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Billy Joel Surprises a Sold-Out Carnegie Hall as 20 Artists Celebrated His Songbook at Michael Dorf’s Annual “Music Of” Tribute

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A sold-out Carnegie Hall came together on March 12, 2026 for Michael Dorf Presents: The 21st Annual Music Of tribute concert, celebrating the catalog of legendary musician Billy Joel, who made a surprise appearance in the audience for the evening, honoring his iconic songbook. Among those in attendance was global superstar P!NK, joining the Carnegie Hall audience for the special tribute. The annual event once again brought together an extraordinary lineup of artists performing Joel’s beloved songs while raising funds for music education programs.

Backed by Billy Joel’s touring band, serving as the evening’s house band and led by Joel’s longtime musical director and keyboardist David Rosenthal, the full ensemble featured Mark Rivera, Crystal Taliefero, Tommy Byrnes, Andy Cichon, Chuck Burgi, and Carl Fischer. Together they supported an extraordinary lineup of artists performing Joel’s beloved songs, including Rob Thomas, Alexa Ray Joel, Pat Monahan (Train), Mary Chapin Carpenter, Marc Roberge (O.A.R.), Ledisi, Lawrence, Natalie Merchant, Curtis Harding, Matt Nathanson, Itzhak Perlman, Wyclef Jean featuring students from Music Will, Rufus Wainwright, Andrew McMahon (Jack’s Mannequin), Gavin DeGraw, Bettye LaVette, Yola, Sammy Rae, Neal Francis, and Jon McLaughlin.

The evening held special significance with Joel himself in the room as artists reimagined songs that have defined generations of music fans.

The night opened with Michael Dorf welcoming the audience before Yola launched the concert with “Movin’ Out (Anthony’s Song).” Throughout the evening, artists delivered memorable interpretations of Joel’s catalog, including Rob Thomas performing “Vienna,” Pat Monahan with “She’s Always a Woman,” Mary Chapin Carpenter’s moving rendition of “And So It Goes,” Matt Nathanson performing “I Go to Extremes” and “Miami 2017 (Lights Go Out on Broadway),” Jon McLaughlin with “Everybody Loves You Now,” and Alexa Ray Joel performing “This Night.”

Additional highlights included Rufus Wainwright performing “Lullabye (Goodnight, My Angel),” Ledisi delivering a soulful version of Joel’s recent single “Turn the Lights Back On,” and a special collaboration between Marc Roberge and legendary violinist Itzhak Perlman on “The Downeaster Alexa.” Bettye LaVette performed “He’s Got a Way,” followed by a solo piano sonata interpretation of “The Longest Time” by David Rosenthal.

Continuing the long-standing tradition of spotlighting a beneficiary organization during the concert, Wyclef Jean performed “My Life” alongside students from the music education nonprofit Music Will. The evening continued with Neal Francis performing “Stiletto,” Sammy Rae with “River of Dreams” and “Get It Right the First Time,” Natalie Merchant performing “Allentown,” The Billy Joel Band and Dan Orlando performing “Scenes from an Italian Restaurant,” Curtis Harding with “Uptown Girl,” Gavin DeGraw performing “Big Shot,” and Lawrence with “Only the Good Die Young.”

The concert culminated with Andrew McMahon (Jack’s Mannequin) leading the audience in a sing-along performance of “Piano Man,” before the full cast returned to the stage for an encore performance of “You May Be Right.”
The event followed a sold-out live rehearsal show at City Winery New York on March 11, offering fans an intimate preview of the performances the night before Carnegie Hall.

Together, the two sold-out performances welcomed more than 3,500 attendees and raised over $225,000 to support music education initiatives — marking the largest fundraising total in the event’s history.

“It was an incredible honor to celebrate Billy Joel’s extraordinary songbook at Carnegie Hall and to have Billy himself in the room for the evening,” said Michael Dorf, founder and producer of the Music Of series. “Seeing so many remarkable artists come together to interpret his music — and witnessing the audience’s response — was truly special. What makes the night even more meaningful is the impact it has beyond the stage, helping support music education programs and ensuring the next generation of musicians has the opportunity to learn, create, and be inspired.”

Now entering its third decade, Dorf’s Music Of series has become one of New York’s most anticipated annual musical events. Since its inception in 2004, the series has honored legendary artists including Paul McCartney, Carly Simon, Prince, Bob Dylan, Joni Mitchell, The Rolling Stones, Aretha Franklin, Van Morrison, R.E.M., David Byrne, and Patti Smith, among others.

These concerts have directed 100% of net proceeds — $100,000 annually and over $2.4 million to date — to nonprofit organizations supporting music education. Beneficiaries include Music Will (formerly Little Kids Rock), Young Audiences NY, FIXS, Church Street School of Music, Partnership with Children, The D’Addario Foundation, Exploring the Arts, Jazz Foundation of America, Jazz House Kids, Long Island High School of the Arts, Musicians on Call, Save The Music, Midori & Friends, Grammy in the Schools, The Orchestra Now, The Perlman Music Program, Theatre Within, Third Street Music School Settlement, and the Newport Festivals Foundation, among others.

Coachella Just Got Miniversed!

This April, MGA’s Miniverse™ is shrinking down the desert in a fully immersive activation at the Coachella Valley Music & Arts Festival. Designed as a miniature reimagining of the festival, the experience invites fans to step inside a world where instantly recognizable landmarks and staples like the ferris wheel and desert palm trees come to life at Miniverse scale.

Inside the activation, festivalgoers will enter a meticulously crafted, mini-sized Coachella where every detail delivers oversized energy, and the soundtrack is just as mini (and real!). Guests can capture share-worthy moments surrounded by perfectly scaled festival scenes and photo opportunities, sip mocktails, munch on mini bites, and unwind in a thoughtfully designed, record-inspired lounge, offering a cool, immersive escape from the desert heat.

Along the way, attendees can collect exclusive, mini-sized keepsakes, including a vinyl keychain and a pocket-sized lineup poster, a collectible mini version of the official Coachella lineup. Music is woven throughout the experience with nostalgic tracks spinning on the tiniest fully working vinyl records offering a first glimpse at what’s to come.

Building on the mini festival experience, Coachella will also mark the debut of MGA’s Miniverse™ Real Music™, a groundbreaking line of playable mini records and a real working mini record player. These collectible records and mini turntable aren’t just for display. They actually spin and play real songs from some of the biggest artists, bringing music culture into miniature form. Festivalgoers will be the first to see, hear, and experience the Miniverse™ Real Music™ Record Player and Mini Records at Coachella, with early preorder access ahead of the nationwide launch this summer.

“Miniverse as a brand is built on the idea that big passions can live in tiny details. From food and lifestyle to animals, pop culture and now music, we transform the things fans love into highly detailed collectibles that are both display-worthy and interactive,” said Josh Hackbarth, Chief Marketing Officer at MGA Entertainment. “With Miniverse at Coachella, we’re bringing that philosophy into live culture, inviting fans to step inside the brand in a truly immersive way. By combining thoughtful design, highly shareable photo moments, and authentic music functionality through our new Real Music line, we’re creating a space where festivalgoers can experience something familiar from an entirely new perspective, proving that the smallest details can make the biggest impact.”

Fans can explore the entire MGA’s Miniverse product collection at the MGA’s Miniverse website. Follow MGA’s Miniverse on Instagram and TikTok for the latest updates about Miniverse at Coachella at the Empire Polo Club in Indio, California, and share content using #MiniverseCoachella.

Studio Biarritz Returns to SXSW with International Premieres of XR Experiences “Lacuna,” and “Lesbian Simulator”

Two incredible SXSW Immersive XR Spotlight Experiences  Studio Biarritz “Lacuna,” and “Lesbian Simulator” are making their International Premieres in the SXSW Spotlight section, led by two incredible female led creative teams from returning prolific immersive producer Corine Meijers,  who lead the team for SXSW’s fascinating “Future Botanica” in 2025, 2024’s  beloved “The Imaginary Friend” and 2023’s SXSW mind-blowing Sold-out spotlight experience “Symbiosis.

A production of Podium Biarritz in co-production with Copper Views &  Studio Biarritz,  a VR documentary by Maartje Wegdam & Nienke Huitenga Broeren and produced by Corine Meijers (“Future Botanica,” “The Imaginary Friend,”  “Symbiosis”),  “Lacuna,” (world premiered at the Cannes Film Festival’s Cannes Immersive  in may) offers audiences an extraordinary emotional moving journey as you accompany Sonja through disjointed memories, elusive images and re-imaginations towards one moment of loss and grief during the Second World War. Combining conversations with Sonja, mesmerizing 3D modelling, animation and personal footage, “Lacuna”explores who we are in relation to who we were. Meanwhile you will find truth in imagination, beauty in the unknown and an act of unconditional love.  “Lacuna” is meant to be both a remembrance project as well as a broader reflection on how our memories (as well as the lack of them) shape our identity. It reflects our search for new narrative forms, a new creative language and in pushing the boundaries of the documentary genre.

A Studio Biarritz production in coproduction with Art et Essai,  created by Iris van der Meule and produced by Corine Meijers (“Future Botanica,” “The Imaginary Friend,”  “Symbiosis”), “Lesbian Simulator”  (which world premiered at IDFA)  is an incredibly fun interactive virtual reality artwork and video game which will prompt users to experience the world from the perspective of a lesbian. While this artistic ode to love and sexual preference doesn’t shy away from tackling serious issues as well, such as the discrimination and abuse that lesbians still face today, you can expect an uplifting experience full of joy, humour and a touch of glitter! The immersiveness of VR raises awareness and enhance peoples sense of empathy. while giving the possibility to create worlds and experiences that reach as far as our own creativity. This creates new possibilities in how we tell stories and experience them. ‘Lesbian Simulator’ as a ‘simulation video game’ offers an interesting cross-over takes place between a socially relevant art work and a video game. The story of Lesbian Simulator starts even before the player gets into the VR headset with the physical installation. The installation has been created in collaboration with artist/designer Caboor to lure the audiences to see the experience and set the tone for the world they are about to step into.

The international premieres of these award winning experiences offer unique in-person SXSW experience slots from 11am-6pm at Fairmont Hotel on the 3rd floor (right next door to the former Austin Convention Center) daily beginning with the press & industry VIP preview on Saturday, March 14th and open to the public beginning Sunday, March 15th through Tuesday, March 17th.   Further experience information and on-site location details below with each experience’s available time slots for scheduling request ease below—definitely reach out now so we can best accommodate your scheduling needs.  We offer onsite and virtual interviews with our creative team, and appreciate all review, and SXSW Festival coverage.

These magical SXSW Immersive XR Spotlight Experiences from the award-winning Studio Biarritz production team in the Netherlands, returning to SXSW  with their latest Immersive XR Experiences.  This International Women’s Month, it’s key to note that Meijers continues to work with fellow creatives (nearly entirely female led teams for both of these XR Experiences) that explore her vision of how deeply intertwined the sociological and physical are, affecting our reality throughout.

Opening In Theaters Nationwide Today: Atlas Distribution Company Theatrical Release – Friday, March 13th, 2026 of star-filled horror comedy “Scared to Death”

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The irreverent, high-voltage horror-comedy Scared to Death, from award-winning music video and feature director Paul Boyd, is now playing in theaters nationwide, launching in wide release across the country as a major Friday the 13th opening weekend attraction. Led by horror legends Lin Shaye of the Insidious franchise and Bill Moseley of The Devil’s Rejects  and The Texas Chainsaw Massacre 2, the film builds on strong festival momentum and delivers its genre-blending spectacle to audiences coast to coast.

Anchored by AMC Theatres in the Top 10 U.S. markets – New York, Los Angeles, Chicago, Philadelphia, Dallas-Ft. Worth, Houston, Washington, DC, Atlanta, Boston, and the San Francisco Bay Area –  and playing in dozens of additional major cities nationwide, Scared to Death unites an eclectic, high-profile ensemble including rock frontman Kurt Deimer, daytime favorite Victoria Konefal of Days of Our Lives, Hollywood royalty Rae Dawn Chong,  Olivier Paris of The Wrong Tutor, B.J. Minor of Grey’s Anatomy, Jade Chynoweth of The Last Ship,  Lucinda Jenney of Practical Magic, and introduces Deimer in a breakout performance as the scene-stealing Grog.

In Scared to Death a group of filmmakers attend a séance at an abandoned children’s orphanage to do research for a horror movie. Soon, supernatural events begin to manifest, in both horrific and darkly comical fashion. That’s their first mistake…
The film taps into classic haunted-house tradition while embracing a contemporary edge, creating a theatrical experience that invites audiences to laugh, jump, and react together.

Trailer: https://youtu.be/Gz7pAzjCnlI?si=qc6X_xn5uNWAE9p6

Showtimes, Theaters and tickets: https://www.scaredtodeathmovie.com/home

Scared to Death’s wide release is anchored by AMC Theatres, with additional engagements across Marcus Theatres, Studio Movie Grill, CMX Cinemas, Epic Theatres, Maya Cinemas, Regal Cinemas, Apple Cinemas, and Brenden Theatres, among other prominent multiplex partners throughout North America. Now playing in over 180 theaters nationwide, with sustained presence across nearly all the Top 20 U.S. markets and continued play in key regional territories, Scared to Death reinforces the enduring draw of horror-comedy as a theatrical genre and stands as one of the season’s most energized genre offerings.

The film was written and directed by Scottish filmmaker Paul Boyd and the filmmaking team also features producers Eric Barrett and Todd Slater, Executive Producers Kurt Deimer, Peter Tochet, Lin Shaye, and Steven Poster, ASC, casting by Lindsay Chag, CSA, edited by Ed Shiers, cinematography by Steven Poster, ASC, music composer Misha Segal, Production Design by Scott Campbell and featuring original songs by Kurt Deimer.  The film comes to theaters in a deal that was negotiated by Todd Slater of Convoke Media on behalf of the filmmakers, with Harmon Kaslow representing Atlas Distribution Company.

REMINDERS OF HIM – A Review by Cynthia Flores

Reminders of Him is based on a best-selling novel by Colleen Hoover, author of the New York Times hit It Ends with Us. Hoover, who helped adapt the screenplay, has stated the movie is “not a copy of the book but a complement to it.”

Director Vanessa Caswill is well known for her work in television. This is only her second feature film. Her first film was the Netflix feature hit Love at First Sight in 2023. She has proven that she is good with romance stories. That is why I am surprised that it takes the first third of the film to find its footing. I am unsure if this slow start stems from the script, the direction, or Maika Monroe’s portrayal of the lead character, Kenna Rowan. In the early part of the film, Monroe’s depiction of Kenna’s pain feels stiff and doesn’t fully convey the character’s emotional turmoil, making it less believable. However, the film’s energy and her performance become more convincing once Kenna meets her romantic interest, at which point the story gains momentum.

Reminders of Him follows Kenna Rowan (Maika Monroe), who, after leaving prison, returns to her hometown to try and connect with her young daughter Diem (Zoe Kosovic). Struggling to find acceptance in a town that does not look kindly at ex-cons, she gets a job at a store where she first met the love of her old life, Scotty (Rudy Pankow).

Now Kenna is living on the edge of town, in a shady pay-by-the-month kind of place. Having to walk everywhere, she pops into the old bookstore where she and Scotty used to hang out. It has been turned into a bar. There, she meets the owner, Ledger Ward (Tyriq Withers), who must decide whether to get close to this woman he is attracted to or keep his distance when he learns her identity. The film centers on Kenna’s effort to face her past and reunite with her daughter.

​This movie features a great supporting cast, including Bradley Whitford and Lauren Graham as Scotty’s parents, Diem’s father. Both of these actors are strong players who were given little to do. Even the child who plays Diem (Zoe Kosovic) at such a young age shows she has the chops to handle much more. It’s too bad that there was not enough written for them all to really sink their teeth into and elevate the film as a whole. However, I will tell you that one of the best supporting elements of this film is the soundtrack, which almost steals the show. The cover of Yellow by Morgan Harper-Jones is haunting, and the film’s closing song, Light Over the Hill, by Noah Cyrus, will have people looking up the playlist on their way home.

​I give Reminders of Him 3 stars. It’s a formulaic romantic drama that will satisfy most of the fans of the original novel. I would consider waiting to enjoy it once it is streaming on all the platforms. It is worth a viewing even if just for the killer soundtrack.

 

Directed by: Vanessa Caswill

Written by: Lauren Levine, Colleen Hoover

Rated: PG-13

Running Time: 1 h 54 min

Tragedy/ Romance

Wide Release: In Theaters March 13th

Starring: Maika Monroe, Bradley Whitford, Tyriq Whithers, Lauren Graham, Zoe Kosovic

THE BRIDE! – A Review by Cynthia Flores

THE BRIDE! – A Review by Cynthia Flores

This new film by writer/director Maggie Gyllenhaal is her second feature film. Her first film, 2021’s The Lost Daughter, got three Oscar nominations. I am pointing this out because she is smart enough to stack the deck in her favor with this wild departure from her straight drama debut.

Maggie has packed this film with Oscar-nominated and winning actors and actresses. She chose to work with Academy Award-winning cinematographer Lawrence Sher for the first time and to film entirely with IMAX-certified digital cameras. They wanted to create a large canvas of visuals that range from black-and-white close-ups to the blood-red carnage the monsters wreak on others. Add to the mix the rich, thick score from female Academy Award-winning composer Jildur Guǒnadóttir (who, by the way, worked with the cinematographer on 2020’s Joker, where they both won Oscars). Jildur is quoted as saying about the challenges of scoring this film set in 1930s America, “It was both very punk and very romantic, which made it kind of crazy. There’s screaming electric guitar AND an orchestra.” 

I say all this to set you up to understand that all the hype around the film being good is warranted. The Bride! tells the story of a lonely Frankenstein (Christian Bale) who, after living a very long time, travels to 1930s Chicago to ask the brilliant, unconventional scientist Dr. Euphoria (Annette Bening) to create a companion for him. A bride. The two dig up a murdered young woman, and The Bride! (Jessie Buckley) is born. What happens next as they get to know each other and try to live (as well as the dead can) amongst the living that always love to hate “monsters” is quite a quest. The rest of the story takes them from Chicago to New York City and to Niagara Falls. Leaving a trail of murder, a wild feminist cultural movement, all mixed in with a possession fighting to take control of the bride. The outlaw lovers (think Bonnie and Clyde) are on a wild ride, being followed closely by the coppers and Detective Jake Wiles (Peter Sarsgaard) and his sidekick Myrna Mallow (Penélope Cruz). All the while, Frankenstein and his bride enjoy a romance for the ages.

The Bride! is not for everyone. The director’s smart choice to use the contrivance of Mary Shelley’s soul to set up the story and be part of it is unconventional and perverse in all the right ways. Some of the younger members of the audience didn’t quite appreciate the magnificent homage the director paid to classic films from the 1930s. When Fred Astaire ruled the movie theaters. Much like the character in this film, Ronnie Reed (Jake Gyllenhaal), who stars, sings, and dances in the black and white musicals that Frankenstein loves so much. But anyone who’s been brought up on a good diet of Turner Movie Classics will love the references in this film. And understand why Peter Sarsgaard and Penélope Cruz play and speak the gumshoe characters the way they do in this movie. As a final note, without giving anything away, because I really like this film and want you to see it, and it’s just too much fun when it happens in the movie. There are nods to just about every Frankenstein movie, serious or humorous, ever made. Even 1974’s Young Frankenstein. 

​I give The Bride! 4 stars. It’s a sexy, high-concept, over-the-top movie that is best enjoyed on the big screen.

 

Directed by: Maggie Gyllenhaal

Written by: Maggie Gyllenhaal

Rated: R

Running Time: 2 h 6 min

Dark RomCom, Period Drama, Horror

Wide Release: In Theaters March 6th

Starring: Jessie Buckley, Christian Bale, Jake Gyllenhaal, Peter Sarsgaard, Annette Bening, Penélope Cruz

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

MADDY MANIA PODCAST – Interview with Maddy Myer

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Maddy chatted with our Gadi Elkon about everything that is the Maddy Mania Podcast.

Experience Sholay Like Never Before: Amitabh Bachchan’s Masterpiece in 4K at Austin’s AFS Cinema – March 2026

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Indie Meme, Austin’s South Asian film festival will present a special screening of Sholay, the film many consider to be the “Greatest Indian Film” at the AFS Cinema on Sunday, March 1. A special restored 4K print of the 1975 classic has been making the rounds of art house theaters in the US for the past few months and now has made its way to Texas, thanks to Indie Meme. Lauded as a cinematic masterpiece, Ramesh Sippy’s magnum opus transcends mere entertainment to stand as a cultural touchstone in Indian filmmaking. Sholay was designated as the greatest Indian film in a 2002 British Film Institute poll and ‘Film Of The Millennium’ by BBC India in 1999. This monumental production, a true blockbuster, commenced its historic run at Mumbai’s Minerva cinema, captivating audiences for an unprecedented five consecutive years.

The special screening presentation will also include an appearance and post-screening Q&A by Shehzad Sippy, the managing director of Sippy Films, an Indian film production studio, founded by his grandfather G.P. Sippy in 1951. Having recently acquired the company from his family, Shehzad Sippy continues the legacy of Sippy Films, a banner synonymous with blockbuster storytelling and technical innovation. His commitment to the restoration and preservation of Sholay ensures that the film’s impact remains undiluted, offering fans an authentic connection to the greatest story ever told in Indian cinema.

A true epic, with a running time of 3 hours and 24 minutes, Sholay is set in the village of Ramgarh, where retired police chief Thakur Baldev Singh plots to bring down the notorious bandit Gabbar Singh, enlisting the help of two lesser criminals, Jai and Veeru. When Gabbar attacks the village, however, Jai and Veeru wonder why Thakur does nothing to help them. They soon learn that he has no arms, and that Gabbar was the one who cut them off. Enraged by this, they redouble their efforts to help bring him down.

The newly 4K restored cut of the film will allow audiences to experience the original uncensored ending and rarely seen deleted scenes that never made it into the widely distributed theatrical cut. It’s a bold, immersive, and powerful new perspective on one of Indian cinema’s greatest masterpieces. Add to that, Indie Meme is adding to the celebration of this classic by asking participating audience members to come to the AFS Cinema donning their best Desi Cowboy Chic attire.

Tickets:  https://eventvesta.com/events/134485/t/tickets

DANNY IS MY BOYFRIEND – A Review by Jenn Rohm

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Directors Lucy Sandler and Mechi Lakatos asked the questions, “What would happen if we tried to make a film without a plan?  Without a script? Without worrying about what it would be “for” or what it would do for us?  If we just let the process itself be the point?”  Their film Danny is My Boyfriend, is the result.

Lucy, Lucy Sandler, has moved back into her mother’s house after her last relationship led her to treatment in a psychiatric hospital.  Her new boyfriend (a few months) has left town for his nephew’s non-denominational circumcision party, and she is taking care of his dog.  While out with the dog, her path crosses Mechi, Mechi Lakatos, who recognizes her boyfriend (of many years) dog.  The two realize they are dating the same person, and what follows is how they each react.  Some of the reactions concern how they will individually handle their relationship with him, with most showing them forging an unlikely friendship, bonding over ruining his life.

This is a relatable storyline they selected for an unscripted piece, and it provided enough information to create a full-length film.  Filming was done with two miniDV cameras, which allowed it to unfold naturally without pausing or resetting to get another shot.  Multiple public locations and a few private homes and yards are used.  This kept me grounded in reality, rather than the escape that sometimes comes from being on set.

The few things that didn’t work for me involved a moment after the dog relieved itself in the house and one character pushing another for an action to take place involving a cake.  Having owned a dog I had a visceral reaction that stayed with me long after the movie was over.  As for the second mention, an adult character pushing a teen near the end angered me.  I was happy to see the teen wasn’t falling for it and was secure enough in herself to push back.

It was refreshing to see something different, and I admire these filmmakers for having the confidence to put something new out there.  They are premiering the film at the 2026 Slamdance festival on February 21, 2026, with an additional showing on February 23, 2026.

Personal side note: There is a sequence involving an open audition, and one of the females is Hannah Levin, a wonderful actor, writer, and filmmaker in her own right.  You can watch my interview with her from her piece, Golden Child, that was part of the 2024 Bentonville Film Festival here.

 

Director: Lucy Sandler, Mechi Lakatos

Cast: Mechi Lakatos, Lucy Sandler, Sivan Ambrose

Selig Rating: 3 stars

Runtime: 1h 41m

Genre(s): Comedy

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

BUTCHER’S STAIN Interview with Filmmaker Meyer Levinson-Blount

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Filmmaker Meyer Levinson-Blount’s short film BUTCHER’S STAIN is one of the Best Live Action Short Film nominees for the upcoming 2026 Academy Awards.  Meyer spoke with our Gadi Elkon about the film, the Oscars and so much more.