discovers his boyfriend’s mother is Marilyn Muff, an actress (and gay icon) that Louie grew up idolizing. Louie quickly clings to Marilyn like a childhood security blanket, but what lengths will he go to to hold onto her?

These films play on Sunday, October 19th at 8:15 PM and 8:30PM Central at Boulevard Theatres Old Town.

 

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SPOTLIGHT FILMS
These films are not in juried competition but are selected to enhance the festival experience.

 

25 CATS FROM QATAR

Director: Mye Hoang

RT:95m/USA, Qatar

Kansas Premiere

 

When Katy McHugh, owner of Milwaukee’s Sip and Purr Cat Café, learns of the feral cat crisis in Doha, Qatar, she creates a brave and unsanctioned plan to fly 25 cats from Doha back to Wisconsin for adoption.

This film plays on Friday, October 17th at 2:15PM Central and on Sunday, October 19th at  11:15AM at Boulevard Theatres Old Town.

 

 

ATO NOTURNO [NIGHT STAGE]

Directors: Filipe Matzembacher, Marcio Reolon

RT: 117m/Brazil

Kansas Premiere

 

An actor and a politician start a secret affair and together discover their fetish for having sex in public places. The closer they get to their dream of fame, the more they feel the urge to put themselves at risk.

This film plays on Friday, October 17th at 11:30PM Central at Boulevard Theatres Old Town.

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GOD AS MY WITNESS

Director: Lindsay Quinn Pitre

RT: 82m/USA

Kansas Premiere

 

Decades after the loss of his youngest brother, one man embarks on a relentless search for the truth, eventually unraveling a dark web of secrets contained within the Archdiocese of New Orleans (Louisiana, USA). What begins as a personal journey soon collides with one of the largest archdiocese bankruptcies in modern U.S. history. As survivors come forward, a haunting story of betrayal, corruption, and a generations-long cover-up inside the Crescent City finally begins to surface.

 

This film plays on Saturday, October 18th at 5:00PM Central at Mary Jane Teall Theatre at Century II and on Sunday, October 19th at 5:15PM Central at Boulevard Theatres Old Town.

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OUT OF THE PICTURE

Director: Mary Louise Schumacher

RT: 98m/USA

Kansas Premiere

 

“Out of the Picture” takes us inside the lives of some of the most relevant writers on art today, thinkers who are making sense of a period of unprecedented change to art and media. For more than a decade, the filmmakers turned their cameras on critics navigating these rapidly changing landscapes, including Carolina Miranda, formerly of the Los Angeles Times; Hrag Vartanian, of Hyperallergic; Jen Graves, formerly of The Stranger; Jeneé Osterheldt of The Boston Globe; and Seph Rodney, independent critic. “Out of the Picture” is poised to prompt a conversation about the nature of art, modern life, and how meaning gets made in the 21st century.

 

This film plays on Friday, October 17th at 12:15PM and Sunday, October 19th at 1:15PM at Tallgrass Film Center.

 

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ROSEMEAD

Director: Eric Lin

RT: 97m/USA

Kansas Premiere

 

In a race against time, an ailing woman is stricken by the discovery of her teenage son’s violent obsessions and must go to great lengths to protect him, and possibly others, in this portrait of a Chinese American family. Inspired by true events, ROSEMEAD marks the feature directorial debut of acclaimed cinematographer Eric Lin, and showcases tour-de-force performances by Lucy Liu and newcomer Lawrence Shou.

This film plays on Friday, October 17th at 5:00PM Central at Mary Jane Teall Theatre at Century II and Sunday, October 19th at 2:15PM Central at Boulevard Theatres Old Town.

 

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ROW OF LIFE

Director: Soraya Simi

RT: 82m/USA

Regional Premiere

 

ROW OF LIFE is about renowned ocean rower Angela Madsen, a Paralympic medalist, Marine Veteran, and 14x Guinness World Record holder who attempted her final solo Ocean row from Los Angeles to Hawaii in 2020. The film is a poetic story of bravery, resilience, and love between Angela and her wife Deb—separated by a vast ocean—supporting each other’s dreams despite what became the ultimate cost.

 

Abseits – ein ungleiches Spiel [Offside – an unequal game] (short) plays with ROW OF LIFE

Director: Katja Stirnemann

RT: 14m/Switzerland

North American Premiere

Documentary Short Competition

 

The filmmaker is fed up, she questions gender codes in sports. Material from her personal family archives meets found footage. As old codes are dismantled, the remaining pieces are formed into new questions.

These films play on Friday, October 17th at 2:30PM and Sunday, October 19th at 11:15AM at Boulevard Theatres Old Town.

 

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THE WAR BETWEEN

Director: Deborah Correa

RT: 97m/USA

Kansas Premiere

 

THE WAR BETWEEN tells the story of a Union soldier with amnesia stranded in the Sonoran Desert during the Civil War’s Southwest campaign. Joined by a Confederate soldier and an exiled Chiricahua Apache, the trio confronts survival, identity, and prejudice in a timeless tale of resilience and the forces that divide, and unite us.

 

This film plays on Saturday, October 18th at 11:15AM Central and Sunday, October 19th at 12:00PM at Boulevard Theatres Old Town.

 

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WTO/99

Director: Ian Bell

RT: 100m/USA

Kansas Premiere

 

WTO/99 is an immersive archival documentary that reanimates the clash between the then-emerging World Trade Organization (WTO) and the more than 40,000 people who took to the streets of Seattle to protest the WTO’s impact on human rights, labor, and the future effects of continued globalization.

 

ملاذ (Sanctuary) (short) plays with WTO/99

Director: Mena Nasiri

RT: 8m/USA

Kansas Premiere

Documentary Short Competition

 

The Edward Said Lounge at the University of Michigan was created as a space for Arab and Muslim students on campus to gather and study, and the lounge walls are covered with a recognition of the immense impact of Palestinian activist and scholar Edward Said, as well as the beauty of Palestinian culture. Since the school administration has intensely struck down on student protests for divestment with violent police brutality and intense surveillance, this lounge on campus is no longer a welcoming space, but rather a hollow symbol that embodies the hypocrisy, greed, and hatefulness of the university.

These films play on Saturday, October 18th at 2:15PM Central and Sunday, October 19th at 2:45PM Central at Boulevard Theatres Old Town.

UCLA Film & Television Archive fall 2025 lineup looks through the lens of Bruin scholars, student activism and film history 

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The UCLA Film & Television Archive will present 29 features, 19 shorts and four evenings of television treasures for the fall season, kicking off Oct. 17. The upcoming calendar includes Los Angeles and restoration premieres, tributes and classics, Academy Award–nominated shorts and feature films. The Archive will also host celebrated in-person guests at the Billy Wilder Theater at the Hammer Museum in Westwood.

“This season’s programming transforms the big screen by looking to the past — through the lens of UCLA scholars and student activism, visionary explorations of AI and technology, and 60 years of Archive preservation,” said May Hong HaDuong, director of the UCLA Film & Television Archive. “We invite audiences to come together and experience art as a collective act — rooted in history and alive in community.”

UCLA Connects: Scholar-inspired programs    

“Toward a More Perfect Rebellion: Multiracial Student Activism at UCLA” (Oct. 17–18): A selection of films by UCLA student filmmakers made as part of UCLA’s groundbreaking Ethno-Communications Program (1969–73), established to encourage students to use film as a tool for social change. Guest programmed with NYU professor Josslyn Luckett.

“A Place of Rage: Women and Anger on Screen” (Oct. 26–Dec. 6): Shorts, television episodes and features inspired by UCLA Professor Kathleen McHugh’s research. Titles include Pratibha Parmar’s “A Place of Rage” (1991) and Joan Crawford’s Oscar-nominated turn in “Sudden Fear” (1952) and include in-person Q&As
.

 

Archive Treasures: restorations and television collections 

Television Landmarks: “An Evening With Fred Astaire” (1958) and “Another Evening With Fred Astaire” (1959), (Oct. 19) — Fred Astaire’s television specials, among the first made with color videotape and virtually unseen since 1987, restored by the Archive. Screening features a Q&A with dancer and actor Barrie Chase, Fred Astaire’s co-star.

“Wanda” (Nov. 2): Barbara Loden’s groundbreaking independent film (1970), restored by the Archive after rescuing the film elements from the now-defunct Hollywood Film and Video Laboratory. Screening includes a book signing and conversation with Elena Gorfinkel (“BFI Classics: Wanda”).

“The Best of ‘Ralph Story’s Los Angeles’” (Nov. 22): Rarely seen television snapshots of cultural history from the beloved L.A. series (1965–69) document surviving and lost L.A. landmarks, including Angels Flight, Clifton’s Cafeteria, Disneyland, Sunset Boulevard, Hollywood Ranch Market and Beverly Park. Q&A with producer Joe Saltzman and Alison Martino of Vintage Los Angeles.

“Desi Arnaz: The Man Who Invented Television” (Dec. 13): Celebrating the Cuban American television pioneer with “Desi Arnaz and His Orchestra” (1946), “I Love Lucy” (1952), “Lucille Ball-Desi Arnaz Show” (1960), “The Mothers-in-Law” home movies (1967) and more, followed by a Q&A with author Todd S. Purdum.

Visions of the future 

“The Future of Reality: From Locarno to L.A.” (Oct. 24–25): Contemporary shorts from the Locarno Film Festival exploring technology’s impact on humans are paired with archival newsreels from the Archive’s Hearst Metrotone News Collections and “The Twilight Zone,” plus a screening of Adele Tulli’s documentary “Real” (2024). Programs include discussions with filmmakers and scholars.

“Reality Frictions” / “Bontoc Eulogy” (Dec. 12): This Los Angeles premiere is presented in partnership with Los Angeles Filmforum. UCLA Professor Steve F. Anderson’s new essay film, will be shown with Marlon Fuentes’ acclaimed 1995 documentary. The screening will be followed by a conversation with Anderson.

Preservation in focus 

“Ross Lipman and The Archival Impermanence Project” (Nov. 7–9): A career-spanning spotlight on preservationist Ross Lipman, featuring “Notfilm” (2015), the Los Angeles restoration premiere of “The Man Without a World” (1991) with live musical accompaniment; UCLA alum Nietzchka Keene’s “The Juniper Tree” (1990), starring Björk and more. All programs followed by conversations with Lipman.

Revolutionary filmmaking  

“Reel Politik: Seizing the Means of Projection” (Nov. 21–Dec. 20): A five-night series curated with illustrator Nathan Gelgud (New York Times, The New Yorker, Paris Review and Hyperallergic), inspired by his daily Instagram comic about cinephile workers resisting “algorithmic indignities” who turn their sights on hijacking the Criterion Mobile Closet. There will be book signings with Gelgud before the screenings.

Additional Programs  

Family Flicks (Sundays, Oct. 26–Dec. 7): “Willy Wonka and the Chocolate Factory” (1971), “The Phantom Tollbooth” (1970) and “The Wiz” (1978).

Legacy Project Screening Series (Nov. 1): Rodney Evans’ acclaimed “Brother to Brother” (2004) with his visual essay “Portal” (2022).

Food and Film (Nov. 15): Screening of Trần Anh Hùng’s “The Scent of Green Papaya” (1993), paired with a curated dinner at Lulu restaurant at the Hammer Museum, co-founded by legendary chef and restaurateur Alice Waters.

“Eyes on Ukraine” (Dec. 5): Official world premiere! Directed by Mo Stoebe and executive produced by Richard Gere, this documentary explores the intersection of two crises: war and the HIV epidemic. The film follows HIV-positive Ukrainian activist Yana Panfilova as she joins “Through Positive Eyes,” a global photo-storytelling project co-directed by award-winning South African photographer Gideon Mendel and the UCLA Art & Global Health Center.

All screenings take place at the Billy Wilder Theater at the Hammer Museum in Westwood, Oct. 17–Dec. 20, 2025. Admission is free and seating is first-come, first-served.

Vertical Acquires North American Rights to Luc Besson’s Dracula: A Love Tale

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Coming off the success of the French theatrical release in July, Vertical has acquired North American rights to legendary filmmaker Luc Besson’s upcoming fantasy horror romance Dracula: A Love Tale. Starring Caleb Landry Jones (Harvest), two-time Academy Award® winner Christoph Waltz (Django Unchained, Inglourious Basterds), and Zoë Bleu (Gonzo Girl), the film is set for a wide theatrical release in Q1 2026.

In an inspired screenplay from Besson based on the beloved book by Bram Stoker, Dracula: A Love Tale follows a 15th-century prince (Landry Jones) who denounces God after the devastating loss of his wife. He inherits an eternal curse: he becomes Dracula. Condemned to wander the centuries, he defies fate and death itself, guided by a single hope – to be reunited with his lost love.

Besson shared, “This film is very close to my heart and has been a joy to create over the past two years. At its core, it’s a love story—Dracula seen in a different light, as a man searching for his lost love over 400 years. It’s been incredible to see audiences connect with it around the world, and I’m thrilled to partner with Vertical to bring this story to North American audiences.”

“Luc is a singular visionary and his elevated take on the Dracula story is something only he could imagine. We are thrilled to be working with such a major creative entity and are proud to be bringing this film to North American audiences,” added Vertical Partner Peter Jarowey.

The film was produced by Besson and executive produced by Mark Canton, Dorothy Canton, Ryan Winterstern and Philippe Corrot. Additional below-the-line talent includes director of photography Colin Wandersman (Weekend in Taipei), editor Lucas Fabiani (Weekend in Taipei), production designer Hugues Tissandier (DogMan), and costumer designer Corinne Bruand (DogMan), with casting by Swam Pham (Anna) and music by Academy Award-nominee Danny Elfman (Beetlejuice Beetlejuice).

The deal was negotiated by Jarowey and SVP of Acquisitions Tony Piantedosi on behalf of Vertical and by CAA Media Finance on behalf of the filmmakers.

Cecilia Miniucchi’s NO PLACE LIKE ROME honored at Venice Film Festival with two Kineo Awards

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The renowned Kinéo Awards presented two special prizes to writer/director Cecilia Miniucchi’s latest film, No Place Like Rome on August 30 at the 82nd Venice Film Festival (August 27-September 6). Italian actress Cristiana Capotondi received the Kinéo Award for Best Italian Actress in an International Film, while Miniuccchi received a special Kinéo Award for being the first and only female Italian director to begin and continue her career in the U.S. The awards highlight the anticipation for the love story, which is set to make it’s festival debut later this Fall.

Capotondi received the honor for her first international role in English for No Place Like Rome in which she stars with Stephen Dorff, Radha Mitchell, and Sebastiano Pigazzi. Miniucchi’s previous work includes Life Upside Down, which starred Bob Odenkirk, Mitchell and Danny Huston, which launched from the 2022 Venice Film Festival, and was released by IFC in the U.S. Miniucchi’s first feature film, Expired, starred Samantha Morton, Jason Patric and Teri Garr, and debuted at the Sundance Film Festival, and earned her a Cannes Camera d’Or nomination.

Filmed in Rome, No Place Like Rome is a tribute to the city’s magical beauty especially around the Christmas holidays. The film follows a well-known photographer (Stephen Dorff), working for a New York based high-end magazine on an assignment in Rome, Italy. As the Christmas holidays approach, Connor, still broken from a nasty divorce from his ex-wife, prepares for his teenage son to join him. However, when he learns that his son will no longer come to Rome, he decides to stay through the holidays, alone, and accepts a new assignment that requires for him to photograph the parts and events of the city that are not commonly thought of during the festivities. With the help of his local assistant (Cristiana Capotondi) an attractive, extroverted museum curator, and a psychic’s unsolicited predictions, Connor starts his venture discovering many hidden gems of the Eternal City, while learning, with Scintilla, that maybe love can be found again.

A Euphoria Productions’ film, No Place Like Rome was produced by Jeffrey Coulter, Carl F Berg, and Antoni Stutz.