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HAMNET – A Review by Cynthia Flores

From Academy Award-winning writer/director Chloé Zhao of 2021’s Nomadland fame comes the powerful story of love and loss that inspired the creation of Shakespeare’s masterpiece, Hamlet.

Chloé Zhao is a one-stop force of nature with this feature. She was not only the writer and director of Hamnet, but is also its producer and editor. This puts her in the company of such great directors as Christopher Nolan, Stanley Kubrick, Quentin Tarantino, Alfred Hitchcock, and George Lucas. Directors who are known for having this kind of extensive control over their creative vision and shaping their projects from conception to the final cut. Because of this freedom, Zhao has given us a beautiful, bone-achingly austere study on family, love, loss, and what we leave behind.

Hamnet is based on the best-selling historical fiction novel by Maggie O’Farrell, also titled Hamnet. In this book about William Shakespeare’s family, she speculated that the death of his 11-year-old son, Hamnet, from the plague inspired the writing of the iconic play Hamlet. So this film goes with that assumption and lets us see the lives of Agnes and William Shakespeare from their early sweet courting days to the bleak season of grieving the loss of a child.

The creator of this film, Chloé Zhao, when asked why she wanted to make this film, said:

I have been afraid of death all my life, and as a result, I have been afraid of love as well. I didn’t know how to keep my heart open, staring at the impermanence of life. I’ve made four films about characters experiencing great loss and finding themselves through acceptance. HAMNET is the accumulation of that journey. With the sacred container of Shakespeare’s Hamlet, I went down deeper into the underworld to retrieve what was lost, that made me so afraid to experience both love and death. Maggie had opened a portal with her book, a bridge for us to connect with Will in ways we haven’t before.

“All things in life must die, passing through nature to eternity.”

“To be or not to be, that is the question.”

“The rest is silence.”

Will had written a story about love and death, and I feel honored and fortunate to be able to interpret his messages for today’s audience. We knew, felt, that he was with us.

 

The casting for Hamnet is fantastic. I am predicting Best Actress, Actor, Best Supporting Actress, and two Best Supporting Actor Oscar nominations for the real-life brothers Noah and Jacobi Jupe, who play Hamlet on stage and Hamnet, Shakespeare’s actual son.

This film also has a haunting score by Englishman Max Tichter. He incorporated basic elements of Elizabethan music and instrumentation, then mixed them with electronic components to set the mood for each scene. His ability to translate profound human experiences, such as those Shakespeare’s family goes through, is magic in itself. The score seeps into the back of the audience’s mind, cementing them into the moments on screen that are so brilliantly acted. 

I give Hamnet 5 stars. It’s a brilliant film that will be on everyone’s best of list for this year, and the one to beat come Oscar time. It is a must-see film this holiday season. It will be added to people’s collections once it becomes available to purchase.

 

Directed by: Chloé Zhao

Written by: Chloé Zhao, Maggie O’Farrell

Rated: PG-13

Sekig Rsting: 5 Stars

Running Time: 2 hr 5 min

Drama/ Period / Biography

Wide Release: In theaters November 26th

Starring: Jessie Buckley, Paul Mescal, Jacobi Jupe, Emily Watson, Noah Jupe

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

THE OLD WOMAN WITH THE KNIFE – A Review by Cynthia Flores

Well Go USA has done it again. As a company, they always strive to exhibit films with craft and substance. This new film, The Old Woman with the Knife, meets that mark and is a must-see movie.

The film is the origin story of Hornclaw (Lee Hye-yeong). She is known as the lead assassin in an organization that deals in pest control. This is a euphemism for killing evil or corrupt people who deserve it.

We learn that when she was young, she was cast out to die as useless. That is, until Ryu (Kim Mu-yeol) and his family take her in and treat her kindly. After she thwarts an American soldier from raping her, Ryu takes her under his wing and teaches her how to be deadly and of use to the organization that he works for.

Much time has passed, and Hornclaw is now sixty-five, with knives being her weapon of choice. She is one of the organization’s top assassins, feared and respected by all. But her deadly precision is beginning to falter as her age and battle wounds catch up with her body. In the world of assassins, uselessness is not tolerated well.

Her fame is sought by a reckless young assassin named Bullfight (Kim Sung-cheol). Think back to the old Wild West when the young gunslingers tried to take down the older, infamous gunslingers to get instant credibility. Hornclaw has to deal with this nuisance while hiding her shaking hand and navigating the new politics of the organization, which may want her and her old ideas of who they can take out gone so that they can make more money. Hornclaws’ survival depends on “staying sharp” – both blade and mind.

The style, cinematography, and score for this film are top-notch, delivering a high-octane, blood-soaked take on aging. Veteran Korean actress Lee Hye-yeong has appeared in a few other films featuring intense action sequences throughout her four-decade career. But she’s more of a dramatic actress, having worked in live theater, classic movies, and TV dramas. These chops give weight to her portrayal of Hornclaw in The Old Woman with the Knife. Adding a layer of gravitas to what could have just ended up as a throwaway action movie.

In real life, Lee is only 62 years old. But you would think she is a kick ass action star with all the physicality of this role. Her portrayal of Hornclaw in this film elevates it to a study on aging and obsolescence while delivering all the sensational over-the-top fighting sequences we love in this kind of film.

I give The Old Woman with the Knife 4 stars. It’s a great film to anchor a franchise on. There is plenty of fighting action to keep fans happy and coming back for more. Catch it on your favorite streaming platform or, better yet, buy the DVD or Blu-ray to add it to your collection.

 

Directed by: Kyu-dong Min

Written by: Gu Byeong-mo, Kim Dong-wan, Kyu-dong Min

Rated: NR

Selig Rating: 4 Stars

Running Time: 120 min

Foreign/ Action/ Thriller

Release: lands on Blu-ray and DVD exclusively through Amazon® on November 25

Starring: Lee Hye-yeong, Kim Sung-cheol, Kim Mu-yeol

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

HEAVEN – A Review by Jenn Rohm

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Lightyear Entertainment has remastered Diane Keaton’s directorial debut film Heaven.  In 1987, she interviewed a variety of people with differing religious beliefs, asking questions such as “Are you afraid to die?” “What happens in heaven?” and “Is there sex in heaven?”  This was mixed with clips from several films, including Stairway to Heaven (1946), Metropolis (1926), Green Pastures (1936), A Guy Named Joe (1943), The Horn Blows at Midnight (1945), and The Passion of Joan of Arc (1928).

When the film was released, it received mixed reviews, including Roger Ebert’s in the Chicago Sun-Times. He wrote, “I am glad I saw. Some of the old film clips, for example, of angels being issued their wings.  A debate between a believer and an atheist.  And the utter certainty of some of the subjects, who know for sure what cannot by definition, be known at all.”  Additionally, his opinion was the “… movie that is not quite realized.  The weakness, I think, is in Keaton’s excessive attention to visual detail.”

Keaton had a clear vision, and it is very reflective of when this was made.  With most of the interviews taking place in white rooms, some with windows showing scenes from movies, while others lit with red light and shadows, as if blinds were hung in front of the light source.  This switch between High-key and Low-key was very avant-garde and supports this being more art house than mainstream.  Later in 1987, Keaton directed the music video for “Heaven Is a Place on Earth” (Belinda Carlisle), and in my opinion, this was a more refined version of her vision.

I am also glad that I watched the piece.  I have found myself thinking about how I would answer the questions and about some of the answers given.  Interviewees covered a broad spectrum of beliefs, from the holier-than-thou misogynistic to atheistic defending not needing to prove what they do not believe exists, does not exist.  People in the middle of the scale had some sweet and humorous responses, such as Jesus in jeans and a T-shirt, and ones about how much they love their partner.

Watching it in 2025 also had a bit of a time capsule effect for me.  The way the set and lighting were done, the music choices, the hair, makeup, and wardrobe.  This led to memories of my life in 1987, and it was a lovely walk down memory lane.

 

 

Director: Diane Keaton

Cast: Michael Agbabian, James Allport, Lazaro Arvizu

MPAA Rating: PG-13

Selig Rating: 3 stars

Runtime: 1h 18m

Original Release Date: April 17, 1987

Link to hi-def rental November 14 – December 31, 2025: HEAVEN hi-def rental

Genre(s): Documentary

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

ADO – Interview with Filmmaker Sam Henderson

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Filmmaker Sam Henderson spoke with Gadi Elkon about the close-to-home inspiration for his powerful short film, ADO.

ETERNITY – A Review by Cynthia Flores

This new film from Irish director and co-writer David Freyne is a clever twist on the romcom genre. This is only his third film since he debuted in 2017. There was another film called Dating Amber that won awards at film festivals in 2020. And now it’s 2025, and he’s gone more mainstream. I hope we don’t have to wait that long for his next film because this one is good.

​Eternity asks the question, when you die, if you only have one week to decide where to spend eternity and with whom, if you were married twice and had two great loves in your life, who would you choose? That’s the question set before Joan (Elizabeth Olsen). She’s faced with the impossible choice between her loyal second husband Larry (Miles Teller), with whom she spent 60-plus years) and her first husband, Luke (Callum Turner), who died young and waited decades for her to arrive in the afterlife.

​Add to the plot the two “Afterlife Coordinators” who are competing against each other as they watch Joan struggle with her decision. The ACs are Anna (Academy Award winner D’Vine Joy Randolph), assigned to Larry, who died before Joan and waited for her to join him, and AC Ryan (John Early), who has been assigned to Joan, but knows Luke, and thinks he’s a better fit.

​With the two late husbands literally fighting over Joan to make her decision, the movie is a fun ride to see which eternity Joan chooses.

​The concept of a holding area when you die that looks like a big convention center, with people in booths trying to sell you on choosing their eternity, is very clever. It almost feels like you’re at the State Fair and they’re hocking their goods at you. Except that there are no returns with this sale. If you get tired of your choice of eternity, the only other option is being thrown into a great void of nothingness.

Eternity is smart, funny, heartfelt, and a lot of fun to watch. It reminded me of the classic 2003 film Big Fish by Tim Burton. The production value for Eternity was cleverly done with a mix of painted props and theater-style setups, which give the illusion of reality but are clearly painted clouds on a backdrop. Considering we have computers that can do just about anything and put us into any world or virtual reality, the director’s creative choice to do so results in a sublime look and feel for the film. And it works well with his storytelling style and makes excellent use of the textured work of Irish-born cinematographer Ruairi O’Brien.

​I give Eternity 4.5 stars. It’s a tender date-night film that may spark a few conversations about who you would choose to spend eternity with and where.

 

Directed by: David Frevne

Written by: Patrick Cunnane, David Freyne

Rated: PG-13

Running Time: 1 h 52 min

Romantic Comedy / Fantasy

Wide Release: In theaters November 26

Starring: Miles Teller, Elizabeth Olsen, Callum Turner, DaVine Joy Randolph, John Early

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

MEDUSA – Interview with Filmmaker Sarah Meyohas

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Filmmaker and Artist Sarah Meyohas spoke with our Gadi Elkon about her short film, MEDUSA.

A SAD AND BEAUTIFUL WORLD – Interview with Filmmaker Cyril Aris

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Lebanon’s official selection for Best International Feature Film for the 98th Academy Awards is Filmmaker Cyril Aris’ feature debut A SAD AND BEAUTIFUL WORLD.  Cyril had an in-depth chat with our Gadi Elkon.

THE SINGERS – Interview with Filmmaker Sam Davis

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Award-winning Filmmaker Sam Davis and our Gadi Elkon discussed Davis’ short film, THE SINGERS.

SORE: WIFE FROM THE FUTURE – Interview with Filmmaker Yandy Laurens

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Filmmaker Yandy Laurens spoke with our Gadi Elkon about his latest feature film, SORE: WIFE FROM THE FUTURE.

What would happen if your partner came from the future and wanted to change your life for the better, but you feel like your life is fine?

Yandy’s feature film is Indonesia’s selection for the upcoming 98th Academy Awards.  Yandy discussed with Gadi the origins of this feature being in a previous TV show.  He talked about the long history working with his two main leads and the importance of their chemistry. Yandy even discussed SORE being the first Indonesian project to film in Croatia.

Here is our interview with Filmmaker Yandy Laurens:

Follow Yandy Laurens and the film SORE.

ALL HEART – Interview with Writer-Directors Michael Govier and Will McCormack

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The Oscar-winning duo of Michael Govier and Will McCormack created a new animated short: ALL HEART.