Home Blog Page 9

KIDFILM Family Festival Announces 2026 Film Lineup and Events

0

The USA Film Festival announces the schedule of events for the 42nd Annual KidFilm® Family Festival taking place on Saturday, January 17 and Sunday, January 18, 2026 at the Angelika Film Center Dallas, 5321 E. Mockingbird Lane, Dallas. All programs will be presented FREE to the community.

KidFilm is the oldest and largest-attended children’s film festival in the United States, featuring an entertaining, educational, and diverse line-up of new and classic films for both children and adults. KidFilm is an annual outreach program of the USA Film Festival/Dallas, a 56-year-old 501c3 nonprofit organization dedicated to the recognition and promotion of excellence in the film and video arts.

Celebrating the program’s 42nd anniversary, this year KidFilm pays tribute to a favorite children’s book author and celebrates diversity, empowerment, family and friendship and features fantastical adventures celebrating courage, perseverance, personal growth and self-reliance, along with other important educational lessons in an entertaining program that includes films for audiences of any age.

Honorary Co-Chairs for KidFilm are USA Film Festival Board of Directors members

Yvette Ostolaza, Laura Fox, David Dummer, Gail Terrell, Megan Mitchell and Xavier Mitchell. “We are so pleased to be able to offer this year’s program as an all-free-admission event thanks to support from the City of Dallas Office of Arts and Culture, the Texas Commission on the Arts, the National Endowment for the Arts, and from the Festival’s Season Sponsors,” said Fox who continued, “We are honored to be able to celebrate 42 years of KidFilm with this great line-up of inspiring films.”

Highlights of this year’s program include:

A Salute to children’s book author Deborah Diesen with a preview screening of Viva Kids’ new animated feature film The Pout-Pout Fish (Australia/USA) ahead of its March 20th theatrical release. The hilarious and heartwarming story follows Mr. Fish, a pouty introvert, and Pip, an energetic sea dragon, who embark on a daunting quest to find a legendary fish to grant their wish to save their homes. Featuring the star-studded voice cast of Nick Offerman, Nina Oyama, Miranda Otto, Remy Hii, Jordin Sparks and Amy Sedaris, The Pout-Pout Fish is directed by Ricard Cussó and Rio Harrington, written by Elise Allen, Elie Choufany and Dominic Morris, based on Diesen’s book of the same name. Free copies of the new book, “The Pout-Pout Fish Movie Storybook” will be distributed to families (while supplies last), and Deborah Diesen will sign books for the kids!

NEW ANIMATED FEATURE FILMS to be presented include:

Leon Joosen’s The Land of Sometimes (UK), a fantastical musical which follows twins Alfie and Elise who get more than they bargained for as they are whisked away to a magical world after summoning a mysterious Wish Collector. The film features the stellar voice cast of Ewan McGregor, Helena Bonham Carter, Terry Jones, Asa Butterfield, Alisha Weir, Andrei Shen, Jessica Henwick and Mel Brooks, as well as three spellbinding new songs from three-time Oscar winner Tim Rice (The Lion King, Aladdin, Beauty and the Beast) and Pete Hobbs. The film is written by Martin Casella and Tony Nottage, based on the award-winning audiobook by Francesca Longrigg.

Mark Risley’s Flower of the Dawn (USA), an enchanting fairy tale that follows a princess who has been turned into a nightingale by a vain sorceress whose only hope is to attain an elusive, magical flower. Inspired by the Grimm Brothers tale “Jorinde and Joringel,” the film is written by Allan Neuwirth and stars the voices of Mel Brooks, Jane Lynch, Matt Lucas, Jennifer Holliday, Lilla Crawford, Griffin Puatu, Erika Harlacher, Melissa Hutchison, and Barbara Rosenblat.

Reza Memari’s The Last Whale Singer (Canada/Czech Republic/Germany), an epic adventure which features a self-doubting teenage humpback whale who must face his fears and embark on a perilous journey with his friends in order to discover his own song and save the ocean from a monstrous creature.

Caroline Origer’s Spiked (Belgium/France/Luxembourg/UK), a fantastic family film that follows a young, orphaned hedgehog and overextended rabbit father who experience the adventure of a lifetime. The film stars the voices of Matthew Goode, Kíla Lord Cassidy, Gemma Whelan, Stephen Mangan, and Charlie Reid and is written by Jules de Jongh and David Freedman.

Vincent Bal & Wip Vernooij’s Miss Moxy (Netherlands/Belgium), an exciting comedy which features a domestic cat who gets lost during a vacation and must find her way back home through the South of Europe with the help of the most despicable creatures a cat can imagine: a comical dog and an old, wise bird. Written by Maureen Versprille.

NEW LIVE-ACTION FEATURE FILMS to be presented include:

Gregory Alan Williams’ Paw Paw & Dayja (USA), a delightfully entertaining film that follows the adventures of a Bigfoot obsessed ten-year-old who, with the help of her grandfather, learns that each of us see the world a little differently but everyone’s view has value.

Neven Hitrec’s The Second Diary of Paulina P. (Croatia/Serbia/Slovenia), an entertaining, yet relatable film that follows a fifth grader who uses her charm and imagination to navigate a strict teacher, her first bully, and the new dynamic with her grandmother who is diagnosed with Alzheimer’s. Written by Ivan Turkovic Krnjak.

Tord Danielsson’s The Crown Prince and the Return of the Tyrant (Sweden), a stunning fantasy film that follows a young Crown Prince who will soon become king, just as he has always dreamed, when his suspicious grandmother returns to the kingdom.

TWENTY-TWO SHORT FILM PRESENTATIONS featuring animated and live-action short films from around the world including works from Belgium, Canada, Colombia, France, Germany, Hungary, Japan, Poland, Republic of Korea, Russian Federation, Serbia, Taiwan, United Arab Emirates, United Kingdom and United States (including two films made by Texans).

Schedule, Ticket & Location Information:

The full schedule of KidFilm programs may be viewed online via the USA Film Festival’s website at www.usafilmfestival.com.

Tickets for all shows are FREE for children & adults!

Programs are Free but you must have a ticket for admission; Tickets and seating are limited.

ADVANCE TICKETS for most programs will be available online now through January 14th:

https://www.eventbrite.com/cc/42nd-annual-kidfilm-family-festival-4801669

DAY-OF-SHOW TICKETS – (Based on availability) Any unreserved tickets will be made

available at the Angelika Theater on DAY OF SHOW ONLY. Theater BOX OFFICE OPENS at 11am on Saturday & Noon on Sunday.

MARTY SUPREME – A Review by Cynthia Flores

This new film from director and co-writer Josh Safdie is a perfect blend of his lush cinematic storytelling style and his love and ability to portray gritty, underbelly realities, as seen in his 2014 independent film Heaven Knows What and his more mainstream, award-nominated 2019 film Uncut Gems starring Adam Sandler.

​Marty Supreme tells the story of Marty Mauser (Timothée Chalamet), a young, extremely rare, and talented table tennis (ping-pong) player. He works at his uncle’s shop to save up money for an international competition. And to keep his mother (Fran Drescher) off his back.

His childhood friend Rachel (Odessa A’zion) is married to a brute but in love with Marty. Because of the affair they’re having, she winds up pregnant, which is not part of Marty’s plan to dominate the world of table tennis.

All this is taking place after World War II, around 1952, in New York City. Marty meets and becomes involved with an older, retired film star, Kay Stone (Gwyneth Paltrow), and her obscenely wealthy, controlling husband, Milton Rockwell (Kevin O’Leary). Besides being gifted at table tennis, Marty can talk his way into and out of just about any situation. He’s the kind of guy that, no matter what the odds look like, he’s going to make it out, maybe not unscathed, but at least alive – all in the pursuit of becoming a renowned world champion celebrated on a box of Wheaties.

The spectacular cinematography of Marty Supreme is by Darius Khondi. His creative style spans nearly every genre, from psychological thrillers like 1995’s Se7en to epic dramas like 2023’s Bardo. His way of capturing a story has influenced modern cinema, and as one of the leading cinematographers, he brings all his talent to this film. His shooting style, combined with the director’s choice to use well-known 1980s songs (remember, this film is visually rooted in the 1950s), creates a striking juxtaposition of visuals and audio that complements the director/co-writer’s beautiful story.

The cast elevates the film: Timothée Chalamet shines, proving he is the Marlon Brando of this generation. Gwyneth Paltrow embraces her age as the much older yet still beautiful love interest. Odessa A’zion is the standout, delivering a heart-wrenching performance as the woman in love with Marty—willing to do whatever it takes to support his dream and worthy of an Oscar nomination.

I give Marty Supreme 4.5 stars. It’s a beautiful-looking film that makes you actually care about table tennis (Ping Pong) and a very single-minded, scrappy young man too stubborn to give up on his dreams.

 

Directed by: Josh Safdie

Written by: Ronald Bronstein, Josh Safdie

Rated: R

Running Time: 2 hr 30 min

Drama/ Sport

Release: In theaters December 25th

Starring: Timothée Chalamet, Gwyneth Paltrow, Odessa A’zion, Kevin O’Leary

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

SONG SUNG BLUE – A Review by John Strange

Mike Sardina (Hugh Jackman) is celebrating his 20th sobriety birthday.  He is a mechanic who really wants to make a living with his music.  On this day, Mike is hired to perform “Tiny Bubbles” as Don Ho to cover for another tribute singer.  But it’s his “birthday”, and he decides he just can’t do it.  He wants to sing as his preferred alter-ego, Lightning.

When that is shot down, as he prepares to leave, he sees a beautiful lady doing a Patsy Cline act.  Her beauty immediately takes him. 

They are soon a couple, get married shortly after, and then become a singing duo.  The new couple, Mike and Claire (Kate Hudson), decide to try something new.  Building upon Mike’s love of Neil Diamond, they chose to be Lightning and Thunder, not a tribute act but the Neil Diamond Experience!

Mike’s friend (and dentist), Dr. Dave Watson (Fisher Stehens), hooks them up with a better manager.  Tom D’Amato (Jim Belushi) runs a tour bus by day and manages Lightning and Thunder by night.

The backup band they gather includes Mark Shurilla (Michael Imperioli), who put together the event where Mike first saw Claire.  The other band members are also tribute artists.

As with any true story about humans, there are highs and lows.  In this film, the lows are extreme, but the highs make it a good watch.

Song Sung Blue is filled with talent and music.  We all knew that Hugh Jackman could sing, but Kate Hudson is a fantastic vocalist!  These two talents singing the hits of Neil Diamond are at the heart of this film.

This film is based on the true story told in a popular 2008 documentary of the same name.  If you like Neil Diamond songs, you’ll love this film!  Honestly, it’s been several days, and I am still humming and singing the movie’s songs!

 

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, King Princess, Mustafa Shakir, Hudson Hensley, Fisher Stevens, Jim Belushi

MPA Rating: PG-13 (for thematic material, some strong language, some sexual material, and brief drug use)

Selig Rating: 4.5 Stars

Runtime: 133 Min.

Release Date: 12/25/2025

Language: English

Genre(s): Biography, Drama, History, Music, Musical

Official Site: SONG SUNG BLUE Official Site

Trailer: SONG SUNG BLUE Official Trailer 2

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

Dances With Films NYC 2026 Announces Film Lineup With a Host of World Premieres

0

Dances With Films announced the film lineup for the 4th New York City edition of the bicoastal indie-film focused film festival juggernaut. January 15-18 will kick off the new year with several feature-length narratives, documentaries, and midnight films making their debut, with pilots, family films, and short films also enjoying the singular cinema showcase that DWF provides as part of the only true-indie film festival with a foothold in both Los Angeles and New York City. Dominik Sedlar’s Vindicta is the Opening Night feature selection, and Salvatore Sciortino’s Roof will make its world premiere as the Closing Night selection.

Recently selected by MovieMaker Magazine as one of its “25 Coolest Film Festivals”, as well as being cited earlier in the year by Dread Central as a top 40 festival programming horror/genre films Dances With Films is now entrenched as a go-to film festival platforming true-indies. In less than five years, it has taken its place alongside NYFF and Tribeca as a prime launching pad and showcase for cinema, while introducing fresh, new filmmaking talent on a big stage for audiences and critics.

This year’s highly anticipated DWF NY lineup includes of 157 films, including 20 narrative, 9 documentary,  and 4 midnight features, 21 television and streaming pilots, 6 family films, and 97 short films (56 narrative, 15 documentary, and 26 midnight). All screenings will take place at Regal Union Square (850 Broadway).

In addition to Sciortino’s Roof, additional feature length films making their world premieres are Geoffrey Davin’s Aliens Are Coming!! On Monday!!!, Walter Kim’s Banana Split, Colmcille Donston’s By the Grape of God, Peter Odiorne’s The Cereal Aisle Effect, Craig Downing’s Dad Genes, David Michán and Ed Alexander’s The Girl Inside the Photograph, Isabelle Armand and Glendora Collaborative’s Glendora, Ilan Azoulai’s Holy Ghetto, Alexandra Speith’s I Know Exactly How You Die, Nicholas Pineda’s Infirmary, Jamie and Jason Neese’s Kratom: Side Effects May Include, Zach Schnitzer’s Loafers, Dana Reilly’s Our Body Electric, Chloe Lenihan’s Smile… The Worst is Yet To Come, Paul Schwartz’s Stop Time, Sabbuur Ikhlas’ Untouchables: The Story of St. Benedict’s Fencing, and Mirza Esho’s Where Sweet Dreams Die Television, web series pilots, and episodics making their world premieres include Dan Angelucci’s Bigg County Restorations – Pilot, Blake Sherwyn’s Chet Bond: License to Chill, Ron L. Wilson’s Clear & Far, Lauren Reins’ Enneagram in Movement – “The Achiever”, MJ Bernier and Emily Draper Farther Along, Henry Parker-Elder and Shaun Wu’s Henry By the Hour – Episode 5, Joanna Harmon, Noah Bremer, and Nic Murphy inCharacter – Episode 1: The Birthday, Adrienne Lunson’s Kenji (The Dedication), Mariah Marasco’s mockumentary Misguided, John Mossman’s Nobody F*cking Leaves, Matthew Avant’s Roots & Relics, and Tyler Rubner’s Winnie.

Chosen to be on Moviemaker Magazine’s “Coolest Film Festivals” list for the past two consecutive years, Dances With Films’ rapid growth in New York City along with its current place as L.A.’s top film festival for platforming truly independent filmmaking, makes DWF the only film festival organization offering “discovery” titles in major film festival events in both of those cities. Showcasing brand new work by filmmakers on both coasts, most of which have yet to be seen or picked up for distribution has become a hallmark for Dances With Films’ Founders and Directors Leslee Scallon and Michael Trent.

Scallon and Trent said, “Being at the start of the year for the first time emphasizes fresh starts and kicking off new projects and Dances With Films has always been about discovering new talent and providing a platform for new films to help them get distribution and representation furthering their careers. Our New York City fests share the energy and excitement the city is known for which just emphasizes the thrill of seeing great new work and helping our ever-growing family of filmmakers take their next steps toward realizing their dreams.”

Thursday, January 15 will feature Dominik Sedlar’s Vindicta.  The vengeance drama begins when a young girl’s parents are murdered in front of her. After she escapes, she seeks refuge with family friends before embarking on a campaign of revenge towards those responsible for destroying her life. An unlikely connection with a handsome young Nazi Officer brings introduces an unexpected possibility of romance. However, she is still consumed by vengeance at any cost, no matter what or when. The film stars Devon Ross, Jack Bandeira, and Pip Torrens.

Closing Night on Sunday, January 18, will feature the world premiere of Salvatore Sciortino’s Roof. The high tension survival tale focuses on two co-workers who discover they’ve become trapped on the roof of a skyscraper. The inconvenience becomes a fight for survival over the course of a long, hot holiday weekend. As they attempt increasingly dangerous ways to escape and survive, they form a unique and unexpected friendship. The film stars Asif Ali and Bella Heathcote.

Among the many notable films in the narrative slate is Evan Metzold and Jake Rubin’s Damned If You Do about a rock star, a tech mogul, and a high-profile activist must rely on an old classmate to try and escape Hell’s grasp before their deal with devil comes due – at their 25th high school reunion. The film’s cast includes Kate Siegel and two-time DWF alumni Mike Flanagan.

Additional narrative feature films making their world premieres include Geoffrey Davin’s mockumentary Aliens Are Coming!! On Monday!!! which centers on an online group of alien believers who discover more than the reality of the invasion which they’re sure is coming. Walter Kim’s Banana Split follows the sparks between a grieving brother and his sister’s friend when they are unexpectedly forced to share her apartment after her death. Colmcille Donston’s comedy By the Grape of God focuses on two priests on a crazy wine tasting weekend searching for the perfect communion wine. Peter Odiorne’s The Cereal Aisle Effect is a story that serves as a love letter to the American consumer, which in this case are found in a small coastal grocery store during a hurricane that never quite arrives. Zach Schnitzer’s Loafers hearkens back to the mumblecore heyday (even including an appearance by Joe Swanberg) as it follows two best friends navigating the shifting terrain of their relationships when faced with post-grad life’s realities.

Also on narrative world premiere front are Nicholas Pineda’s mystery Infirmary          revolving around the disappearance of a security guard disappeared during his first night shift at an abandoned psychiatric hospital. Chloe Lenihan’s Smile… The Worst is Yet to Come is about a couple retreating to California’s Big Bear Lake for a weekend hoping to rekindle their dwindling romantic flame. Paul Schwartz’s Stop Time follows the intertwined stories of a photographer and a theatrical lighting designer over the course of 24 hours in New York City until they meet at the opening of Peter’s gallery show, with unexpected consequences for both of them. From the creators of Taxi Driver and American History X comes Mirza Esho’s Where Sweet Dreams Die, a raw portrait of obsession and rage in modern America, as an Italian-American restaurateur reeling from the loss of his New York landmark, becomes fixated on a Middle Eastern refugee cab driver whom he believes has taken the life he deserved.

The Midnight category’s world premieres include David Michán and Ed Alexander’s The Girl Inside the Photograph where a lonely teenage girl searching for her lost cat begins to uncover the gruesome history of her house – and the possibility that she and her mother could soon be its latest victims. Alexandra Speith’s I Know Exactly How You Die focuses on a hack writer whose slasher-fiction novel manifests in real life. Now he must figure out how to finish his story without getting his protagonist murdered.

The equally world premiere-rich documentary category at DWF NY include Craig Downing’s Dad Genes, which looks at a former sperm donor’s discovery that he’s fathered dozens of children, transforming him from anonymous donor to unconventional family man. Isabelle Armand and the Glendora Collaborative group’s Glendora reveals a stirring tale of identity, heritage, and community in the Deep South. ILan Azoulai’s Holy Ghetto follows four women trafficked and trapped in Tel-Aviv’s red-light district, bound by hope. Jamie and Jason Neese’s Kratom: Side Effects May Include investigates the lethal consequences and regulatory gaps surrounding a plant-based extract found in energy supplements that some claim has cost thousands of lives, found in everyday locations such as gas stations. Dana Reilly’s Our Body Electric follows three elite women bodybuilders competing to be Ms. Olympia, the most coveted muscle show title. Sabbuur Ikhlas’ Untouchables: The Story of St. Benedict’s Fencing is a film about the sport of Fencing that isn’t about the sport of fencing at all.

Well established as a film festival that platforms television, web series pilots, and episodics on the big screen, Dances With Films: NY will emphasize discovery with several world premieres. Those include Dan Angelucci’s Bigg County Restorations – Pilot, which is a long running fictional reality show that takes place at Bigg County Restorations, an antique restoration shop located in scenic Bigg County, USA. Blake Sherwyn’s Chet Bond: License to Chill follows the famous secret agent’s son as he leverages his network to gain employment at American intelligence agency, MI7. Ron L. Wilson’s Clear & Far focuses on two spoiled step-sisters who turn to selling marijuana to make ends meet when their rich parents cut them off. Lauren Reins’ Enneagram in Movement – “The Achiever” blends documentary, dance, and psychology in an innovative exploration of identity, featuring dancers who embody each of the nine Enneagram personality types. MJ Bernier and Emily Draper Farther Along sets up a classic odd couple situation when an uptight perfectionist allows his devil-may-care father, a minister, to move in after his mother dies. Henry Parker-Elder and Shaun Wu’s Henry By the Hour – Episode 5 centers on a 30-something Asian man who rents himself out to people who need a friend.

Additional television pilots, wed series, and episodics making their world premieres are Joanna Harmon, Noah Bremer, and Nic Murphy inCharacter – Episode 1: The Birthday       which features ordinary people in stand-alone stories of extraordinary proportions. Adrienne Lunson’s Kenji (The Dedication) focuses on a woman facing the shameful secret of who her son’s father really is and the deal she made with the devil for her his future. Mariah Marasco’s mockumentary Misguided follows a group of misfit guides who lead tourists–and us–through the streets of New York City. DWF alumni John Mossman’s Nobody F*cking Leaves pits a woman with a secret and some powers at her disposal versus the family she ran from years before. Matthew Avant’s Roots & Relics looks at the history a family has history must deal with. Tyler Rubner’s Winnie centers on a former childhood star of a family band who decides to make a comeback.

DWF NY’s strong short films slate features several notable comedians. David J. Foley’s Cry of the Coyote stars Joe List (Netflix’s The Standups, Last Comic Standing), while Nick von Gremp’s Good Not Great features Matt Pavich (Last Week Tonight with John Oliver). Alisha Ketry’s Your Own Flavor stars comedienne Alyssa Limperis (Peacock’s No Bad Days).

Other standout performances include Jack Craymer and Jesse Suchomel’s Chocolate Cake, starring Jaeden Martell (St. Vincent, Stephen King’s It, Knives Out), as well as Britney Young (GLOW, Stone Creek Killer) in Lain Ewing’s short film Performance Review.

In addition, several Broadway alumni appear in the short film program, including Stan Brown (Water for Elephants) in Alexander Jeffrey’s The Old Man at the Bar, and marks David Hull’s (How to Succeed in Business Without Really Trying, The Book of Mormon, Crazy Ex-Girlfriend) directorial debut in The Long-Reigning King of Rollercastle Skateland, which features Michael Hitchcock (Nobody Wants This, Best in Show) and Carolyn McCormick (Law & Order).

For more information about the Dances With Films NY film lineup, events, passes, and tickets, go to: https://danceswithfilms.com/.

 

The 2026 Dances With Films NY official selections:

 

OPENING NIGHT FEATURE

 

VINDICTA    

Countries: USA/UK, Running Time: 124 min.

Director: Dominik Sedlar

In just one moment a young girl’s world shatters when her parents are murdered in front of her. After fleeing, she seeks refuge with family friends before becoming the embodiment of rage and revenge towards those responsible for destroying her life. An unexpected connection with a handsome young Nazi Officer generates a moment of respite, but she is consumed by vengeance at any cost, no matter what or when.

 

 

CLOSING NIGHT FEATURE

 

ROOF                                                                                       World Premiere

Country: USA; Running Time:  89 min.

Director: Salvatore Sciortino

Two co-workers facing terrible life choices get trapped on the roof of a skyscraper during a long, hot holiday weekend. The inconvenience becomes a fight for survival as they attempt increasingly dangerous ways to escape, while forming a unique and unexpected friendship.

 

 

ADDITIONAL NARRATIVE FEATURES

 

A SIMPLE MACHINE

Country: USA; Running Time: 98 min.

Director: Mark Hoffman

In order to get out of debt, an indecisive young man makes a series of radically frugal lifestyle choices without telling his girlfriend that he’s going to fix up an old bike and go off the grid.

 

ALIENS ARE COMING!! ON MONDAY!!!                                  World Premiere

Country: USA; Running Time: 67.5 min.

Director: Geoffrey Davin

An online group of alien believers meets in person to wait out the invasion which they believe is coming on Monday. In the process, they find the family they didn’t know they were looking for.

 

BANANA SPLIT                                                                       World Premiere

Country: USA; Running Time: 93 min.

Director: Walter Kim

When a scheduling mishap forces grieving photographer Peter to share his late sister’s New York apartment with the bold and chaotic Alice, an unexpected weekend unfolds. As the two Asian Americans clash, bond, and explore the city, they confront identity, loss, and the strange intimacy of shared spaces.

 

BY THE GRAPE OF GOD                                                         World Premiere

Country: USA; Running Time: 96 min.

Director: Colmcille Donston

Two priests embark on a madcap wine tasting weekend in Solvang, CA to find the perfect communion wine only to spiral into a full on identity crisis.

 

THE CEREAL AISLE EFFECT                                                   World Premiere

Country: USA; Running Time: 87 min.

Director: Peter Odiorne

Set in a small coastal grocery store during a hurricane that never quite materializes, The Cereal Aisle Effect is a rogue love letter to the American consumer — a story about strangers, abundance, and the search for meaning in a world that already has everything.

 

DAMNED IF YOU DO

Country: USA; Running Time: 107 min.

Directors: Evan Metzold, Jake Rubin

After selling their souls to the devil as teenagers, a rock star, a tech mogul, and a high-profile activist must rely on an old classmate to try and escape Hell’s grasp before the contract’s deadline: their 25th high school reunion.

 

FANBOY

Country: USA; Running Time: 83 min.

Director: Bean McKee

Allen, a socially awkward young man on a personal pilgrimage to Columbus, Ohio, immerses himself in the world of college football in hopes of reconnecting with his estranged father. As the 2014 football season unfolds, Allen becomes lost in a whirlwind of sensory overload and culture shock. With no clear plan, he must decide whether to settle into his new surroundings at his father’s alma mater or take bold, sometimes reckless steps to carve out a place for himself.

 

GAZELLE

Country: USA/Turkey; Running Time: 100 min.

Directors: Nadir Saribacak, Samy Pioneer

After fleeing political turmoil in Turkey, a music teacher starts a new life in New York, determined to bring his family to safety. As he faces an unforgiving immigration system and the isolation of exile, his sense of time and hope begins to blur. Gazelle is a psychological drama about displacement, endurance, and the quiet resilience of those caught between two worlds.

 

INFIRMARY                                                                              World Premiere

Country: USA; Running Time:  85 min.

Director: Nicholas Pineda

In 2023, a security guard disappeared during his first night shift at an abandoned psychiatric hospital. The recovered bodycam footage reveals a series of disturbing events investigators still can’t explain.

 

KAISHAKU

Country: USA; Running Time: 104 min.

Director: Harry Locke IV

Amidst financial desperation, a struggling mother reluctantly becomes the “spotter” for her friend’s suicide, but when the unthinkable happens, she finds herself entangled in a nightmarish battle between guilt and the supernatural.

 

THE LEGEND OF JUAN JOSE MUNDO

Country: USA; Running Time: 94 min.

Director: Michael Walker

Set in suburban NY in 1984. Julie Gornick hosts a charismatic, larger than life Spanish exchange student. As he starts hooking up with the girls in her class, Julie falls in love with him. Or what she thinks is love.

 

LOAFERS                                                                                World Premiere

Country: USA; Running Time: 87 min.

Director: Zach Schnitzer

Amid a post-grad haze, best friends Isaac and Cameron navigate the shifting terrain of their relationships, grappling with the deeper question of whether their once unbreakable friendship can survive the weight of change.

 

NO CHOICE

Country: USA; Running Time: 95 min.

Director: Nate Hilgartner

A young woman becomes unexpectedly pregnant and starts having harrowing, prophetic dreams that she will die if she can’t get an abortion.

 

SMILE… THE WORST IS YET TO COME                                  World Premiere

Country: USA; Running Time: 84 min.

Director: Chloe Lenihan

An LA-based couple grappling with a series of personal and professional losses retreats to Big Bear Lake for a weekend hoping to rekindle their dwindling romantic flame.

 

STOP TIME                                                                              World Premiere

Country: USA; Running Time: 78 min.

Director: Paul Schwartz

The intertwined stories of Peter de Vries, a photographer, and Adrianna Maier, a theatrical lighting designer. Both are carrying heavy burdens of sadness: burdens that mutual friends of theirs believe each could lighten for the other. Over the course of 24 hours in New York City their lives circle, until they meet at the opening of Peter’s gallery show, with unexpected consequences for both of them.

 

THEATER IS DEAD

Country: USA; Running Time: 88 min.

Director: Katherine Dudas

A bright-eyed engineering student ditches circuits for the stage, landing the lead in a prestigious play, but when the drama turns demonic and the theater director starts demanding blood, she realizes this dream role might just be her final act.

 

WHERE SWEET DREAMS DIE                                                 World Premiere

Country: USA; Running Time: 90 min.

Director: Mirza Esho

From the creators of Taxi Driver and American History X comes a raw portrait of obsession and rage in modern America. Luca Brunello, an Italian-American restaurateur reeling from the loss of his New York landmark, becomes fixated on a Middle Eastern refugee cab driver whom he believes has taken the life he deserved. As Luca’s American Dream crumbles, paranoia takes hold, and he spirals into a dangerous delusion—blaming the government and the president for his failures. What begins as quiet resentment erupts into a volatile collision of identity, fear, and desperation on the streets of a divided city.

 

ZOE

Countries: Italy/Spain/France/UK; Running Time: 101 min.

Directors: Emanuela Galliussi. Dean Ronalds

Zoe, an Italian woman, has all the things that should make a person happy, but she’s not. On Mardi Gras a boy dressed as a wizard grants her a wish at three chances to live the life she’s always yearned for. Zoe discovers herself living in Ibiza, London and Paris experiencing three new lives of “what if”. On this magical journey she’ll reconnect with her inner child finding a balance between body, mind and spirit. On returning home from her adventure, Zoe meets the little wizard only to discover his magic was much more than she could have ever imagined.

 

 

DOCUMENTARY FEATURES

 

DAD GENES                                                                             World Premiere

Country: USA; Running Time: 62 min.

Director: Craig Downing

A former sperm donor’s discovery that he’s fathered dozens of children thrusts him into the global spotlight and transforms him from anonymous donor to unconventional family man.

 

GLENDORA                                                                             World Premiere

Country: USA; Running Time: 74 min.

Directors: Isabelle Armand, Glendora Collaborative

Set in a remote corner of the Deep South, Glendora reveals a stirring tale of identity, heritage, and community.

 

HOLY GHETTO                                                                        World Premiere

Country: USA; Running Time: 83 min.

Director: ILan Azoulai

Four souls trapped in Tel Aviv’s red-light district are intertwined in sex trafficking and addiction. Bound by hope, they embark on a spiritual journey to transcend their personal ghettos.

 

KRATOM: SIDE EFFECTS MAY INCLUDE                                World Premiere

Country: USA; Running Time: 78 min.

Directors: Jamie Neese, Jason Neese

Kratom: Side Effects May Include investigates the lethal consequences and regulatory gaps surrounding a plant-based extract found in everyday locations such as gas stations. With gripping stories of victims and the sometimes controversial advocates who argue its benefits, this groundbreaking feature documentary explores the complex narrative of Kratom—an unregulated substance that some claim has cost thousands of lives.

 

OUR BODY ELECTRIC                                                             World Premiere

Country: USA; Running Time: 91 min.

Director: Dana Reilly

Following three elite women bodybuilders competing to be Ms. Olympia, the most coveted muscle show title. Offering a behind-the-scenes look at women sculpting themselves into anatomical works of art, this feature-length film is both a testament to the power of athletics and an intimate portrait of women defying societal expectations.

 

UNTOUCHABLES: THE STORY OF ST. BENEDICT’S FENCING                       World Premiere

Country: USA; Running Time: 94 min.

Director: Sabbuur Ikhlas

A film about the sport of Fencing that isn’t about the sport of fencing at all.

 

VELVET VISION

Country: USA; Running Time: 138 min.

Director: Bart Everly

Filmmaker Bart Everly follows James Bidgood of Pink Narcissus fame as he attempts to shoot again, featuring John Waters, Christian Louboutin and many others.

 

THE WORK… A CONVERSATION

Country: USA; Running Time: 89 min.

Director: Eve Annenberg

Three friends, 82, 86 and 90 enjoy a possibly last lunch. As it turns out these seemingly staid, tea-drinking Brits were the irrepressible triumvirate who formed a backbone of the formidable Juilliard Drama Division, auditioning, training, hiring, sometimes expelling cultural icons from Kevin Kline and Robin Williams to Wendell Pierce, Laura Linney, Adam Driver, etc. Eve Shapiro, Margot Harley and Elizabeth Smith  are BFF’s, lesbians, indomitable,…slightly unfathomable.

 

ZZASLOW K-427

Countries: USA/Afghanistan; Running Time: 78 min.

Director: Robert Ham

A black Labrador named Zzaslow K-427, the longest-serving mine dog of the post-9/11 era, guides a soldier and a son toward healing. Paired with handler Juan Colón-Estrada through three Afghanistan deployments, Zzaslow’s nose saves lives; years later, he connects Juan with Adam Zaslow, who lost his father on 9/11, forging an intimate story about duty, grief, and an unbreakable bond.

 

MIDNIGHT FEATURES

 

ACOLYTE

Country: USA; Running Time:  93 min.

Director: Cameron A. Tubbs

After a mysterious incident, Kai fled his home in rural Appalachia thinking he would never look back. But seven years later, after his mother’s death, he returns hoping to repair his relationship with his estranged brother Russ. As they try to put the past behind them, strange and disturbing things begin happening around their home in the mountains: locals going missing, break-ins, and strange sounds coming from the basement. Soon Kai is forced to confront the dark legacy of their family — and how you can never really escape your past.

 

THE GIRL INSIDE THE PHOTOGRAPH                        World Premiere

Country: Canada; Running Time: 108 min.

Directors: David Michán, Ed Alexander

During an investigation into the disappearance of her cat, lonely teenage Freya Lundstrum begins to uncover the gruesome history of her house. Each new piece of information points to one conclusion -inhuman precedence lurking within the walls of 230 Briar Rd. realizing that she cannot defeat the enemy alone, Freya seeks the help of two former occupants. But, time is running out for Freya to save herself and her mother from becoming the house’s latest victims.

 

I KNOW EXACTLY HOW YOU DIE                                            World Premiere

Country: USA; Running Time: 87 min.

Director: Alexandra Spieth

When his slasher-fiction novel manifests in real life, hack writer Rian Burman has to finish his story without getting his protagonist murdered by a seriously sadistic Stalker who will stop at nothing to have her.

 

SATURNALIA  

Country: USA; Running Time: 85 min.

Director: Daniel Lerch

The year is 1979, and Miriam Basconi has been shipped off to the prestigious Alstroemerias Academy, a preparatory school for America’s elite orphaned children. Miriam must survive the cruel and sadistic behavior of Headmistress Ms. Hemlock. From day one, Miriam can tell something is off with her new home. Now she must discover the truth of what’s happening to her fellow students behind closed doors. But instead, she uncovers the surreal world living and breathing inside of Alstroemerias Academy.

 

 

PILOTS – TV & WEB

 

 

BIGG COUNTY RESTORATIONS – PILOT                                World Premiere

Country: USA; Running Time: 17 min.

Director: Dan Angelucci

Bigg County Restorations is a long running fictional reality show that takes place at Bigg County Restorations, an antique restoration shop located in scenic Bigg County, USA. Each week, Pops Bigg tries to restore an antique for a celebrity guest, while his kids Britney and Junior go on a fantastical adventure.

 

BUNKER TIME!

Country: Canada; Running Time: 20 min.

Director: Justin Miller

In the early 60s – the height of the Cold War – TV host Auntie Pearle wrote, directed and starred in a public-access kids’ show that aimed to prepare children for life underground. Deemed too disturbing to air, the show was buried for years; only now, in even more disturbing times, is Bunker Time! fit to be unleashed on the public. Co-starring comedy icon Colin Mochrie, and puppets!

 

CHASERS

Country: USA; Running Time:  31 min.

Director: Erin Brown Thomas

A starry-eyed musician chases her crush through an L.A. party while desperately dodging the heartbreaking secret that could shatter her pursuit.

 

CHET BOND: LICENSE TO CHILL                                            World Premiere

Country: USA; Running Time: 25 min.

Director: Blake Sherwyn

After graduating college, Chet Bond leverages his professional network (his dad’s boy) to gain employment at American intelligence agency, MI7. A surveillance team posing as a documentary camera crew is deployed to make sure his antics don’t compromise the safety of our nation.

 

CLEAR & FAR                                                                          World Premiere

Country: USA; Running Time: 19 min.

Director: Ron L. Wilson

Two spoiled step-sisters (Skye and Megan) turn to selling marijuana to make ends meet when their rich parents cut them off. But before their criminal contact agrees to supply them, they must prove their intelligence and resourcefulness.

 

COMMITTEE ANIMAL

Country: USA; Running Time: 13 min.

Director: Robert Redfield

An overworked and under-appreciated team of misfit designers race the clock to overcome a supply chain crisis and out-of-touch management to meet an impossible deadline. The animal kingdom will never be the same again.

 

ENNEAGRAM IN MOVEMENT – “THE ACHIEVER”                   World Premiere

Country: USA; Running Time: 37 min.

Director: Lauren Reins

Enneagram in Movement blends documentary, dance, and psychology in an innovative exploration of identity, featuring dancers who embody each of the nine Enneagram personality types. The Enneagram is a profound and ancient framework that maps nine core personality patterns and the motivations behind them. The pilot follows Haley, a rising New York dancer and type three “The Achiever,” whose identity is built on performance and success. Burned out, injured, and struggling with mounting anxiety and a fear of failure, she stands on the edge of losing everything she’s worked for. When an unexpected creative opportunity challenges her to trade achievement for truth, Haley begins a powerful journey toward vulnerability, authenticity, and self-remembering.

 

FARTHER ALONG                                                                   World Premiere

Country: USA; Running Time: 14 min.

Directors: MJ Bernier, Emily Draper

After his mother’s death and being dumped by his boyfriend, an uptight perfectionist allows his devil-may-care father, a minister, to move in.

 

FORKED

Country: USA; Running Time:  17 min.

Directors: Julia Sears, Carolyn Braver

Forked is a six-episode dramedy web series about a woman navigating sobriety while living at home in the Bible Belt with her religious parents and narrating dragon fantasy erotica audio books in her childhood closet. Until she gets caught.

 

GOD DAM

Country: USA; Running Time: 3 min.

Director: Abigail Hill

A mockumentary about two beavers that work in a post office.

 

HENRY BY THE HOUR – EPISODE 5                                        World Premiere

Country: USA; Running Time:24.5 min.

Directors: Henry Parker-Elder, Shaun Wu

A 30-something Asian man rents himself out to five people looking for friendship and connection.

 

INCHARACTER – Episode 1: The Birthday                               World Premiere

Country: USA; Running Time:  18.5 min.

Directors: Joanna Harmon, Noah Bremer, Nic Murphy

Each episode of inCharacter features ordinary people in stand-alone stories of extraordinary proportions. All characters are played by actors… except for one. The protagonist. In Episode 1 – The Birthday, we follow four participants as they individually meet their “father” for his birthday, and he has some upsetting news to share.

 

IMMIGREAT

Country: USA, Mexico; Running Time: 55 min.

Director: Brandon Widener

An immigrant from Mexico who once risked everything for a better life in the U.S. now uses his success to uplift others — a story of resilience, regeneration, and the perpetual power of giving back.

 

KENJI (THE DEDICATION)                                                       World Premiere

Country: Japan; Running Time: 38 min.

Director: Adrienne Lunson

Upon receiving her son’s published book, Kiko decides to tell her life-long best friend Midori about a shameful secret, who her son’s father really is and making a deal with the devil for her son’s future. How far would you go for your child’s future success?

 

LINDY

Country: USA; Running Time: 26 min.

Director: Nick Collette

A young man’s poor decisions have driven him back to a hometown he has forgotten. Feeling his failures are now behind him, he must confront the life he abandoned as the weight of the world sits just beyond the horizon.

 

MISGUIDED                                                                             World Premiere

Country: USA; Running Time: 5.5 min.

Director: Mariah Marasco

In this mockumentary, a group of misfit guides lead tourists–and us–through the streets of New York City, giving eccentric takes on its history while trying to find direction for themselves in the present.

 

NOBODY F*CKING LEAVES                                                    World Premiere

Country: USA; Running Time: 28 min.

Director: John Mossman

A woman with a secret so deep even she doesn’t remember it lives a life of comfort with little memory of her past.  But when she is abducted by the family she ran from years before, it all comes rushing back — along with some badass powers she doesn’t have full control of.

 

PICK ME UP

Country: USA; Running Time: 7.5 min.

Directors: Brian Regal, Nat Anglin

Two gig workers accept a moving job on an app and find themselves stuck in the middle of a messy divorce.

 

ROOTS & RELICS                                                                    World Premiere

Country: USA; Running Time: 23 min.

Director: Matthew Avant

Every family has history. Some have a piece of it.

 

THE WAR ON STRAWS

Country: USA; Running Time: 19 min.

Director: Eleanor Vigneault

A period piece from 2015– a bad year to be a plastic straw. And perhaps a worse year to be in the business of them.

 

WINNIE                                                                                    World Premiere

Country: USA; Running Time: 35.5 min.

Director: Tyler Rubner

A former childhood star of a family band, who’s fallen out of the limelight tries to make a comeback 9 years after his last public appearance. Set in the late 1960s at the dawn of the counter-culture revolution, Winnie’s success at making it back into the public eye encounters various road bumps along the way; both culturally and domestically for the times have changed and so has his family.

 

 

FAMILY FILMS

 

DUNGEON OF DECEIT                                                             World Premiere

Country: USA; Running Time: 15 min.

Director: Chris Edgar

A pre-teen boy who loses himself in video games to escape his parents’ conflict is unexpectedly thrust into the world of an adventure game he’s playing.

 

ESCAPE: THE TRUE STORY OF MORRIS SCHNITZER

Country: Canada; Running Time: 21 min.

Director: Hector Herrera

In 1941, a teenage Jewish boy, Morris Schnizter, loses his true identity when he flees the Nazis. Escape: The True Story of Morris Schnitzer is the incredible account of how he gets it back.

 

MACHINE HEART

Country: USA; Running Time:  9 min.

Director: Hilarion Banks

A machine built to be a warrior, is at home on the battlefield but its life is threatened when its heart can’t handle falling in love.

 

SEE YOU TOMORROW

Country: Japan; Running Time: 9 min.

Director: Keiya Ando

A five-year-old boy wakes to find his beloved dog has died. As he drifts through the moment in a quiet daze, memories of their time together begin to surface—joyful moments, missed chances, things left unsaid—leading him to feel the quiet ache of regret for the very first time.

 

STRAIGHT LACED

Country: USA; Running Time: 21 min.

Director: Cynthia Gibb

When a conscientious honors student buckles under the academic pressure in her town of overachievers and overearnest parents, she resorts to a desperate choice that leaves everyone in her life rethinking whether getting into the “right” college matters at all.

 

WHY ARE YOU LIKE THIS?

Country: USA; Running Time: 6 min.

Director: Sung Eun (Grace) Park

In this animated musical, the main character spends another one of her sleepless nights, contemplating what’s been causing her life go off track– or rather, WHO.

 

 

SHORT FILMS

 

NARRATIVE SHORTS

 

A BOY LIKE ME

Country: UK; Running Time: 14.5 min.

Director: Deana Taheri

 

A GAME FOR TWO (EN LEK FÖR TVÅ)

Country: Sweden; Running Time: 14.5 min.

Director: Theodor Solin

 

AFTERLIFE                                                                              World Premiere

Country: USA, China; Running Time: 6 min.

Director: Yimeng Wang

 

AFTER WHAT HAPPENED AT THE LIBRARY

Country: USA; Running Time: 15 min.

Director: Syra McCarthy

 

AN EVERYDAY OCCURRENCE

Country: USA; Running Time: 14.5 min.

Director: Virginia Hepp

 

ANIMALS.

Country: USA; Running Time: 22.5 min.

Director: Maya Gray

 

THE APPLE PICKER’S SON

Country: USA; Running Time: 16.5 min.

Director: Yang Zimik

 

ARMAN

Country: USA; Running Time: 12.5 min.

Director: Farzad Kiyafar

 

BEING DEAD SHOULD BE EASY

Country: USA; Running Time: 13.5 min.

Directors: Claire Harris Matson, Drew Brandon Jones

 

BLOOD OR WATER                                                                 World Premiere

Country: Canada; Running Time: 19 min.

Director: Kristina Mileska

 

BUKRA

Country: USA; Running Time:  14.5 min.

Director: Alex Aljouni

 

CAKE

Country: USA; Running Time: 6.5 min.

Director: Caro Ribeiro

 

CALL IT FATE

Country: Netherlands; Running Time: 15 min.

Director: Jikkie Schelling

 

CHOCOLATE CAKE

Country: USA; Running Time: 13.5 min.

Directors: Jack Craymer, Jesse Suchomel

 

COOL ME DOWN

Country: USA; Running Time:  14 min.

Director: Alexandra Weir

 

CLEAN GETAWAY                                                                   World Premiere

Country: USA; Running Time: 11 min.

Director: Patricia Rigney

 

CRY OF THE COYOTE                                                             World Premiere

Country: USA; Running Time: 10.5 min.

Director: David Foley

 

CURTAINS                                                                               World Premiere

Country: USA; Running Time: 10 min.

Director: Oskar Peacock

 

DELIBERATE

Country: USA; Running Time:  14 min.

Director: Marta Roncada

 

DEPENDENT

Country: Australia; Running Time: 12 min.

Director: Joseph Chebatte

 

DISSECTION DAY

Country: USA; Running Time: 15 min.

Director: Rachel S. Thomas-Medwid

 

DOG YEARS                                                                            World Premiere

Country: USA; Running Time: 10.5 min.

Director: Rex Provost

 

DON’T TELL MAMA

Country: USA; Running Time: 10 min.

Director: Chloe Leigh King

 

DRIVING LESSON

Country: Canada; Running Time: 17 min.

Director: Gillian Gordon

 

ELVIRA

Country: Canada; Running Time: 10 min.

Director: Sarah Segal-Lazar

 

FARSI WITH MAMAN

Country: USA; Running Time: 10 min.

Director: Omid Iranikhah

 

FIREFLIES IN THE DUSK

Country: USA; Running Time: 18 min.

Director: Jonathan Hammond

 

FIX THE FAUCET

Country: USA; Running Time: 10.5 min.

Director: Jennifer Gouchoe

 

GIFT

Country: USA; Running Time: 6.5 min.

Director: Annika Chavez

 

GOOD NOT GREAT                                                                 World Premiere

Country: USA; Running Time: 22 min.

Director: Nick von Gremp

 

HOMEBODY                                                                             World Premiere

Country: USA; Running Time: 21.5 min.

Director: Shruti Parekh

 

HUMAN RESOURCE                                                                World Premiere

Country: USA; Running Time: 19 min.

Director: Henry Chaisson

 

I’M A WINNER

Country: USA; Running Time: 12.5 min.

Director: Randa Newman

 

KANSAS, 1989

Country: USA; Running Time: 13 min.

Director: Clayton Dean Smith

 

THE LAST JOB

Country: USA; Running Time: 14 min.

Director: Stuart Valberg

 

THE LONG-REIGNING KING OF ROLLERCASTLE SKATELAND

Country: USA; Running Time: 13 min.

Director: David Hull

 

MACHO MAN                                                                           World Premiere

Country: USA; Running Time: 11 min.

Director: Daniel Cloud Campos

 

MASCLOOKING

Country: USA; Running Time: 9 min.

Director: Jonathan Hammond

 

MIRIAM                                                                                    World Premiere

Country: USA; Running Time: 12.5 min.

Directors: Lauren Blumenfeld, Jennifer Chambers

 

MY FAVORITE MURDERER

Country: USA; Running Time: 9 min.

Director: Tina Carbone

 

OBVIOUS ISSUES                                                                    World Premiere

Country: USA; Running Time:  11.5 min.

Directors: Patrick Dooley, Allison Flom

 

THE OLD MAN AT THE BAR

Country: USA; Running Time: 11.5 min.

Director: Alexander Jeffery

 

PERFORMANCE REVIEW

Country: USA; Running Time: 11.5 min.

Director: Lain Ewing

 

RABBIT RABBIT

Country: USA; Running Time: 15 min.

Director: Jennifer Graves

 

READY FOR MY CLOSE-UP                                                     World Premiere

Country: USA; Running Time: 11.5 min.

Director: Elijah Guo

 

RECESSES

Country: USA; Running Time: 15.5 min.

Director: Dylan Trupiano

 

SONG OF SILENCE

Country: USA; Running Time: 15 min.

Director: Vasilisa Kuzmina

 

THE SPANISH LESSON

Country: USA; Running Time: 12 min.

Director: Simone Stadler

 

STATUS: ACTIVE

Country: USA; Running Time: 9.5 min.

Director: Bob Morley

 

SUBWAY CRUSH

Country: France, USA; Running Time: 3 min.

Director: Oriana Ng

 

SUNFLOWER                                                                           World Premiere

Country: USA; Running Time:  12 min.

Director: Fran Mendez

 

TURPENTINE

Country: USA; Running Time: 14 min.

Directors: Rita Konopasky, Luke Konopasky

 

WALTZ FOR THREE

Country: France, USA; Running Time: 18 min.

Director: Oriana Ng

 

WAR

Country: USA; Running Time: 7 min.

Director: Danny Shepherd

 

WHERE’S MY PACKAGE?!                                                      World Premiere

Country: USA; Running Time:10.5 min.

Director: Jesse Cowell

 

YOUR OWN FLAVOR

Country: USA; Running Time:  11.5 min.

Director: Alisha Ketry

 

DOCUMENTARY SHORTS

 

BLACK BOYS BEING BEAUTIFUL

Country: USA; Running Time: 5.5 min.

Director: Kelvin Z. Phillips

 

FIR TRADERS

Country: USA; Running Time: 20 min.

Director: Sara Goldblatt

 

HER FIGHT, HIS NAME: THE STORY OF GWEN AND ERIC GARNER

Country: USA; Running Time: 30 min.

Director: Brad Bailey

 

IN EXCHANGE FOR FLESH

Country: USA; Running Time: 15 min.

Directors: Sandro Ramani, Corey Devon Arthur

 

I SNUCK INTO THE WORLD SERIES

Country: USA; Running Time:  5 min.

Director: Alec Nguyen

 

MAKING AWARENESS

Country: USA; Running Time: 8 min.

Director: Susan Wasserman

 

MARIGOLD

Country: USA; Running Time: 6 min.

Director: Dusty Dale Barker

 

MIKE & BILLY’S AMERICAN PIE

Country: USA; Running Time:  20.5 min.

Director: Erin P.S. Zimmerman

 

NAAZ   

Country: USA; Running Time: 14 min.

Director: Bakhtawar Tagar

 

PRODIGAL DAUGHTER   

Country: USA; Running Time: 19.5 min.

Directors: Nancy Peng, Steven Xiuyuan Chen

 

REMNANTS

Country: USA; Running Time: 22.5 min.

Director: Michael Catenacci

 

STICKMAN: ART FOR THE REBEL SOUL  

Country: Canada; Running Time: 3 min.

Directors: Kalyn Edworthy, Kimberly Gray

 

TALK STRAIGHT, DUDA   

Country: USA; Running Time: 22 min.

Directors: Eduardo Maia

 

WE’RE FINE

Country: Ukraine, USA; Running Time: 25 min.

Director: Misha Karpenko

 

YONSEI

Country: Japan, USA; Running Time: 37 min.

Directors: Rachel Michiko Whitney. Jeff Mizushima

,

 

MIDNIGHT SHORTS

 

A.W.A.R.E.  

Country: USA; Running Time: 11 min.

Director: Zack Abramowitz

 

BLINDSIDED

Country: USA; Running Time: 8 min.

Director: P. Patrick Hogan

 

BRICK BOY

Country: USA; Running Time: 10 min.

Director: Scott Vasey

 

CRACKED

Country: USA; Running Time: 5 min.

Director: Jessica Rizk

 

CROWDED OUT

Country: USA; Running Time: 8.5 min.

Director: Brian Lederman

 

THE DEATH OF THERAPY

Country: USA; Running Time: 13 min.

Director: Jared Hirsch

 

DOMESTIC BLISS

Country: USA; Running Time:  10.5 min.

Directors: Jennifer Scott, Nicole Townsend

 

DRY JANUARY

Country: USA; Running Time: 19 min.

Director: C.J. Arellano

 

GIMME

Country: USA; Running Time: 14 min.

Director: Steven Schloss

 

GRIZZLY PEAK

Country: USA; Running Time: 14 min.

Director: Jason Ragosta

 

HIVEMIND DELUXE

Country: USA; Running Time: 10 min.

Director: Chris Alan Evans

 

KNIFEMAN

Country: USA; Running Time: 14.5 min.

Director: MP Hayes

 

LEGEND HAS IT

Country: Canada; Running Time: 16.5 min.

Director: Thomas Lorber

 

MAD ISLAND

Country: USA; Running Time: 17 min.

Director: Nick Peet

 

MIMIC

Country: USA; Running Time:  6 min.

Director: Thomas Hindy

 

MIRROR

Country: China; Running Time: 5 min.

Director: Kathy Hu

 

MOTHERFACE                                                                         World Premiere

Country: USA; Running Time: 11.5 min.

Director: Mark Grillo

 

MY DEAD DAD’S FUNERAL

Country: USA; Running Time:  12.5 min.

Director: Jamie Manelis

 

RADIOCHROME

Country: USA; Running Time: 12 min.

Director: Ryan Alexander Huang

 

SOMETHING HAS TO GIVE                                                     World Premiere

Country: USA; Running Time: 6.5 min.

Directors: Allison Fan, Fred Midgley

 

SHAE I

Country: USA; Running Time: 13.5 min.

Director: Ben Fox

 

STAY IN                                                                                   World Premiere

Country: USA; Running Time: 11.5 min.

Director: Michael Buran

 

TICK                                                                                        World Premiere

Country: USA; Running Time: 14 min.

Director: Sam Permar

 

TRAD

Country: USA; Running Time: 12 min.

Director: Dave Bekerman

 

VIOLET VENDETTA

Country: USA; Running Time: 11 min.

Director: Ted Hayden

 

YOU CAN’T TALK TO THE DUDE

Country: USA; Running Time: 15.5 min.

Director: Lucas Murphy

THE HOUSEMAID – A Review by Jenn Rohm

0

Fans of Frieda McFadden’s 2022 novel The Housemaid will soon see the story brought to the big screen, with the film set for release on December 19, 2025. I entered the screening with minimal prior knowledge, aware only of the title, its literary origin, and the names of the two female leads, and I am grateful for that decision. Experiencing the film without preconceived expectations greatly enhanced its impact. I will remain as spoiler-free as possible so that audiences can enjoy the same immersive experience in theaters.

Sydney Sweeney stars as Millie, with Amanda Seyfried portraying Nina Winchester. The performances delivered by these two actresses—and the way they elevate one another—are exceptional. Both demonstrate a clear understanding of their roles and execute them with precision and intensity. Brandon Sklenar appears as Nina’s husband, Andrew Winchester, and Elizabeth Perkins portrays Mrs. Winchester. Each brings a strong, assured presence to the screen, clearly grasping the demands of their characters and meeting them effectively. Their collective commitment allows the entire ensemble to perform at a high level.

Viewers should be mindful of the film’s rating when considering it for younger audiences. Additionally, discretion is advised when choosing viewing companions, as the film contains mature themes that may be uncomfortable in certain settings.

The film is well paced; its momentum is such that the only reason I checked the time was to determine whether it was close enough to the conclusion to step away briefly. Fortunately, it was, and I did not miss a moment. Director Paul Feig’s vision is evident in the film’s striking camera work and purposeful lighting, both of which heighten the viewing experience. His established reputation for championing stories with strong female leads is clearly reflected here, and the film benefits greatly from that perspective in the director’s chair.

Having seen the film, I am now eager to read the novel and return for a second viewing. This is a story that rewards revisiting; once familiar with its twists, subsequent viewings reveal details whose significance may not be immediately apparent the first time.

 

Director: Paul Feig

Cast: Sydney Sweeney, Amanda Seyfried, Brandon Sklenar

MPAA Rating: Rated R for strong/bloody violent content, sexual assault, sexual content, nudity and language.

Selig Rating: 5 stars

Runtime: 2h 11m

Release Date: December 19, 2025

Genre(s): Psychological Thriller

Trailer: The Housemaid trailer

Movie Site: The Housemaid website

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

MARTY SUPREME – A Review by Jenn Rohm

0

Like last year, we have an end-of-year film release starring Timothée Chalamet that has generated significant awards buzz before its public release.  This film has been in development for many years, including Chalamet learning and playing table tennis since 2018.  He has also personally funded and designed customized, logoed merchandise, much of which he has worn during promotional interviews.  I am, of course, referring to Marty Supreme.

The story is inspired by Marty “The Needle” Reisman, who sought to bring greater recognition to table tennis, or ping pong, in the United States.  The audience is introduced to Marty Mauser, portrayed by Timothée Chalamet, in his early twenties—confident, self-assured, and convinced that his life will unfold exactly as he envisions, regardless of outside opinions or real-world obstacles.  The film follows a chaotic period of less than a year in his life as he pursues international table tennis competitions.  The timeline is dictated by an underlying subplot with a fixed number of months, which results in several secondary storylines feeling unrealistically compressed.  While the framework of a cohesive story exists, it is ultimately filled with fragmented moments passed between characters, leaving the audience to process and interpret the experience long after the film ends.

The technical elements that contribute to a successful film—cinematography, set design, costume choices, music selection, and ensemble casting—largely meet expectations for a well-crafted production.  From the opening scenes, the time period feels authentic, and the setting of New York City is immediately established.  Even the most minor details are carefully considered.  While the script and camera focus primarily on central characters, background figures blend seamlessly into each scene, grounding Marty’s raw and impulsive energy.  Director Josh Safdie brings a clear vision to his solo directorial debut.  He draws on techniques that have proven effective in the past while also experimenting with new ideas.

The framing and camera angles used during the table tennis matches effectively replicate the emotional highs and lows associated with contemporary sports viewing, despite the sport’s smaller fan base.  These choices create an immersive sense of being present at the competitions.  During a match in Tokyo, the crowd’s emotions are palpable, as is their allegiance to each player.

Chalamet’s portrayal of Marty is convincing, capturing the self-centered nature of a young man in his early twenties who is determined to shape his own destiny at any cost.  Rachel, portrayed by Odessa A’zion, has grown up alongside Marty and understands him intimately.  She is unafraid to stand her ground and can be subtly manipulative in pursuit of her desires.  However, she takes responsibility for her choices and remains aware of their potential consequences.  Another key figure is Kay Stone, played by Gwyneth Paltrow, an aging starlet who serves as both mentor and temptress to Marty.  She understands who she is and the path that brought her there, though a part of her still clings to youthful dreams left unfulfilled.  Marty’s mother, Rachel, portrayed by Fran Drescher, and her neighbor and friend, Judy, played by Sandra Bernhard, are strong female characters who have lived and are doing their best to navigate life.

This only scratches the surface of the extensive cast.  Every performer, including those in minor roles such as shoe store shoppers, restaurant cooks, and tournament spectators, contributes meaningfully to the film’s momentum.

The sole element that felt inconsistent with the time period was the music selection.  As a child of the 1980s and familiar with the lyrics, I personally appreciated these choices.  Alongside Daniel Lopatin’s original score, tracks such as Tears for Fears’ “Everybody Wants to Rule the World,” Alphaville’s “Forever Young,” The Korgis’ “Everybody’s Got to Learn Sometime”, and Queen’s “I Want to Break Free” are featured, among other synth-pop, classic rock, and eclectic selections.  Ultimately, the music played a significant role in shaping my overall experience of the film.

This is a polarizing film that will create those that love it and those that do not.  As I stated the story/script did not work, and the characters, while reflective of people I have met, are not ones that I want to spend time with.  The technical aspects are worthy of paying attention to and making note of on ways to make a good film.

 

Director: Josh Sadfie

Cast: Timothée Chalamet, Gwyneth Paltrow, Odessa A’zion

MPAA Rating:

Selig Rating: 3 stars

Runtime: 2h 30m

Release Date: December 25, 2025

Genre(s): Drama, Sport

Trailer: Marty Supreme trailer

Movie Site: Marty Supreme website

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

DFW FILM CRITICS CHOOSE “ONE BATTLE AFTER ANOTHER” AS BEST FILM OF 2025

0

The Dallas-Fort Worth Film Critics Association voted the epic drama ONE BATTLE AFTER ANOTHER as the best film of 2025, according to the results of its 32nd annual critics’ poll released today. Following is a complete list of award winners, with choices listed in order of votes received.

 

BEST PICTURE

Winner: ONE BATTLE AFTER ANOTHER

Runners-up: SINNERS (2); MARTY SUPREME (3); HAMNET (4); SENTIMENTAL VALUE (5); TRAIN DREAMS (6); FRANKENSTEIN (7); JAY KELLY (8); BUGONIA (9); IT WAS JUST AN ACCIDENT (10)

 

BEST ACTOR

Winner: Leonardo DiCaprio, ONE BATTLE AFTER ANOTHER

Runners-up: Timothee Chalamet, MARTY SUPREME (2); Michael B. Jordan, SINNERS (3); Ethan Hawke, BLUE MOON (4); Joel Edgerton, TRAIN DREAMS (5)

 

BEST ACTRESS

Winner: Rose Byrne, IF I HAD LEGS I’D KICK YOU

Runners-up: Jessie Buckley, HAMNET (2); Renate Reinsve, SENTIMENTAL VALUE (3); Emma Stone, BUGONIA (4); Chase Infiniti, ONE BATTLE AFTER ANOTHER (5)

 

BEST SUPPORTING ACTOR

Winner: Stellan Skarsgard, SENTIMENTAL VALUE

Runners-up: Benicio del Toro, ONE BATTLE AFTER ANOTHER (2); Sean Penn, ONE BATTLE AFTER ANOTHER (3); Paul Mescal, HAMNET (4); Adam Sandler, JAY KELLY (5)

 

BEST SUPPORTING ACTRESS

Winner: Teyana Taylor, ONE BATTLE AFTER ANOTHER

Runners-up: Amy Madigan, WEAPONS (2); Inga Ibsdotter Lilleaas, SENTIMENTAL VALUE (3); Odessa A’zion, MARTY SUPREME (4); Wunmi Mosaku, SINNERS (5)

 

BEST DIRECTOR

Winner: Paul Thomas Anderson, ONE BATTLE AFTER ANOTHER

Runners-up: Ryan Coogler, SINNERS (2); Chloe Zhao, HAMNET (3); Josh Safdie, MARTY SUPREME (4); Guillermo del Toro, FRANKENSTEIN (5)

 

BEST FOREIGN LANGUAGE FILM

Winner: SENTIMENTAL VALUE

Runners-up: IT WAS JUST AN ACCIDENT (2); THE SECRET AGENT (3); NO OTHER CHOICE (4); SIRAT (5)

 

BEST DOCUMENTARY

Winner: THE PERFECT NEIGHBOR

Runners-up: 2000 METERS TO ANDRIIVKA (2); ORWELL: 2+2=5 (3); COVER-UP (4); COME SEE ME IN THE GOOD LIGHT (5)

 

BEST ANIMATED FILM

Winner: KPOP DEMON HUNTERS

Runner-up: ARCO

 

BEST SCREENPLAY

Winner: Paul Thomas Anderson, ONE BATTLE AFTER ANOTHER

Runner-up: Ryan Coogler, SINNERS

 

BEST CINEMATOGRAPHY

Winner: Autumn Durald Arkapaw, SINNERS

Runner-up: Adolpho Veloso, TRAIN DREAMS

 

BEST MUSICAL SCORE

Winner: Ludwig Goransson, SINNERS

Runner-up: Alexandre Desplat, FRANKENSTEIN

 

RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)

Winner: IT WAS JUST AN ACCIDENT

 

The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print and online journalists from throughout North Texas. For more information, visit dfwcritics.com or follow us on Bluesky @dfwcritics, or on Facebook or X (formerly Twitter) @dfwfilmcritics.

DAVID – A Review by John Strange

The new film from Angel Studios tells the story of a young shepherd with a great destiny in a way that all ages can enjoy.  Most people today know the story of David, the young shepherd, who slew the giant soldier, Goliath, from our youth.  But there is so much more to the story of the boy who steps forward to save his nation.

The film gives us a view of David’s life before the fateful day he is anointed as the future King of Israel.  That day drops him into a world he never expected to see, one where his sound judgment and courage are needed to protect and lead his people.

This doesn’t mean to imply that the lad has an easy time or that his decisions don’t have repercussions for those around him.  They definitely do.

The filmmakers filled this movie with songs to guide the story along.  The songs are well written (by Misha Hoyt and Marty Goetz) and performed beautifully by the voice cast.

Watching the young man blossom into the leader his people need is a remarkable story that happens to include an element of faith.  It helps that the animators did a great job, and the dialogue is excellently performed by the cast of voice actors, including Brandon Engman (young David), Phil Wickham (David), Asim Chaudhry (King Achish), Adam Michael Gold (King Saul), and Brian Stivale (Samuel).

David is an excellent film for the holiday season, both Christmas and Hanukkah.  Take your family or your friends to see this story on the big screen!

 

Director: Phil Cunningham, Brent Dawes

Cast: Brandon Engman, Phil Wickham, Mick Wingert, Asim Chaudhry, Katie Bernstein, Ashley Boettcher, Mark Whitten, Brent Mukai, Will de Renzy-Martin, Reina Ozbay, Kamran Nikhad, Lauren Daigle, Adam Michael Gold, Mark Jacobson, Mark Silverman

MPA Rating: PG

Selig Rating: 5 Stars

Runtime: 112 Min.

Release Date: 12/19/2025

Release Location: Angel Guild (Angel Studios)

Language: English

Genre(s): Animation, Family, Musical

Trailer: DAVID Official Trailer

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

ELLA MCCAY – A Review by Cynthia Flores

Ever since 1984, when James L Brooks had a triple win at the Academy Awards, with best picture, best director, and best adapted screenplay for Terms of Endearment, he has been the one to watch. I’ve enjoyed every film he’s made since then, whether it is as a writer, director, or both. He has been nominated for the Oscars for films as excellent as 1997’s Jerry Maguire and one of my favorite movies of all time, 1998’s As Good As It Gets. Films that most moviegoers know and love.

​He hasn’t directed a feature film since 2010. But has stayed busy and popular on television productions. Ever hear of a little show known as The Simpsons? Yeah, he’s stayed busy. So his return with this new film that he has written and directed, called Ella McCay, is a real treat for me. I’ll admit it, I’m a fan. I love his style of humor. The way he handles conversations between the characters. And his ability to show humor and absurdity in heartbreaking situations. All his talent and style are on display in this new film.

​This movie, Ella McCay, opens with an introduction by the narrator Estelle (Julie Kavner), who is both Ella’s assistant and friend. Estelle sets the stage for Ella McCay’s story: a 34-year-old lieutenant governor of an unnamed, seemingly New England state. Everything changes for Ella when her longtime mentor, Governor Bill (Albert Brooks), suddenly accepts a cabinet position in the new Obama administration. Ella is thrust into the role of governor, making her the youngest woman ever to hold the office, and must quickly adjust to the new responsibilities and scrutiny.

As the Story Goes On, her perfect life with her high school sweetheart husband, Ryan (Jack Lowden), is not all it’s cracked up to be. She married into what she thought was a normal, typical family. She was attracted to that, having grown up in a very dysfunctional one. Her family was headed by her womanizing father, Eddie (Woody Harrelson), and her long-suffering mother, Claire (Rebecca Hall). If it hadn’t been for feisty Aunt Helen (Jamie Lee Curtis), Eddie’s older sister, Ella, and her little brother, Casey (Spike Fern), they would have had no stability at all in their lives.

I don’t want to give everything away because I want people to see this film. As the story continues, Ella faces the challenges of taking over the helm of a governorship from a very popular man and the stress that puts on her marriage. Meanwhile, her father’s resurfacing in her and her brother’s lives after a 13-year absence is a perfect storm for old and new wounds alike. As the saying goes, “When it rains, it pours.” Now, it is pouring buckets around her, and Ella has to dig deep, leaning into support from her aunt and her favorite bodyguard, State Trooper Nash (Kumail Nanjiani), to make it through.

​In general, Ella McKay will probably not be on anyone’s short list for awards. But that doesn’t mean it isn’t an awesome film, worthy to be sought out at the theaters this holiday season. James L. Brooks is so good at capturing family dynamics and eliciting great, quirky performances from his cast that you will walk away feeling better than when you walked in. For example, one subplot is the romance between Ella’s little brother, Casey, and Susan (Ayo Edebiri). It’s so sweet, funny, and touching at times that you wish it were a bigger part of the film. Spike Fearn does a brilliant job playing a tortured, brilliant mathematician who just wants to be loved the way he is. That is a sentiment most people can relate to.

​​I give Ella McCay 4 stars. It’s a funny and heartwarming take on politics, centering on a flawed but genuine human heart. Take your favorite person to a theater near you and enjoy this sweet film.

 

Directed by: James L. Brooks

Written by: James L. Brooks

Rated: PG-13

Running Time: 1 hr 55 min

Comedy, Drama

Release: In Theaters Dec 19th

Starring: Emma Mackey, Woody Harrelson, Kumail Nanjiani, Jamie Lee Curtis, Spike Fearn, Jack Lowden, and Julie Kavner

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

Prime Video Announces The CEO Club, Sets Premiere Date and Debuts Key Art

0

Today, Prime Video announced the series title along with the premiere date, and unveiled key art for the highly anticipated docu-series, The CEO Club. The eight-episode season will debut worldwide in more than 240 countries and territories on Monday, February 23, exclusively on Prime Video. The docu-series follows legendary athlete and businesswoman Serena Williams, award-winning artist and “Queen of Latin Pop” Thalia; former model and fashion designer Dee Ocleppo Hilfiger; Market America | SHOP.COM CEO Loren Ridinger; supermodel, beauty entrepreneur, and founder of Cay Skin Winnie Harlow; founder of Conteur Capital and wellness expert Hannah Bronfman; and founder, CEO and designer of ISA Grutman jewelry & Rangel, Isabela Rangel Grutman.

Where power meets purpose, The CEO Club dives deep into the world of these trailblazing female CEOs as they navigate the triumphs and challenges of both their professional and personal lives. Redefining what it means to lead in today’s world, these women enter the next phase of their careers with confidence and clarity forged by life experiences.

“As an executive producer, I’ve had so much fun helping bring this series to life. Celebrating the brilliance, ambition, and sisterhood of women I admire and call friends has been incredibly special” said Serena Williams, Executive Producer and Cast Member.

The series is produced by Blink49 Studios, with Tara Long and Nadine Rajabi serving as executive producers, alongside Nine Two Six Productions, with Serena Williams and Caroline Currier serving as executive producers.

“The CEO Club is a powerful testament to what happens when women step fully into their brilliance, leadership, and influence,” said Tara Long, President, Unscripted and Nadine Rajabi, EVP, Unscripted, both with Blink49 Studios. “These multi-hyphenate CEOs aren’t waiting to be invited in — they are building their own tables, shaping new legacies, and redefining what power looks like.”

Shot in a compelling docu-style, The CEO Club highlights each of the women’s individual journeys, collective camaraderie, and the power of women supporting women.

“Together with Tara, Nadine, and Serena, we helped bring The CEO Club to life through honesty, vulnerability, and intention,” said Thalia, Dee Hilfiger, Loren Ridinger, Winnie Harlow, Hannah Bronfman, and Isabela Grutman. “We opened the doors to our worlds from the triumphs, to the challenges, and the moments that shaped us. We can’t wait for audiences to be inspired to lead with purpose and confidence.”

The CEO Club is produced by Amazon MGM Studios and Blink49 Studios.