Home Blog Page 3

“KING OF GAMES” A SHORT BY TYLER CINO -MARADIAGA TO MAKE LOS ANGELES PREMIERE AT DANCES WITH FILMS ON JUNE 22ND

“King of Games”, a multi-layered short centered on a young child amidst a life-changing day for him and his family, will make its LA Premiere on Monday June 22nd at the 28th edition of Dances With Films at 6:15 pm at the TCL Chinese 6 in Hollywood.

King of Games is a domestic drama and a late 1990s period piece that places the audience in the perspective of an eight-year-old, Hector, on the day he moves out of his home. Right before he and his family need to leave, he realizes he lost his prized deck of “King of Games” cards – a game based on his favorite television show. As he begins to search his home and interacts with members of his multigenerational household, from his edgy rocker older brother to his faith-loving great-abuela, the audience discovers this is not just any ordinary move, but that this is the final time this family will be together as his parents are getting divorced.

The film is directed by Tyler Cino-Maradiaga, written by Gabriella Bartley and Cino-Maradiaga and produced by Nicole Fernandez, Yuanwei Wang, and Cino-Maradiaga. The film stars Emperor Kaioyus (Run Nixon, The Equalizer), Mildred R. Gil, (To B., Loved and Lost), Annie Henk (Ponyboi, Alma’s Way), Joshua Garcia (In the Heights, Mike), Bryan Fitzgerald (13 Reasons Why, What Breaks the Ice), Rigo Garay (Crumbcatcher, Blackout), Brandy Ochoa (Director’s Cut) and Miriam Cruz (Alma’s Way, Dora the Explorer).

“As a child of divorce, I’ve noticed many divorce narratives are not usually told from the point of view of a child and are not about families of color. Not only did I want this film to tackle this subject from an underrepresented viewpoint, but I wanted to present the universal idea that growing up is learning to cope with loss. Whether it is a deck of playing cards, a home, or even a family, change is not “a problem to be solved”; it is just an inevitable part of life,” says Cino-Maradiaga.

Tyler Cino Maradiaga (Director, Producer, and Story by) is a Nicaraguan American writer, director and producer based in Brooklyn. Tyler has carried a passion for social justice since their undergraduate years at UC Berkeley and through a decade of working in the Diversity, Equity and Inclusion field. Believing storytelling is a catalyst for change, Tyler obtained a Master of Fine Arts in film directing at the Feirstein Graduate School of Cinema. Tyler’s work utilizes drama, comedy, and fantastical genres to explore themes of identity and social issues. Their films have shown at Austin Film Festival, Chelsea Film Festival, and New Filmmakers Los Angeles, amongst others.

Nicole Fernandez (Producer) is a Colombian filmmaker based in New York City. As a creative producer, she is passionate about telling stories that raise awareness of social issues and explore the ways we interact as humans. She has experience producing documentaries, independent films, and music videos. In 2019, she founded Somondoco Films, the production company under which she signs her work. She graduated from the MFA program in producing at Feirstein Graduate School of Cinema and works as a visual artist at ID Studios, a theater company in the Bronx that serves Latino and immigrant communities.

Yuanwei Wang (Producer) is a New York–based Chinese American screenwriter and producer. A graduate with a B.A. in Screenwriting and an M.F.A. in Film Producing, he has worked in Film Development at Intrinsic Value, contributing to feature projects Out of Order and The Oath. Yuanwei has produced and production-managed numerous short films, currently making their festival rounds in 2025. As Studio Manager at 100 Sutton Studios in Brooklyn, he supports commercial and film productions. An advocate for Asian representation, Yuanwei helps bring to life stories about the Asian diaspora, focusing on culture, personal struggles, and identity challenges.

Gabriella Bartley (Screenplay by) is a filmmaker based in Staten Island, New York. She earned her production degree at the College of Staten Island and her M.F.A at the Feirstein Graduate School of Cinema. Her passion lies in writing animations, but also live-action films revolving around coming of age, comedy, and mental health. She’s written and directed several films, including the short Lotus Green, which won the 2023 National Board of Review Award, Best Narrative at the Washington DC Film Festival, and Best Student Narrative Short at the CUNY Film Festival. Her most recent film, Lemon Bars, will soon enter the festival circuit.

2026 Dances With Films: LA Film Festival Announces Lineup

Dances With Films: LA has announced the film lineup for next month’s return of Los Angeles’ largest indie film-focused film festival (June 18-28) for its 29th edition platforming films not produced by studios or with big budgets. Those films include DWF: LA’s critically-acclaimed Midnight Horror and Genre, and Pilots sections, as well as continuing the celebration of music, dance, and family-friendly programming in the Downbeat and Kidz sections. This year’s packed schedule will be bookended by the world premieres of Jay Silverman’s drama Yale with Caitlin McGee, Kevin Dunn, and Rachael Harris, as the Opening Night selection, and Adam Hoelzel’s thriller Tender with Jesse Garcia, Jess Weixler, David Koechner, and Robert Longstreet, on Closing Night. In an environment where multiplexes can struggle to consistently fill houses, DWF: LA expects to once again draw record-breaking audiences to its screenings and events at the TCL Chinese Theatre on 6925 Hollywood Blvd. in the Ovation Complex.

This year’s DWF: LA’s lineup includes 279 films, including 41 narrative features, 17 documentary features, 4 midnight features, 33 television and streaming pilots, and 184 short films (99 narrative and 21 documentaries, 32 midnight, 15 Kidz section, 17 Downbeat/Music), with an impressive number of films making world, North American, or U.S. premieres.

Dances With Films has built an indisputable reputation as a discovery film festival that year in and year out features the most world premieres of any festival in Los Angeles and a significant discovery festival in the US. Additional narrative features (beyond the two gala selections) making their world premieres in June include: Andrew David Paterson’s American Flake, Jay Diaz’s Angeleno, Brian L. Tan’s Bandit, John Brownell’s Coin, Sean Perry’s Coaled Blood, Daniel Katz and Brad Dickson’s Dave vs. Hollywood, Joel David Santner’s Directors’ Commentary, Gerald Fillmore’s Face Love, Mädchen Amick’s Fractured, Rachel Carey’s Good Thoughts, Doug Bremner’s The Goose That Laid the Golden Egg, Jordan Rowe’s Hamilton House, Jonathan Oster’s Jane’s Not Here, Jason Laurits’ Loves Company, JJ Lippman’s Mind Games, Stephen McNamee’s Muffled, Robyn Symon’s Queen of Shock, D.J. Hale’s Rescued, Dustin Brown’s Solidarity, David Ketterer Spencer’s Souvenir, RJ Zabasky’s Sync, Marcus Niehaus’ Tales From the Crypto, Gregory J. Green’s Tempest, Debra De Liso’s Wilma, Wu, and a Stripper Named Lorraine, and Njedeh Anthony’s Yellow Broken Road. Making their North American Premieres will be Tristan Barr’s Deathkeeper, Aleksandra Hansen’s Life at Sandy’s, and Scott Tinkham and Michael Woloson’s Littermates, and Mason Howard’s U A P.

Feature-length documentaries making their world premieres at DWFLA include: Kern Konwiser’s Autumn Gold, Hrag Yedalian’s Beneath the Ashes: The Past Reimagined, Cam Lui, and Michael Schnee’s Better Call Babs, David Booth Gardner’s The Last Place on Earth, Beatrix Ryle’s My Name is Gitta, Jordan Kronick’s Peaking: Psychedelics and the Pursuit of Happiness, Jon Bolerjack’s Stan Lee: The Final Chapter, Brad Alexander’s Tell Me About Tomorrow, and Boaz Dvir’s To Kill a Nazi.

Dances With Films’ founders, Leslee Scallon and Michael Trent, said, “For close to three decades Dances With Films has exhibited ‘The Power of Indie Film’ and this year’s lineup is filled with unique and diverse voices from filmmakers working outside of the studio system and without the benefit of bigger budgets, will entertain and surprise film lovers with the cinematic magic DWF is well-known for. As always, we couldn’t be more thrilled to introduce them all and connect our filmmakers with audiences, film distributors, and other industry veterans in the best way imaginable: at the TCL Chinese Theatres right in the heart of Hollywood.”

Thursday, June 18 features the World Premiere Opening Night presentation of Jay Silverman’s drama Yale. The film focuses on a woman who must find and ask for help from the father who abandoned her when she was a child in order to save her son, who needs an emergency kidney transplant. The film stars Caitlin McGee, Dominic Leeder, Kevin Dunn, and Rachael Harris.

Sunday, June 28, DWF: LA offers another world premiere as its Closing Night selection, Adam Hoelzel’s drama Tender. The film follows a couple trapped in a failing marriage and drowning in debt who discover a hidden stash of gold buried within the walls of their home. What begins as a lifeline quickly spirals into danger, as the pair devise a high-stakes plan to offload the fortune and escape their financial ruin. The impressive cast includes Jesse Garcia, Jess Weixler, David Koechner, Robert Longstreet, Mark St. Cyr, Keli Price, Stephen Ellis, Robert Peters, and Sonja O’Hara.

Additional highlights among the narrative feature films making their world premieres include Jay Diaz’s home grown drama Angeleno. The LA-based story follows a first-generation Latino American whose filmmaking dreams have taken a back seat to family responsibilities and crises that derailed him in his youth. However, a new opportunity might finally help him break through and convince him that it’s never too late in a city built for dreamers. Also making its world premiere, David Ketterer Spencer’s Souvenir focuses on two estranged friends whose unexpected encounter leads to an unexpected day-long adventure through New York City as they attempt to return a dead self-help guru’s lost wallet. The cast includes Janeane Garafalo, Ruby Cruz, and Eric Berryman. Mädchen Amick makes her feature film directorial debut with the thriller Fractured. Based on a true story, and starring Bruce Dern and Julia Ormond, the film centers on a woman whose past filled with tragedy and trauma catches up with her when an ex-boyfriend shows up and triggers memories of her father’s death. Adam Jumba’s Lone Rider stars Jack Alcott as a young man whose impulsive decision to steal back his beat-up ’89 Mustang from his estranged father leads to a quixotic journey through middle-of-nowhere diners, old stomping grounds, and midnight highways, crossing paths with old friends, strangers, and moments that feel like echoes of another life.

Matt Flanders’ romantic comedy How to Date Again follows Michael (Rob Mor), a heartbroken animator struggling to re-enter the dating world after a devastating loss. He finally meets Leigh (Natasha Loring), an emotionally intuitive record exec and they embark on a spontaneous California coast road trip to confront their pasts and learn how to heal. The film also stars Haley Joel Osment and Kevin Nealon. Jason Lauritis’ fish out of water comedy Loves Company will make its world premiere at DWFLA. In the film, a faded game show personality is rescued after a car crash in the Everglades by his #1..and only…fan. The outcast  woman soon reaches her limit with his bad behavior, but now she can’t get rid of him. The cast includes Rachel Dratch, Jack Plotnick, Sarah Baker, and Dustin Ingram. Guy Jacobson’s screwball comedy Out of Order stars Brandon Routh as an ambitious lawyer who accepts a job offer from a big snobbish rival law firm; that is, until his current boss suffers a heart attack and begs him to take one last case. Convinced he can do it, he decides to swing both positions until he realizes that he is now representing opposite sides of the same case. The film also stars Brooke Shields, Sandra Bernhard, Sam Huntington, and Luis Guzman.

Dances With Films: LA has an equally strong slate of documentaries with a number of films making their world premieres. One of the films making its debut is Cam Lui, and Michael Schnee’s Better Call Babs which places the audience in Babs Fry’s iconic van for a ride along, witnessing her Red-Cross award-winning work of recovering lost pets and rehabilitating feral dogs, but through the personal challenges that shaped the woman she is today. Also making its world premiere is Boaz Dvir’s To Kill a Nazi, which follows the saga of Michel Cojot’s journey to find Klaus Barbie and get revenge for Cojot’s father’s death at Auschwitz. Rob Arthur’s Frampton traces Peter Frampton’s rise to global rock and roll fame, the struggles that tested his identity and resilience, and his relentless reinvention. As personal sacrifices surface, the cost of fame becomes clear. Now facing a degenerative muscle disease, Frampton confronts his limits with urgency and grace. Making its world premiere is Jon Bolerjack’s Stan Lee: The Final Chapter which looks at Lee’s experiences at conventions where Stan’s signatures and memorabilia were converted into millions of dollars and rival hucksters double-crossed each other to control his fortune.

Dances With Films’ critically acclaimed Midnight section of films including the following features making their North American premieres: Tristan Barr’s Deathkeeper pits a reclusive angel against a charming demon in disguise in order to save a possessed woman. Mason Howard’s U A P takes place during a Fourth of July reunion, where five friends discover a mysterious sphere that draws the attention of government forces and private interests, and is possibly manipulating humanity itself. Making its world premiere is Stephen McNamee’s Muffled, where two true crime enthusiasts return to their hometown to solve the mystery of what happened to their childhood friend, who had vanished without a trace.

The pilots category platforming projects with streaming and broadcast ambitions has a varied selection of programming including Alexander Jeffery’s Fixation. Inspired by true events the series begins following the death of a young Korean woman which is deemed routine until an autopsy uncovers something far more sinister. Making its World Premiere is the docuseries People of the West. Directors on the project are Christopher Nataanii Cegielski, Phillip Montgomery, and Josh Baker. The docuseries reveals the untold history of California through Indigenous eyes, from creation to the present day, cutting through myth to expose the forces that shaped the land we now call California. Also making its world premiere are funny high-concept projects like Zach Trent’s Knighted, about a scientist who inadvertently drops a medieval knight into his living room, and now must teach the knight how to survive in the scientist’s modern world. Another high concept pilot making its debut is Paige Ivy’s Pain in the Neck. Set in a post-apocalypse Hollywood, an actress must deal with a zombie landlord, and her vampire roommate, who she might just be falling in love with. Another pilot with an LGBTQIA+ romance is Mandy Fabian’s You Are Here, which follows a fifty-something single gay man, and his tight-knit circle of friends navigating life, friendship, sex, and the horrors of dating after 50.

DWF: LA’s prodigious short films lineup includes the world premiere of Alyssa Limperis and Emily Murnane’s Going Home in which a woman decides to go to her childhood home and visit her parents after suffering through a really bad day. The film stars Limperis and Patton Oswalt. Page Kennedy’s Macbeth in Compton delivers a hip-hop-infused reimagining of Shakespeare’s classic tragedy set in 1990s Compton. Jeff Perreca’s sci-fi short Conflicting Reports has characters finding themselves in a situation described by two mysterious broadcasts. One claims that aliens have arrived and are peaceful. The other says they’re hostile invaders. The cast includes Noel Fisher, Meghan Leathers, Guillermo Diaz, and Andrew Jacobs. Also making its world premiere is Jingbei Bai’s American Boy. The very timely drama tells the story of an undocumented Chinese immigrant, finding joy in a classic night out with his two friends, until their celebration is cut short by ICE agents. Other short highlights include the world premieres of Katherine Connor Duff’s This Little Piggy Went to Market, which explores parasocial relationships, female financial autonomy, and the effect of the insatiable gaze of social media, Darcy Miller’s Captain Milo, a touching look at a child’s defensive fantasies, and Autumn Palen’s outrageous globe-trotting coming of age EDM-themed romp Breakfast At Berghain, produced by DWF’s own Frankie Campisano.

For more information about the Dances With Films: LA film lineup, events, passes, and tickets, go to: https://danceswithfilms.com/.

 

The 2026 Dances With Films: LA official selections:

 

OPENING NIGHT SELECTION

Yale                                                                 WORLD PREMIERE
USA, 2025, 123 min.
DIRECTOR: Jay Silverman

Based on a true story about a troubled woman who must confront her deadbeat father who abandoned her as a child as the last ditch effort to find a donor kidney for her dying son.

 

CLOSING NIGHT SELECTION

Tender                                                             WORLD PREMIERE
USA, 2026, 95 min.
DIRECTOR: Adam Hoezel

After inheriting a modest house in a dying town, Billie and Mick believe they’ve finally found stability, until crushing debt, old resentments, and a shocking discovery buried within their walls threaten to tear them apart. As the couple is forced into a dangerous alliance to protect their future, Tender becomes a darkly intimate portrait of marriage under pressure, where love, money, and survival blur into something unrecognizable.

 

 

ADDITIONAL NARRATIVE FEATURES

Again Again
USA, 2025, 99 min.

DIRECTORS: Mia Moore, Heather Ballish

After reliving the same day over and over again for 10 years in a torturous time loop, Agatha awakens one day to find she’s unexpectedly broken out of it and now faces the terrifying unknown of a brand new day.

 

American Flake                                               WORLD PREMIERE
USA, 2025, 82 min.
DIRECTOR: Andrew David Paterson

A charismatic small town drug dealer avoids grieving the death of his mom by searching for a lost bag of his favorite potato chips.

 

Angeleno                                                         WORLD PREMIERE
USA, 2026, 83.5  min.

DIRECTOR: Jay Diaz

Angel, a first-generation Latino American navigates his past, present, and future through a series of parties across Los Angeles, discovering that nothing is ever too late in a city built for dreamers.

 

Bandit                                                              WORLD PREMIERE
Indonesia/USA, 2026, 109  min.

DIRECTOR: Brian L. Tan “BLT”

With nothing left to lose, two desperate friends steal an abandoned G-Wagon for a quick score. What they didn’t count on? A corpse in the trunk — and the people who put it there.

 

Before the Call
South Korea/USA, 2025, 62 min.

DIRECTOR: James Choi

As a global crisis escalates and Korean soldiers prepare for deployment, Jinwoo, a Korean American exempt from military service, voluntarily enlists and returns to Seoul. His decision confounds everyone around him: why risk everything for a war that isn’t his? Set in the hours before his service begins, the film drifts between quiet present-day moments, reunions, conversations, unresolved feelings and the letters Jinwoo writes to Minji, a former love. Poetic and introspective, the letters become the film’s spine: a young man thinking aloud about identity, duty, belonging, and what it means to act when nothing is clear.

 

Bravado
USA/Wales, 2026, 106 min.

DIRECTOR: Alex Hanno

Bravado is a psychological meta-thriller that tells the story of an obsessive screenwriter, her manipulative mentor, and the film-within-a-film they’re striving to perfect: a gritty UK mafia story.

 

Coaled Blood
USA, 2026, 130 min.

DIRECTOR: Sean Perry

A tight-knit group of unemployed West Virginian coal miners convenes at a remote cabin for their annual deer hunting trip to discuss the unspeakable acts they committed the year prior out of desperation to make ends meet.

 

Coin                                                                 WORLD PREMIERE
USA, 2026, 76 min.
DIRECTOR: John Brownell

Two friends misappropriate campaign funds to launch a cryptocurrency in a half-baked plan to raise capital to save a local park, setting a political hitman after them. Coin follows two friends and their half-baked pursuit to save their childhood park from being replaced by a luxury development backed by an egotistical (and possibly corrupt) mayor. After their mock political fund unexpectedly goes viral, they use the money to launch a cryptocurrency—only for it to crash immediately. When a political fixer comes calling for the campaign funds, they’re forced into a precarious situation with dooming consequences.

 

Dave vs. Hollywood                                         WORLD PREMIERE
USA, 2026, 88 min.
DIRECTORS: Daniel Katz, Brad Dickson

Dave vs, Hollywood is a mockumentary about an actor who moves to Los Angeles completely devoid of connections and contacts.  The humiliations and indignities soon pile up. After a fruitless struggle Dave decides to try to make his mark by taking a non-traditional “anything goes” approach that some might label unethical or even amoral. Are there any depths to which Dave won’t sink in an effort to make it in Hollywood?  Will this kind of subversive approach work? Dave vs. Hollywood may sound a bit cynical. But as Dave would say, “It’s a cynical world out there.

 

Dead Deer High
USA, 2026, 101 min.

DIRECTOR: Jo Rochelle

A once-brilliant slam poetry team has lost their voice one year after a tragedy changed their school forever. Now, their English teacher must overcome his crippling fear of returning to the classroom to help them find healing through words on the stage.

 

Directors’ Commentary                                   WORLD PREMIERE
USA, 84.5 min.
DIRECTOR: Joel David Santner

After two failed years in LA, Ryan Samberg’s Hollywood screenwriting dreams have fizzled. The final humiliation comes when his wife dumps him for another guy. He’s ready to give up, but his ambitious manager insists that pitching Ryan’s latest script to a volatile comedian could be the ticket to fame. He turns to his favorite DVD commentaries for inspiration and magically summons a trio of indie filmmakers out of his tv and into his life. Real or imagined, Ryan’s cinematic heroes direct him through a Hollywood fairy tale where he hopes to find everlasting love and success.

 

Edie Arnold is a Loser
USA, 2026, 73  min.

DIRECTORS: Megan Rico, Kade Atwood

Timid dork Edie accidentally takes the spotlight when she starts a punk band with her fellow “turds”, becoming an icon to the rest of the losers at her all-girls Catholic school while managing to piss off the hot girls, the nuns, and the horniest altar boy you’ve ever seen.

 

Face Love                                                        WORLD PREMIERE
USA, 2025, 96  min.
DIRECTOR: Gerald Fillmore

Face Love is a romantic comedy set across Los Angeles, Madrid, London, and Tijuana. The story follows Daniel, a Brit-Spaniard living in Los Angeles, who travels to Madrid to renew his visa just as a global pandemic shuts down borders. Stranded 5,900 miles from his new girlfriend Ana, he must navigate bureaucracy, cultural displacement, and a relationship sustained through video calls. Inspired by the award-winning short Hold for Applause, the film transforms digital limitations into a cinematic language, exploring love, distance, and connection in a screen-mediated world.

 

Fractured
USA, 2025, 72 min.
DIRECTOR: Mädchen Amick

When an infamous ex-boyfriend shows up and triggers memories of her father’s death, a woman who has spent a lifetime masking the trauma of her childhood now must face a truth that will either heal or destroy her.

 

Good Thoughts                                               WORLD PREMIERE
USA, 2026, 109 min.
DIRECTOR: Rachel Carey

A college student returns to school after a mental health crisis and forms an unofficial support group with other students struggling with similar issues. As she begins to feel responsible for the well-being of her new friends, she must also learn to fend off her anxious mother’s constant outreach.

 

The Goose That Laid the Golden Egg              WORLD PREMIERE
USA, 2026, 92 min.
DIRECTOR: Doug Bremner

When a psychiatrist discovers that a medication for the treatment of acne is causing teenagers to kill themselves, the pharmaceutical company sets out on a campaign to destroy the source of the threat to their billion-dollar-a-year drug.

 

Hamilton House                                               WORLD PREMIERE
USA, 2025, 83 min.
DIRECTOR: Jordan Rowe

Hamilton House is a Halloween-set comedy following a group of young actors who live together in a cramped New York City basement apartment. When the wide-eyed Zach learns that a legendary horror film director is moving into their neighborhood, he convinces his girlfriend and other roommates to turn their home into a haunted house to get the filmmaker’s attention. But as Halloween grows closer, Zach’s plans begin to unravel, risking much more than his big break.

 

Heartworm
USA, 2026, 107  min.

DIRECTORS: Miriam Louise Arens, Mitchell Arens

In a near future where virtual reality has become a refuge for the grieving, Heartworm follows Avena, a bereaved mother struggling to pull her family back from the edge of disappearance. Her husband Mark has retreated into NeuraLife, a fully immersive digital world that promises comfort, continuity, and escape from unbearable loss. As Avena searches for a way to reconnect with him, she’s drawn into a disorienting journey through memory, technology, and longing

 

Hekla
USA, 2026, 89 min.

DIRECTOR: Michael Glover Smith

Hekla is a comedy-drama about the emotional cost of pursuing a creative life. Hekla, a determined Chicago actress, races through auditions, breakups, and self-doubt, risking her heart and career to claim her voice and step fully into the artist and woman she’s meant to be. Set over one day in Chicago, the film explores how ambition, identity, and vulnerability collide when you’re chasing something as personal, and uncertain, as an acting career. Beneath the humor and dramatic momentum lies a story about the importance of showing up for yourself, even if the world isn’t clapping for you yet.

 

How to Date Again
USA, 2025, 96 min.

DIRECTOR: Matt Flanders

A heartbroken, Los Angeles-based animator embarks on a reluctant romantic comeback with the help of friends, fate, and a fantastical first date.

 

Isle Child
USA, 2025, 91 min.

DIRECTOR: Thomas Percy Kim

Si Miller is a star high school pitcher in Concord, Massachusetts, fully at ease in his white suburban world. He’s Korean-born, adopted as a toddler, and has never looked back. That changes when he finds a hidden letter suggesting his birth mother is terminally ill and searching for him. The discovery unravels everything: his confidence, his relationships, his sense of self. A new Chinese-American teammate, Yang, becomes an unwanted mirror for the identity Si has spent years burying. After lashing out at everyone close to him, Si and his adoptive mother travel to Korea, where he begins to confront who he actually is.​​​​​​​​​​​​​​​​

 

Jane’s Not Here                                               WORLD PREMIERE
USA, 2026, 105  min.
DIRECTOR: Jonathan Oster

When Jane Hayes wakes from a coma after a devastating accident, she is plagued by memories of a husband and son that no one else remembers. As she leans on her brother to rebuild her life, her search for answers begins to fracture her sense of reality.

 

Life at Sandy’s                                                 NORTH AMERICAN PREMIERE
USA/Norway, 2026, 75 min.
DIRECTOR: Aleksandra Hansen

A lonely American stuck in a small Norwegian town is lured in by the characters of a friendly sitcom with increasingly sinister intentions.

 

Littermates                                                      NORTH AMERICAN PREMIERE
USA, 2025, 87 min.
DIRECTORS: Scott Tinkham, Michael Woloson

Amidst the chaos of a mysterious war, two victims of an attack take refuge at a cottage in the English countryside, where an enigmatic caretaker insists they must stick together.

 

Lone Rider
USA, 2025, 87 min.
DIRECTOR: Adam Jumba

Twenty-five-year-old Tyler steals back his beat-up ’89 Mustang from his estranged father and takes off with no plan beyond the next mile. Chasing a Facebook post and the fading memory of a teenage crush, he drifts through middle-of-nowhere diners, old stomping grounds, and midnight highways, crossing paths with old friends, strangers, and moments that feel like echoes of another life. Inspired by early-Linklater, Lone Rider turns a spur-of-the-moment theft into a psychological summer odyssey—equal parts funny, tender, and restless—that captures the raw poetry of Rust Belt youth grasping for connection, meaning, and a reason to keep driving.

 

Loves Company                                               WORLD PREMIERE
USA, 2026, 94  min.
DIRECTOR: Jason Laurits

Blake de Troy, a faded, gameshow personality is rescued after a car crash by his #1 fan (and only fan left), Florida outcast, Antoinette Funk. Trapped in her creepy Everglades home and believing he’s been kidnapped, Blake tries to escape, only to realize he has nowhere to go. His partner (and manager) has died, and the world has moved on from Blake. Except Antoinette, who’s happy to cater to his every need. However, she quickly learns he’s not the bubbly, fun personality on TV. He’s a needy, high-maintenance, drunk in withdrawal. Antoinette reaches her limit and tries to get rid of him…not so easy when he realizes his “kidnapping” could stir up some much-needed, career-boosting publicity.

 

Mind Games                                                    WORLD PREMIERE
USA, 2025, 96 min.
DIRECTOR: JJ Lippman

Dr. Jules Abrams, an overworked therapist stuck in a stagnant marriage, takes on two new clients: Ava, a radiant young woman with a seemingly perfect life, and Zander, a charismatic man who feels trapped despite his success. Unaware at first that they are a couple, Jules becomes increasingly drawn to Zander. As she realizes their connection, she begins subtly manipulating their sessions, feeding Ava doubts and insecurities under the guise of guidance.

 

Out of Order
USA, 2025, 95 min.

DIRECTOR: Guy Jacobson

John Slater Esq has big dreams but small ambition – he’s always late, looks like an unmade bed and still hasn’t tried his first case. Yet when LISA, his supermodel girlfriend dumps him, he decides to prove his worth and win her back. He accepts a job offer from a big snobbish rival law firm – that is until his current boss suffers a heart attack and begs him to take one last case. Convinced he can do it, John decides to swing both positions until he realizes that his new firm and old firm are representing opposite sides of the same case. What else can you do except don a disguise and a new confident persona, “Jack” to stay undercover at the new firm. With the help of his cynical best friend and fellow lawyer, Paul, he erratically tries to help the eccentric Sue, the plaintiff in the new case, try to take down a biotech firm for stealing her idea while simultaneously defending the very same biotech giant. Chaos ensues.

 

Queen of Shock                                               WORLD PREMIERE
Mexico/USA, 2026, 86 min.
DIRECTOR: Robyn Symon

Mari, a struggling single mother in a tourist town outside Mexico City, discovers an extraordinary ability to withstand pain while playing toques, a real Mexican electric shock game. But when her young daughter is kidnapped, she is pulled into a brutal underground world where the traditional game has evolved into a violent, male-dominated spectacle fueled by gambling, viral fame, and exploitation. As Mari rises through the savage underground circuit, her victories transform her into an unexpected viral sensation. But in a world built on machismo and control, her growing power ignites dangerous tensions within her family — especially with her volatile ex-partner Álvaro, whose obsession with reclaiming his family hides darker motives. With every escalating competition, the shocks take an increasingly devastating toll on Mari’s body.

 

Rescued                                                          WORLD PREMIERE
USA, 2026, 127 min.
DIRECTOR: D.J. Hale

A homeless man finds the motivation to turn his life around after a stray dog saves his life and refuses to leave his side.

 

Smile… The Worst is Yet to Come
USA, 2025, 84 min.

DIRECTOR: Chloe Lenihan

Smile…the Worst is Yet to Come follows Ben and Birdie, elder millennials whose marriage buckles under failed IVF and stalled ambitions. Their attempt to reconnect at a romantic getaway in Big Bear is derailed when Gen-Z influencers, January and Jerek, crash their cabin, sparking a raw night of storytelling. Secrets surface, facades shatter, and the couple must confront uncomfortable truths about love, time, and what really matters.

 

Solidarity                                                         WORLD PREMIERE
USA, 2026, 98 min.
DIRECTOR: Dustin Brown

A Mexican seamstress and a Lithuanian butcher struggle to survive as immigrants in Los Angeles, their parallel lives marked by loss, labor, and unexpected connection.

 

Souvenir                                                          WORLD PREMIERE
USA, 2026, 88 min.
DIRECTOR: David Ketterer Spencer

A chance encounter between estranged friends Kevin and Dani leads to an unexpected day-long adventure through New York City as they attempt to return a dead self-help guru’s lost wallet. Their journey – through litigious heirs, suspiciously bad poetry, and a mysterious watch – forces them to confront unresolved feelings and life-changing decisions.

Sync                                                                WORLD PREMIERE
USA, 2025, 121 min.
DIRECTOR: RJ Zabasky

In the near future, Ryan is invited to try a groundbreaking technology that creates AI versions of the dead, offering a new way to cope with grief. Reluctant at first, he enters the simulation to confront the loss of his late fiancée. But as her presence feels increasingly real, the eerily perfect world begins to reveal something deeply wrong beneath the surface.

 

Tales From the Crypto                                     WORLD PREMIERE
USA, 2026, 93 min.
DIRECTOR: Marcus Niehaus

As the Covid pandemic upends the global economy, a young programmer, Ravi, turns to cryptocurrency trading during the emergence of Uniswap and “DeFi Summer” to save his parents’ farm in India. But in a world rife with scammers, ruggers and naysayers, he finds that trading is much more than he bargained for.

 

Tempest                                                          WORLD PREMIERE
USA, 2026, 95 min.
DIRECTOR: Gregory J. Green

Miranda may be a successful artist, but her life and marriage are in ruins. One hopeless night, lightning flashes, dimensions shift, and Miranda is overjoyed to find herself in a parallel world where none of her heartbreaks exist. But this new life crumbles when the alternate Miranda, whose own world has been usurped, starts desperately trying to return.

 

This Will Never Work
USA, 2025, 87 min.

DIRECTORS: Marina Tempelsman, Niccolo Aeed

This Will Never Work is about a family coming together to have an intervention for Amanda’s drinking problem. They’ve hired a therapist named Trevor, written emotional letters, chosen the time and location, and now they sit and wait for Amanda to arrive. But when Amanda arrives, Trevor realizes the family… hasn’t been entirely honest with him.

 

Wilma, Wu, and a Stripper Named Lorraine     WORLD PREMIERE
USA, 2026, 94 min.
DIRECTOR: Debra De Liso

When a beloved desert cantina is threatened with closure, a washed-up burlesque dancer rallies an outrageous crew of misfits, church ladies, hustlers, and dreamers for one last talent show to save their town. As chaos turns to community, a feuding mother and daughter must decide whether to hold on or finally let go.

 

Yellow Broken Road                                        WORLD PREMIERE
USA, 2026, 108 min.
DIRECTOR: Njedeh Anthony

A woman dreams her entire future with the perfect stranger, only to discover it is real. But if she chooses him, their love, though profound and complete, will end in tragedy. Across one hopeful night, parallel to it, years of romance unfold while Death taunts every minute of their future.

 

 

DOCUMENTARY FEATURES

 

4000 Days
USA, 2026, 110 min.

DIRECTOR: Daniel E Catullo III

4000 Days is a powerful documentary following three families who transform personal tragedy into a national movement after losing their sons to fraternity hazing. Confronting a system built on secrecy and denial, they unite to demand accountability and push for legislative reform. The title reflects the years-long fight to turn grief into meaningful change. Through intimate access and raw testimonies, the film captures both heartbreak and determination as their individual losses grow into a collective force.

Autumn Gold
USA, 2026, 71 min.

DIRECTOR: Kern Konwiser

A feature length investigative documentary about a relentless investigative journalist who must outwit and out maneuver the Pentagon in order to expose a secret government biochemical experiment and bring justice to the veterans who were harmed by it.

 

Beneath the Ashes: The Past Reimagined      WORLD PREMIERE
USA, 2026, 63 min.
DIRECTOR: Hrag Yedalian

In the aftermath of the Eaton Fire, Altadena’s historic Black community confronts devastating loss—and a high-stakes fight to preserve a cultural legacy generations in the making.

 

Better Call Babs                                              WORLD PREMIERE
USA, 2025, 59 min.
DIRECTOR: Cam Lui, Michael Schnee

Better Call Babs places you in the passenger seat of Babs Fry’s iconic van for a ride along, not just through her Red-Cross award-winning work of recovering lost pets and rehabilitating feral dogs, but through the personal challenges that shaped the woman she is today. From high-stakes rescue missions to intimate moments of reflection, this film mirrors the chaos she embraces daily as a recovered addict turned vigilante pet detective. At its core, this film explores recovery through purpose, the healing power of community and the vulnerability required to ask for help.

 

The Burning: The Untold Story of Africa’s Refugee Crisis
USA/Nigeria, 2025, 86 min.

DIRECTOR: Isabella Alexander-Nathani

Step inside our world’s largest and most underreported refugee crisis. A courageous mother, a brotherhood of orphaned boys, and a father desperate to find his family lead audiences on an epic journey across the African continent to a stretch of coast where only eight miles of sea separates Africa from Europe. They are shocked to find what awaits them there. Filmed undercover, over the course of ten years, The Burning brings the untold story of Africa’s refugee crisis to light for the first time. 9,000 miles. 10 refugees. 1 chance to escape. This is a story you will never forget.

 

Cabali and the Tiki Mug Obsession
USA, 2025, 96 min.

DIRECTOR: Josh Dragotta

A feature length documentary exploring the subculture of Tiki enthusiasts that create and collect ceramic drinking vessels known as Tiki mugs. The film follows Fini Finical, as he assembles a team of craftsmen and artists to build a Tiki bar dedicated to his overwhelming collection of mugs.

 

Frampton
USA/UK, 2026, 104 min.

DIRECTOR: Rob Arthur

From the explosive success of Frampton Comes Alive! to the quiet introspection of his final tour, Frampton is an intimate portrait of a rock icon who soared, stumbled, and rose again. The film traces Peter Frampton’s rise to global fame, the struggles that tested his identity and resilience, and his relentless reinvention. As personal sacrifices surface, the cost of fame becomes clear. Now facing a degenerative muscle disease, Frampton confronts his limits with urgency and grace.

 

Holy Ghetto
USA/Israel, 2026, 83 min.

DIRECTOR: iLan Azoulai

Four souls trapped within Tel Aviv’s red-light district, entangled in sex trafficking and addiction, embark on spiritual journeys to transcend their personal ghettos. Olga, abducted by traffickers at 17; Dave, an American who founded a shelter for homeless women in prostitution; Yana, a recovering addict and struggling mother of five; and Ohad, a former sex-trafficker chasing redemption. Holy Ghetto is a story of hope and transformation, asking: Can they rise above what they became? And in turn, can we?

 

Kratom: Side Effects May Include
USA, 2025, 78 min.

DIRECTORs: Jamie Neese, Jason Neese

Kratom: Side Effects May Include investigates the lethal consequences and regulatory gaps surrounding a plant-based extract found in everyday locations such as gas stations. With gripping stories of victims and the sometimes controversial advocates who argue its benefits, this groundbreaking feature documentary explores the complex narrative of Kratom—an unregulated substance that some claim has cost thousands of lives.

 

The Last Place on Earth                                  WORLD PREMIERE
USA/Indonesia, 2026, 102 min.
DIRECTOR: David Booth Gardner

The Last Place on Earth is a thrilling, eight-year journey into the heart of Sumatra’s 2.6 million-hectare Leuser Ecosystem — where tigers, elephants, rhinos, and orangutans still roam free – that follows a group of extraordinary wildlife activists who risk everything to save one of Earth’s last untouched wildernesses from the devastation of the illegal palm oil industry.

 

My Name is Gitta                                             WORLD PREMIERE
USA, 2026, 93.5 min.
DIRECTOR: Beatrix Ryle

Gitta is a vivacious nonagenarian holocaust survivor who has long ago processed and overcome her childhood trauma, and for decades has been telling her story of recovery and forgiveness at schools. But as she retraces her steps across Europe and reconnects with families and organizations that saved her life, she finds there is always more to uncover.

 

Peaking: Psychedelics and the Pursuit of Happiness             WORLD PREMIERE
USA, 2025, 95 min.
DIRECTOR: Jordan Kronick

A growing number of people with mental disorders are reporting something extraordinary: illegal psychedelic drugs are curing their brains overnight. Peaking: Psychedelics and the Pursuit of Happiness explores all the major psychedelics, not just by explaining how they work medicinally, but by showing it. The film takes viewers inside dosing rooms for extremely rare looks at the remarkable power, emotion, and speed of psychedelic healing in action: from pro athletes repairing brain damage from concussions, to combat veterans finding relief from suicidal despair, to a woman breaking free from opioid addiction, and more.

 

Reservation Redemption
USA, 2026, 60 min.

DIRECTORs: Brenda Fisher, Blake Pickens

One juror away from the death penalty at 17, a lost Colville tribal member, known as “Chief”, discovers his culture and identity and makes a change that inspires a following of the most incarcerated race in Washington state toward the “Red Road”. The “Red Road” signifies a deep commitment to living life immersed in the culture – with an intrinsic respect for others and oneself, and turning one’s back on addiction to drugs, alcohol, and crime.

 

Sell Your House
USA, 2026, 95 min.
DIRECTORS: Eric Foss, Brandon Pickering

You have to be really rich or really stupid to make a movie. James and Francis aren’t rich, so they opt for stupidity when James sells his house to finance their debut feature. This kicks off a years-long journey through the wonderful, lucrative, glamorous world of indie filmmaking, where absolutely nothing bad ever happens. A comedic documentary following the making of The Last Stop in Yuma County and the complications that come with indie film distribution.

 

Stan Lee: The Final Chapter                            WORLD PREMIERE
USA, 2026, 110 min.
DIRECTOR: Jon Bolerjack

A story of abuse and duplicity, this is the tale of how comic book legend Stan Lee landed in the middle of a scandal as wild as any superhero saga. The events are chronicled by filmmaker Jon Bolerjack who became an assistant to Stan Lee and a fixture of his inner circle. Jon gained unprecedented access and filmed everything he saw. What he uncovered was a thriving market where Stan’s signatures and memorabilia were converted into millions of dollars and rival hucksters double-crossed each other to control Stan’s fortune and ultimately his fate. After years of futility in trying to get justice for Stan, Bolerjack is ready to share this shockingly and truly heartbreaking story with the world.

 

Tell Me About Tomorrow                                 WORLD PREMIERE
USA, 2026, 120 min.
DIRECTOR: Brad Alexander

On June 9, 2022, Cooper Noriega died after unknowingly taking a fentanyl-laced pill sold as Xanax. Living in Los Angeles at the time, he was a model with millions of TikTok followers. His death shocked fans and was widely reported as an “accidental overdose,” but that label raises questions. When a lethal synthetic opioid is disguised as a less dangerous drug, is it truly accidental? Like many families facing similar losses, the Noriegas are searching for answers. This film explores Cooper’s story and asks: What is fentanyl, and how can it be confronted? Featuring insights from loved ones and experts on addiction, grief, and recovery.

 

To Kill a Nazi                                                   WORLD PREMIERE
USA, 2026, 101 min.
DIRECTOR: Boaz Dvir

1974, Paris. Haunted by his father’s disappearance during World War II, business consultant Michel Cojot embarks on a journey of discovery. He finds out his dad was deported by Klaus Barbie to Auschwitz, where he was murdered. Michel uproots his family and moves to Latin America to assassinate Barbie, who works for the Bolivian government. Gripping a pistol under his poncho, Michel follows Barbie through the winding streets of La Paz. Fearing he’d stoop to Barbie’s level by firing, Michel hesitates. He aims … Michel ends up regretting his decision. Soon, he gets a once-in-a-lifetime second chance to redeem himself.

 

 

MIDNIGHT FEATURES

 

Deathkeeper                                                    NORTH AMERICA PREMIERE
Australia, 2025, 91 min.
DIRECTOR: Tristan Barr

Cursed to age decades each time he saves a life, a reclusive angel is drawn to a possessed woman who is hunted by a charming demon in disguise. As their paths collide, he is forced to confront a brutal truth: the only way to reclaim his youth is by killing.

 

Jump Scare
USA, 2025, 98 min.

DIRECTOR: Donnie Hobbie

The all-woman metal band ‘JUMP SCARE’ retreats to a remote cabin to write their new album. Kye, Jen, Deb, Val and the tag-along producer Dale. It’s soon very apparent that something is off in this strange desert world. When Dale goes missing, and a hungry family of cannibals move in, our heroes find themselves in a fight for survival.

 

Muffled                                                            WORLD PREMIERE
USA, 2025, 90 min.
DIRECTOR: Stephen McNamee

Years after their childhood friend Greta vanished without a trace, true crime enthusiasts, Nora and Harper, return to their hometown to solve the mystery. Armed with cameras, microphones, and possibly misguided gumption, they set out to uncover the truth. Their documentary project soon uncovers disturbing ties to sinister creepypastas and rumored occult rituals. As their investigation spirals into the internet’s darkest corners, reality begins to glitch, and the line between sleuth and subject starts to blur.

 

U A P                                                               NORTH AMERICAN PREMIERE
USA, 2026, 106 min.
DIRECTOR: Mason Howard

During a Fourth of July reunion, five friends discover a mysterious sphere that draws the attention of government forces and private interests—forcing them to confront escalating paranoia, their unraveling faith, and the terrifying possibility that the object may be manipulating humanity itself.
 

PILOTS

 

Baddie                                                             WORLD PREMIERE

USA, 2025, 17 min.

DIRECTOR: Steven Yee

 

Banana
USA, 2025, 28 min.

DIRECTORS: Raghav Puri, Kieran Barry

 

Bigg County Restorations
USA, 2025, 17 min.

DIRECTOR: Dan Angelucci

Burning Bridges                                              WORLD PREMIERE
USA, 2026, 35 min.
DIRECTOR: Jorge Yanes

 

Bridal Party
USA, 2026, 26 min.

DIRECTOR: Mckenzie Salvatierra Custin

 

Chet Bond: License to Chill
USA, 2025, 25 min.

DIRECTOR: Blake Sherwyn

Codependent
USA, 2026, 25 min.

DIRECTOR: Caitlyn Phu

 

CVNT
USA, 2026, 16 min.

DIRECTOR: Nicole Higgins

 

Delicate Condition                                           WORLD PREMIERE
USA, 2025, 36.5 min.
DIRECTOR: Bailey Castle

 

Delivering Destiny w/Amir Mo                         WORLD PREMIERE
USA, 2026, 23 min.
DIRECTOR: Amir Mo

 

Farther Along
USA, 2025, 14 min.

DIRECTORS: MJ Bernier, Emily Draper

 

Fixation
USA, 2026, 35 min.

DIRECTOR: Alexander Jeffery

 

Level Up
USA, 2025, 17.5 min.

DIRECTOR: Gabrielle Roberts

 

I Could Eat – Episode 3                                    WORLD PREMIERE
USA, 2026, 14 min.
DIRECTORS: Rick Bedrosian, Sonja Stark

 

It’s Getting Late with Owen Reed                    WORLD PREMIERE
USA, 2026, 44 min.
DIRECTOR: Ryan Dougall

 

Knighted                                                          WORLD PREMIERE
USA, 2026, 23 min.
DIRECTOR: Zach Trent

 

Matched
USA, 2026, 24 min.

DIRECTOR: Elvira Ibragimova

 

Misguided
USA, 2025, 5.5 min.

DIRECTOR: Mariah Marasco

 

Mort
USA, 2025, 13 min.

DIRECTORS: Larry Ziegelman, Terry Ziegelman

 

Nobody F#cking Leaves
USA, 2026, 28 min.

DIRECTOR: John Mossman

 

Pain in the Neck                                              WORLD PREMIERE
USA, 2026, 41 min.
DIRECTOR: Paige Ivy

 

Penguin House: Credit Limit                           WORLD PREMIERE
USA, 2025, 13 min.
DIRECTOR: Chris Alden

 

People of the West                                          WORLD PREMIERE
USA, 2026, 60 min.
DIRECTORS: Christopher Nataanii Cegielski, Phillip Montgomery, Josh Baker

 

The Reverb                                                      NORTH AMERICAN PREMIERE
USA, 2026, 30 min.
DIRECTORS: Jordan Ruttert, Janie Ruttert

 

Son of a Bikram
USA, 2025, 18.5 min.

DIRECTOR: Johnny Rey Diaz

 

Strand
USA, 2026, 28 min.

DIR: Austin Gorski

 

Toxic-ish                                                         WORLD PREMIERE
USA, 2026, 38 min.
DIRECTOR: Corey Grant

 

The Trinity
USA, 2026, 37 min.

DIRECTOR: Emmanuel Mertis

 

Witches                                                           WORLD PREMIERE
USA, 2026, 26 min.
DIRECTOR: Gethin Aldous

 

Womb Room
USA, 2026, 22 min.

DIRECTOR: Nicole Treston Abranian

 

You Are Here                                                   WORLD PREMIERE
USA, 2026, 30 min.
DIR: Mandy Fabian

 

Zaddies                                                            WORLD PREMIERE
USA, 2026, 28 min.
DIRECTOR: John Frank Uranday

 

Zen Room                                                        WORLD PREMIERE
USA, 2025, 12 min.
DIRECTOR: Layne Marie Williams

 

 

SHORT FILMS

 

NARRATIVE SHORTS

Aayat                                                               WORLD PREMIERE
USA/India, 2025, 16 min.
DIRECTOR: Sonia Bhatia

 

Achiever
USA, 2026, 13.5 min.

DIRECTOR: CharlieTraisman

 

All That’s Left                                                  WORLD PREMIERE
USA, 2026, 10 min.
DIRECTOR: William D. Hellmuth

 

American Boy                                                  WORLD PREMIERE
USA, 2026, 13 min.
DIRECTOR: Jingbei Bai

 

The Art of Inflation
USA, 2025, 22.5 min.

DIRECTOR: Brett Wietecha

 

At What Cost?                                                 NORTH AMERICA PREMIERE
USA, 2026, 20.5 min.
DIRECTOR: Ant Roberson

 

Bembé
USA, 2025, 12 min.

DIRECTOR: Zayre Ferrer

 

Beware the Wolves                                          WORLD PREMIERE
USA, 2025, 19 min.
DIRECTOR: Alex Bush

 

Bigote Or (The Happy Anarchy of Bureaucracy)
USA, 2026, 11 min.

DIRECTOR: Rafael A. López

 

Birthday Bird                                                   WORLD PREMIERE
USA, 2025, 7.5 min.
DIRECTOR: Heather Brumley

 

Björn                                                               WORLD PREMIERE
USA, 2025, 16.5 min.
DIRECTOR: Kristofer Pitzek

 

The Blistering Blundering West                      WORLD PREMIERE
USA, 2026, 15 min.
DIRECTOR: Quinton Buxton

 

Breathe, Brother, Breathe                                WORLD PREMIERE
USA, 2026, 19 min.
DIRECTOR: Arman Khaghani

 

Buckets
USA, 2025, 11 min.

DIRECTOR: Drew van Steenbergen

 

Burro
USA, 2025, 12 min.
DIRECTOR: Hannah Lerner

 

Captain Milo                                                    WORLD PREMIERE
USA, 2025, 12 min.
DIRECTOR: Darcy Miller

 

Chloé                                                               NORTH AMERICAN PREMIERE
France, 2025, 18 min.
DIRECTOR: Madeline Stephenson

 

Clean Getaway
USA, 2025, 11 min.
DIRECTOR: Patricia Rigney

Conflicting Reports                                         WORLD PREMIERE
USA, 2025, 20 min.
DIRECTOR: Jeff Perreca

 

Cornerman                                                      WORLD PREMIERE
USA, 2026, 17.5 min.
DIRECTOR: Sam Findlay

 

Corps-À-Corps                                                WORLD PREMIERE
USA, 2025, 8 min.
DIRECTOR: Nikki Kobrick

 

The Country They Call Life                              WORLD PREMIERE
USA, 2025, 20 min.
DIRECTOR: Grace Sims

 

Dissection Day
USA, 2025, 15 min.

DIRECTOR: Rachel Thomas Medwid

 

Dog Years
USA, 2025, 10.5 min.

DIRECTOR: Rex Provost

 

Don’t Watch Without Me                                  WORLD PREMIERE
USA, 2025, 13 min.
DIRECTOR: Avi Kaye

 

Dream of Emptiness                                        WORLD PREMIERE
Vietnam, 2026, 26 min.
DIRECTOR: Thien Hoang Bui

 

Dres the Thief                                                  WORLD PREMIERE
USA, 2025, 3 min.
DIRECTOR: Tomas Vegara

 

Drones                                                             WORLD PREMIERE
USA, 2026, 22.5 min.
DIRECTOR: Steve Acevedo

 

Dropping Off                                                   WORLD PREMIERE
USA, 2025, 14 min.
DIRECTORS: Will Mayo, Ian Scott McGregor

 

Early Human Media
USA, 2025, 11.5 min.

DIRECTOR: Adrian Delcan

 

Escape
USA, 2026, 5 min.

DIRECTOR: Jasmine Russ

 

Everything Is Brand
USA, 2026, 13 min.

DIRECTOR: Brett Weiner

 

The Expiration of Darius Campbell                  WORLD PREMIERE
USA, 2026, 7 min.
DIRECTOR: Charlie Roth

 

Extraña
USA, 2025, 7 min.

DIRECTORS: Paloma Ronquillo, Ryan Fajet

 

Fabric
USA, 2025, 15 min.

DIRECTOR: Frank Sun

 

Fat                                                                   WORLD PREMIERE
Ireland, 2026, 19.5 min.
DIRECTOR: Dolores Rice

 

For Your Future Wife                                       WORLD PREMIERE
USA, 2026, 13 min.
DIRECTOR: Megan Petersen

 

Foxtails
USA, 2025, 9 min.

DIRECTOR: Alejo Perez-Stable Husni

 

Godpower                                                        WORLD PREMIERE
USA/Nigeria, 2025, 16.5 min.
DIRECTOR: Geoff Browne

 

Going Home                                                    WORLD PREMIERE
USA, 2025, 15 min.
DIRECTORS: Alyssa Limperis, Emily Murnane

 

Good Not Great
USA, 2026, 22 min.

DIRECTOR: Nick von Gremp

 

Good Vibes Only                                             WORLD PREMIERE
Canada, 2025, 13 min.
DIRECTOR: Sarah D’Ambrosio

Growing Still                                                   NORTH AMERICAN PREMIERE
New Zealand, 2025, 12.5 min.
DIRECTOR: Alyx Duncan

 

Hand on Camera
USA, 2025, 25 min.
DIRECTOR: Phillip Alexander

 

Hi Mom                                                            WORLD PREMIERE
USA, 2025, 3.5 min.
DIRECTOR: SM Goldberger

 

Hold For Applause                                           WORLD PREMIERE
USA, 2026, 10 min.
DIR: Nicole Treston Abranian

 

Homecoming
USA, 2026, 12 min.

DIRECTOR: Skyler Knutzen

 

I Love You More Than Dinosaurs
USA, 2025, 15 min.
DIRECTOR: Tyler Coon

 

In the Kitchen                                                  WORLD PREMIERE
USA, 2025, 13 min.
DIRECTOR: Babe Howard

 

Inshallah                                                          WORLD PREMIERE
USA, 2026, 18.5 min.
DIRECTOR: Sibel Damar

 

Inside These Walls
USA, 2026, 18 min.

DIRECTOR: Melissa Fisher

 

Jacob, Side Smirk, Nose Kiss                         WORLD PREMIERE
USA, 2026, 9 min.
DIRECTOR: Zac Kish

 

Jasmine.Home.Mother.
USA/UK/Lithuania, 2026, 15 min.
DIRECTOR: Ugnė Skonsmanaitė

 

Just My Luck
USA, 2025, 12 min.

DIRECTOR: Nicholas Pitts

 

Kill the Macoui                                                 NORTH AMERICAN PREMIERE
France, 2025, 12 min.
DIRECTOR: Mathieu Le Roux

 

King of Games
USA, 2025, 9 min.

DIRECTOR: Tyler Cino Maradiaga

 

Las Hadas de la Sombra
USA, 2026, 21 min.

DIRECTOR: Ryan Jenkins

 

Late Shift
USA, 2026, 8 min.

DIRECTOR: Britta Johnson

 

Less Than Nothing                                          U.S. PREMIERE
Canada, 2025, 14 min.
DIRECTORS: Reagan Henderson, David Michan

 

Light Go Shining                                             WORLD PREMIERE
USA, 2025, 13 min.
DIRECTOR: Max Olson

 

Look Out!
USA, 2025, 7 min.

DIRECTOR: Brian Carroll

 

Lotion
USA, 2026, 10 min.

DIRECTOR: Bri Rodebaugh

 

Macbeth in Compton
USA, 2025, 19.5 min.

DIRECTOR: Page Kennedy

 

Magic Is Cool                                                   WORLD PREMIERE
USA, 2026, 20 min.
DIRECTOR: Barrett L. Shuler
Memorabilia                                                    WORLD PREMIERE
USA, 2025, 16 min.
DIRECTOR: Patrick Elmore

 

Mimi the Mime                                                 WORLD PREMIERE
USA, 2026, 23 min.
DIRECTORS: Nikos Spiridakis, Kit Moynihan

 

Never to Return
USA, 2026, 11 min.

DIRECTOR: Tyler Smith

 

Nip
USA, 2026, 13 min.

DIRECTORS: Thea Brooks, Taylor Karin

 

Nourish!                                                          WORLD PREMIERE
USA, 2025, 13 min.
DIRECTOR: Casey Bischel

 

Old Literature                                                  WORLD PREMIERE
USA, 2025, 13 min.
DIRECTOR: Silas Gobat

 

Oma                                                                 WORLD PREMIERE
USA, 2025, 10 min.
DIRECTOR: Shane Bannon

 

One and Done Tour
USA, 2025, 15 min.

DIRECTOR: Preston Pimentel

 

One Twenty-Six                                               WORLD PREMIERE
USA, 2025, 13.5 min.
DIRECTOR: Dan Lesser

 

Pale Shelter                                                     WORLD PREMIERE
USA, 2026, 16 min.
DIRECTOR: Edward Robles

 

Patchwork                                                       WORLD PREMIERE
USA, 2025, 14 min.
DIRECTOR: Holly Cook

 

Pittsburgh
USA, 2025, 17 min.
DIRECTOR: Ali Marsh

 

Plastic Pastures                                              WORLD PREMIERE
USA, 2025, 12 min.
DIRECTOR: Darren Rubin

 

Precious Light
USA, 2025, 13 min.

DIRECTOR: Nickon C. Hemati

 

Projectionist                                                    WORLD PREMIERE
USA, 2026, 13.5 min.
DIRECTORS: Pat McCoy, Nicolas Alexandre

 

Ramon Makes a Movie
USA, 2025, 13.5 min.

DIRECTOR: Haley Kirton

 

Ready For My Close-Up
USA, 2025, 11 min.
DIRECTOR: Elijah Guo

 

The Resistance                                                WORLD PREMIERE
Belgium/USA, 2026, 13.5 min.
DIRECTOR: Natalie Schwan

 

River Maid
USA, 2026, 17 min.

DIRECTOR: Colin J. Mason

 

She’s Nonbinary
Canada, 2026, 11 min.

DIRECTOR: Jess McLeod

 

The Shorn Lamb
USA, 2025, 14 min.

DIRECTOR: Emily Rolen

 

Shortcut                                                          WORLD PREMIERE
USA, 2025, 14 min.
DIRECTOR: Christina de Leon

 

Siren                                                                WORLD PREMIERE
USA, 2026, 10.5 min.
DIRECTOR: Aja Corynn

 

Soñado                                                            WORLD PREMIERE
USA, 2026, 16 min.
DIRECTOR: Darren Alberti

 

The Souvenir                                                   WORLD PREMIERE
USA, 2026, 16 min.
DIRECTOR: Adam Tiller

 

The Spanish Lesson
USA, 2025, 12 min.

DIRECTOR: Simone Stadler

 

Stale Air
USA, 2025, 18.5 min.

DIRECTOR: Sarah Leibman

 

Stand Clear’ The Closing Doors
USA, 2026, 7 min.

DIRECTOR: Stacey Sargeant

 

Still Mine                                                         WORLD PREMIERE
USA, 2025, 6 min.
DIRECTOR: Blythe Haaga

 

Stuffed                                                             WORLD PREMIERE
USA, 2025, 8 min.
DIRECTOR: Callie Carpinteri

 

Take Five                                                         WORLD PREMIERE
USA, 2026, 12 min.
DIRECTOR: Daniel Weingarten

 

Truant                                                              WORLD PREMIERE
USA, 2026, 19 min.
DIRECTOR: Robyn Wholey

 

We Didn’t Know Why
USA, 2025, 7 min.

DIRECTOR: Evan Henderson

 

The Worm’s-Eye View of the Bird
USA, 2025, 6 min.

DIRECTOR: Karen Zipor

 

You Could’ve Been a Nurse
USA, 2025, 12 min.
DIRECTOR: Meg Mateo

 

 

DOCUMENTARY SHORTS

24 Hour Sanctuary                                           WORLD PREMIERE
USA, 2025, 10 min.
DIRECTOR: MG Nava

 

A Slice of Home
USA, 2025, 11 min.

DIRECTOR: Pauline Tran

 

All Of Us Girls
USA, 2025, 23 min.

DIRECTOR: Yifeng Wang

 

The Art of Sharing                                           WORLD PREMIERE
USA, 2026, 20 min.
DIRECTOR: Ric Serena

 

The Asset                                                        WORLD PREMIERE
USA, 2026, 30 min.
DIRECTOR: Ravit Markus

 

Body of Work                                                  WORLD PREMIERE
USA, 2026, 25 min.
DIRECTORS: Odin Wadleigh, Cassidy Rast

 

Call of the Jab                                                 WORLD PREMIERE
USA, 2025, 16 min.
DIRECTOR: Fletch Power

 

Cookie, Love
USA, 2025, 9.5 min.

DIRECTOR: Sari Arambulo

 

Dual Wielder                                                    WORLD PREMIERE
USA, 2026, 16 min.
DIRECTOR: Julia Boyd

 

Echoes From the Kitchen: A Tale of Comida and Cultura       WORLD PREMIERE
USA, 2025, 11 min.
DIRECTOR: Chef Eddie Garza

 

Find Your Voice                                               WORLD PREMIERE
USA, 2026, 25 min.

DIRECTOR: Roger Love

 

I Paint Monsters                                              WORLD PREMIERE
USA, 2026, 20.5 min.
DIRECTOR: Ben Woolverton

 

Invinceble
USA, 2026, 23 min.

DIRECTORS: Beth Gage, George Gage

 

Lady Chief                                                       WORLD PREMIERE
USA, 2025, 11 min.
DIRECTOR: Broms

 

Marigold
USA, 2025, 6 min.

DIRECTOR: Dusty Dale Barker

 

Mitad                                                               WORLD PREMIERE
USA, 2025, 23 min.
DIRECTORS: Alyssa Callahan, Claire Gostin

 

Mike and Billy’s American Pie
USA, 2025, 20 min.

DIRECTOR: Erin P.S. Zimmerman

 

The Righteous Road Trip                                WORLD PREMIERE
USA, 2026, 40 min.
DIRECTOR: Vanessa Roth

 

Roll Modelz
USA, 2025, 12.5 min.

DIRECTORS: Oliver Rodriguez Dickson, Yahir Tzec-Carrasco

 

Stack                                                               WORLD PREMIERE
USA, 2025, 8 min.
DIRECTOR: Randolph Buffington

 

Thanksgiving for Angels
USA, 2025, 13 min.

DIRECTOR: Rebecca Corry

 

Three Brothers in Shanghai                             WORLD PREMIERE
USA, 2026, 17 min.
DIRECTOR: Nick Andrus

 

Where We Played: Voices From the Fire         WORLD PREMIERE
USA, 2026, 9 min.
DIRECTORS: Nat Wolff, Austin Cauldwell

 

 

MIDNIGHT SHORTS

A Deal in Liberty                                              WORLD PREMIERE
Canada, 2026, 15 min.
DIRECTOR: Palmer Wells

 

A Little R&R                                                     WORLD PREMIERE
USA, 2026, 18 min.
DIRECTOR: Bryan Bockbrader

 

The Bones Exist
USA, 2026, 14 min.

DIRECTORS: Kelsey Bollig, Matthew DuVall

 

Breakfast at Berghain                                      WORLD PREMIERE
USA, 2026, 14 min.
DIRECTOR: Autumn Palen

 

The Candle                                                      WORLD PREMIERE
USA, 2025, 9 min.
DIRECTOR: Ren Ariel Sano

The Death of Therapy
USA, 2025, 13 min.

DIRECTOR: Jared Hirsch

 

The Deep Vessel                                              WORLD PREMIERE
USA, 2025, 20 min.
DIRECTOR: Sean Cruser

 

Demon Dog                                                      WORLD PREMIERE
USA, 2026, 11 min.
DIRECTOR: Vanessa Newell

 

Dual
USA, 2025, 20 min.

DIRECTORS: Nitasha Bhambree, Declan Mulvey

 

Four Itchy Boys                                               WORLD PREMIERE
USA, 2025, 13 min.
DIRECTOR: Andrew Hebert

 

House Cat
USA, 2026, 14.5 min.

DIRECTOR: Kyle Spleiss

 

The Intimacy Coordinator
USA, 2026, 15 min.
DIRECTORS: Jack Mullany, Terry Mullany

 

Into the Static                                                  WORLD PREMIERE
USA, 2026, 6 min.
DIRECTORS: The Burbank Brothers

 

Knifeman
USA, 2025, 14.5 min.

DIRECTOR: MP Hayes

 

Lady Puritan
USA, 2026, 15.5 min.
DIRECTOR: Gustine Füdickar, Justin Streichman

 

The Last Cheap House                                    U.S. PREMIERE
USA, 2025, 10.5 min.
DIRECTOR: Meg Favreau

 

Legend Has It
Canada, 2025, 16.5 min.

DIRECTOR: Thomas Lorber

 

The McRoommate
USA, 2025, 1.5 min.

DIRECTOR: The Perez Bros

 

Mimic
USA, 2024, 6 min.

DIRECTOR: Thomas Hindy

 

Physical Touch
USA, 2025, 11 min.

DIRECTOR: Kendra Baude

 

Playtime                                                          WORLD PREMIERE
USA, 2026, 3 min.
DIRECTOR: Paul Hollingsworth

 

Pleasure-Seeking
Australia, 2025, 14.5 min.

DIRECTOR: Michaela Holmes

The Shed                                                         WORLD PREMIERE
USA, 2026, 7 min.
DIRECTORS: Christina K. Moore, Judy Choi, Sabrina Almeida, Winnie Kemp

 

Silent Scream                                                  WORLD PREMIERE
USA, 2026, 12 min.
DIRECTOR: Tommy O’Rourke

 

Starflare                                                           WORLD PREMIERE
USA, 2026, 14.5 min.
DIRECTOR: Christine W. Chen

 

Stay In
USA, 2025, 11 min.

DIRECTOR: Michael Buran

 

Tame
USA, 2025, 11.5 min.

DIRECTOR: Will Schneider

 

Tasty Bones
USA, 2026, 5 min.

DIRECTOR: Ronald Short

 

This Little Piggy Goes to Market                     WORLD PREMIERE
USA, 2026, 14.5 min.
DIRECTOR: Katherine Connor Duff

 

Tick
USA, 2025, 14 min.

DIRECTOR: Sam Permar

 

Ultra Juice
USA, 2025, 3.5 min.

DIRECTOR: Carl Conway Maguire

 

Waltz for Isabelle                                             U.S. PREMIERE
USA/Mexico, 2026, 15 min.
DIRECTOR: Emiliano Figueroa

 

 

DOWNBEAT

1.21 Gigawatts (Director’s Cut)
USA, 2025, 6 min.

DIRECTORS: Erik Deutscher, Tamara Gray

 

Bus Driver                                                       WORLD PREMIERE
USA, 2025, 3.5 min.
DIRECTOR: Karen Haglof

 

Dance On My Own                                           WORLD PREMIERE
Australia, 2026, 3.5 min.
DIRECTOR: Lachlan Dinley Jones

 

Energy
USA, 2024, 6 min.

DIRECTOR: Greyfaen Eastland

 

Glass House                                                    WORLD PREMIERE
USA, 2026, 4.5 min.
DIR: Carla Troconis

 

Hanalei I Ka Pilimoe                                        WORLD PREMIERE
USA, 2026, 3 min.
DIRECTOR: Carolina Espiro

 

Listen To The Lambs                                       WORLD PREMIERE
USA, 2026, 6 min.
DIRECTORS: John W. Snyder, Laura Milosch

 

Money                                                              U.S. PREMIERE
USA, 2025, 4 min.
DIRECTOR: Jordyn Apostolache

 

Ohio Song (OFFICIAL MUSIC VIDEO)              WORLD PREMIERE
USA, 2025, 4 min.
DIRECTOR: Rebecca Shapiro

 

Out of Mind                                                     WORLD PREMIERE
USA, 2025, 4 min.
DIRECTORS: Kacey Fifield, Varvara Aristakesyan

 

Pacific Coast Highway
USA, 2025, 4 min.

DIRECTOR: Alfred Thomas Catalfo

 

Pirate Radio
USA, 2025, 3.5 min.

DIRECTOR: Alfred Thomas Catalfo

Pussy on the Floor                                          WORLD PREMIERE
USA, 2025, 3 min.
DIRECTOR: Chris Osborn

 

Quartermain and Victoria                                WORLD PREMIERE
USA, 2026, 4 min.
DIRECTORS: Summer Purks, Katie Limentato

 

Second Skin                                                    WORLD PREMIERE
USA, 2026, 3.5 min.
DIRECTOR: Anil Baral

 

Shiny Things
USA, 2025, 3.5 min.

DIRECTOR: Tristan Pelletier

 

You Make Me Wanna Dance                            WORLD PREMIERE
USA, 2025, 3 min.
DIRECTORS: Neil Miguel Watson, Trinity Bliss

 

 

DANCES WITH KIDZ PRO SHORTS

Added Flavor                                                   WORLD PREMIERE
USA, 2026, 11 min.
DIRECTOR: Mike Dowling

 

Cake
USA, 2025, 14 min.

DIRECTOR: Erick Juarez

 

Four Square
USA, 2025, 14 min.

DIRECTOR: Eli Staub

Gotta Get Up and Dance
USA/Singapore, 2025, 2 min.

DIRECTOR: Jenny Hersch

 

I Got Next
USA, 2026, 17 min.

DIRECTOR: Christopher Baxter

 

Pan Gyul
Nevis, 2025, 17 min.

DIRECTOR: Juliette Jeffers

 

Rock, Paper, Destiny
USA, 2025, 17 min.

DIRECTOR: Tess Paras

 

 

DANCES WITH KIDZ BY KIDZ SHORTS

The Energy Detective                                      WORLD PREMIERE
USA, 2026, 2 min.
DIRECTOR: Sophia Inghilleri

 

Joy                                                                  WORLD PREMIERE
USA, 2025, 4 min.
DIRECTOR: Owen O’Meara

 

Let’s Erase Extinction                                     WORLD PREMIERE
USA, 2025, 33 min.
DIRECTOR: Andrew Barratt

The Parts We Keep
USA, 2026, 9 min.

DIRECTORS: Hana Marie Kim, Liliana Patel

 

Rose Tinted Nostalgia                                     WORLD PREMIERE
USA, 2025, 28.5 min.
DIRECTOR: David Mahmoudieh

 

Sol                                                                   WORLD PREMIERE
USA, 2025, 4 min.
DIRECTOR: Paulina Monroy-Freyre

 

This Or Life
USA, 2026, 4 min.

DIRECTOR: Winslow Burnett

 

UNPlural “New Home”
USA, 2026, 2 min.

DIRECTOR: Angel Gaeta

TOM CLANCY’S JACK RYAN: GHOST WAR – A Review by John Strange

In 1990, we saw the first of the Jack Ryan films, The Hunt for Red October, starring Alec Baldwin as Jack Ryan.  In 1992, we saw Harrison Ford step into Dr. Ryan’s shoes.  He made two films, Patriot Games (1992) and Clear and Present Danger (1994).  Ben Affleck (2002, The Sum of All Fears) and Chris Pine (2014, Jack Ryan: Shadow Recruit) each made one film.  Then John Krasinski took over the franchise’s mantle in 2018.  He has played Jack Ryan in 4 seasons of the franchise (2018 – 2023) and now has a new feature film, Tom Clancy’s Jack Ryan: Ghost War.  The TV series and this new feature film are all available on Amazon Prime (the film premieres on May 20, 2026.

Tom Clancy’s Jack Ryan: Ghost War is based on a story by Noah Oppenheim and John Krasinski, based on Tom Clancy’s character. 

In the film, Jack has left the CIA and is making a living in New York City.  Just before he is due to travel to Dubai for his job, Jim Greer (Wendell Pierce) tracks him down (the hard way) to ask a favor.

One thing you can count on with the character Jack Ryan is his quick wit and his ability to analyze a situation and devise a way out of it (but not always cleanly).  Krasinski’s Ryan is no slouch in this department.

This film builds on the character development from the TV series, but feature films enjoy larger budgets for special effects and locations.  This may affect how fans of the TV series respond to the film’s fast-paced action.

I thoroughly enjoyed this film.  I think it will be a big hit on Amazon Prime!

 

Director: Andrew Bernstein

Cast: John Krasinski, Wendell Pierce, Michael Kelly, Max Beesley, JJ Feild, Douglas Hodge, with Betty Gabriel and Sienna Miller

MPA Rating: R (for violence and language)

Selig Rating: 4.5 Stars

Runtime: 105 Min.

Release Date: 05/20/2026

Release Locations: Amazon Prime

Language: English

Genre: Action, Drama, Thriller

Trailer: TOM CLANCY’S JACK RYAN: GHOST WAR Official Trailer

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

2026 USA Film Festival Announces Filmmaker Awards following “fun-at-the-movies” edition of Dallas’ longest running film festival  

The Dallas-based USA Film Festival wrapped the 56th edition of the film festival focused on having fun at the movies. Screenings and events filled the Angelika Film Center with sharks and an appearance by a rock legend (KISS’ Gene Simmons, there with his survival adventure Deep Water), a Superman (Brandon Routh, there with his screwball comedy Out of Order), Black Canary (Arrow’s Katie Cassidy, there with her thriller Speed Demon), a ventriloquist (The Dummy Detective’s Jonathan Geffner) and an Academy Award nominee (Lesley Ann Warren, honored by USAFF, and there with her short film Olive).

Filmmaker awards were announced for Tom Koch’s Olive (Best Narrative Short), Lynnette Luis, Christopher Leete, and Ottilie Maters’ Every Line Becomes A Circle (Best Nonfiction Short). Special jury prizes in the Narrative category went to Hae-Oh Park’s Broken Dawn, Ugnė Skonsmanaitė’s Jasmine. Home. Mother, and Ali Cook’s The Pearl Comb. A special jury prize in the Nonfiction category went to Mei-Juin Chen’s Lisa Lu Plays Herself.

Honorable mentions went to Jonathan Hammond’s Fireflies in the Dusk, Slava Denisov’s The Ride in the Narrative category, and Charles Evans, Jr.’s Reverence, and Cece King’s Si La Isla Quiere (Island Willing), in the Nonfiction category.

Additional awards went to Vita Stoikova’s Vita 2.0 (Student Nonfiction), Catriona Baker’s Ball Lightning (Animation), Yuxin Yang’s 91 Times Smash (Student Animation), Farzaneh Forouzesh’s We Didn’t Say It, You Picture It! (Experimental), Can Karayalçın’s Ankara 1979 (Student Award), and Rodrigo Moreno-Fernandez’ El Lloron (Texas Award).

Additional special jury prizes went to Hannes Rall’s Dobrina (Animation), Emy Mirel Ivasca’s On Saint Nicholas’ Eve(Student Animation), Weipeng Huang, and Yajing Wang’s Allegory of the Cave (Experimental), Gery Riba’s Old Man’s Child (Student), and Ulises Córdova’s Tito Ritmo (Texas). Honorable mentions went to Gordon LePage’s Something Greater Than You (Animation), and Lucía G. Romero’s Casi Septiembre (Student).

Known for its celebration of new and classic films from the U.S. and abroad, as well as free-to-the-public screenings, USAFF opened with a salute to celebrated fashion photographer Arthur Elgort (in attendance) featuring Warren Elgort’s new documentary Arthur Elgort: Models & Muses. The Centerpiece screening of Renny Harlin’s new disaster thriller Deep Water brought several inflated sharks “swimming” throughout the Angelika’s lobby and walkways, as well as Harlin and Gene Simmons wearing safety vests as they did photos and interviews on the USA Film Festival’s red carpet. The next day’s red carpet was a comic book lover’s dream as Routh joined his Out of Order director Guy Jacobson, Cassidy joined her Speed Demon director Jon Keeyes, and Lesley Ann Warren (who once played Lois Lane) all appeared on the same red carpet. If you were a Dallas-based film journalist, that red carpet was the place to be.

Additional highlights included a special 75th Anniversary screening of Alfred Hitchcock’s Strangers on a Train (1951) with author and film historian Stephen Rebello in attendance with his new book about the film “Criss-Cross: The Making of Hitchcock’s Dazzling, Subversive Masterpiece Strangers on a Train.” The screening was hosted on-stage by fellow author and film historian Foster Hirsch. USAFF once again placed emphasis on celebrating local filmmakers, highlighted by Oklahoma native Reed Arnold’s award-winning feature debut Do Us Part, and Adam Meeks’ debut feature Union County, starring Will Poulter and Noah Centineo. The festival’s Closing Night line-up featured a screening of Matthew Thayer’s inspirational No Limbs No Limits starring Nick Vujicic, with Vujicic in attendance.

The Festival’s 2026 Short Film Jury included actor Jim Beaver, actress Dale Dickey, actress/producer/documentarian/ educator Diane Baker, animator/director Bill Haller, film historian/author/professor Foster Hirsch, manager/writer/producer/ director Chris Roe, and artist/director/writer Rosson Crow. Award winners are selected from hundreds of submissions in a variety of categories including Fiction, Nonfiction, Animated and Experimental with additional awards for Student and Texas films also awarded.

For more information on the USA Film Festival, please visit https://www.usafilmfestival.com/

The 2026 USA Film Festival Filmmaker Award Winners

FIRST PLACE / NARRATIVE
Olive
Director: Tom Koch

FIRST PLACE / NONFICTION
Every Line Becomes A Circle
Directors: Lynnette Luis, Christopher Leete, Ottilie Maters

FIRST PLACE / STUDENT NONFICTION
Vita 2.0
Director: Vita Stoikova

FIRST PLACE / ANIMATION
Ball Lightning
Director: Catriona Baker

FIRST PLACE / STUDENT ANIMATION
91 Times Smash
Director: Yuxin Yang

FIRST PLACE / EXPERIMENTAL
We Didn’t Say It, You Picture It!
Director: Farzaneh Forouzesh

STUDENT AWARD
Ankara 1979
Director: Can Karayalçın

TEXAS AWARD
El Lloron
Director: Rodrigo Moreno-Fernandez

PERFORMANCE AWARD
Lesley Ann Warren

Special Jury Prizes
Jury Prize, Narrative – Broken Dawn, Hae-Oh Park, director
Jury Prize, Narrative – Jasmine. Home. Mother., Ugnė Skonsmanaitė, director
Jury Prize, Narrative – The Pearl Comb, Ali Cook, director
Jury Prize, Nonfiction – Lisa Lu Plays Herself, Mei-Juin Chen, director
Jury Prize, Animation – Dobrina, Hannes Rall, director
Jury Prize, Student Animation – On Saint Nicholas’ Eve, Emy Mirel Ivasca, director
Jury Prize, Experimental – Allegory of the Cave, Weipeng Huang & Yajing Wang, co-directors
Jury Prize, Student – Old Man’s Child, Gery Riba, director
Jury Prize, Texas – Tito Ritmo, Ulises Córdova, director

Honorable Mentions
Honorable Mention, Narrative – Fireflies in the Dusk, Jonathan Hammond, director
Honorable Mention, Narrative – The Ride, Slava Denisov, director
Honorable Mention, Nonfiction – Reverence, Charles Evans, Jr, director
Honorable Mention, Nonfiction – Si La Isla Quiere (Island Willing), Cece King, director
Honorable Mention, Animation – Something Greater Than You, Gordon LePage, director
Honorable Mention, Student – Casi Septiembre, Lucía G. Romero, director

ANIMAL FARM – A Review by John Strange

In 1945, George Orwell published a book in which he satirized the Russian Revolution with an allegory using a farm of animals who take control of their farm.  Angel Studios and Andy Serkis’ reenvisioning of this story uses animation to tell a story of a farm where the animals take control after the farmer is taken out of the picture.

The animals are led first by a sheep named Snowball (voiced by Lavern Cox).  Under her leadership, the farm is soon up and running as the animals all pitch in shoulder to shoulder to raise the food they need to live, an animal utopia.

Sadly, as in all tales of this sort, their utopia is sidelined by a pig, Napoleon (voiced by Seth Rogen), who feels that everyone is equal, but pigs are more special.  As the pig slyly takes control of the farm, everything goes downhill.

Animal Farm is a very well-made film, filled with excellent voice talent including Glenn Close, Jim Parsons, and Kathleen Turner.  The story is as relevant today as it was back in 1945.

The film will go over kids’ heads and make adults who know the story very uncomfortable.  Those who aren’t aware of the backstory may enjoy this film for its high production quality.  Sadly, I knew the original story.

 

Director: Andy Serkis

Cast: Seth Rogen, Gaten Matarazzo, Steve Buscemi,  Glenn Close, Laverne Cox, Kieran Culkin, Woody Harrelson, Jim Parsons, Andy Serkis, Kathleen Turner, Iman Vellani

MPA Rating: PG (for thematic elements, some action/violence, rude humor, and language)

Selig Rating: 3.5 Stars

Runtime: 95 Min.

Release Date: 05/01/2026

Language: English

Genre(s): Animation, Adventure, Comedy, Drama, Family, Fantasy, Mystery

Trailer: ANIMAL FARM Final Trailer

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

THE SHEEP DETECTIVES – A Review by John Strange

The Sheep Detectives takes a new approach to the old “whodunit” storyline.  Sheep herder and town grump, George Hardy (Hugh Jackman), is found dead in front of his trailer.  The town constable is useless.  The sheep decide they must investigate, using the training they received by listening to George read murder mysteries to them every day.

This is a fun story.  The talented cast includes Emma Thompson, who plays barrister Lydia Harbottle.  Her character is an over-the-top portrayal of all British barristers, giving us a good dose of humor in the film. 

The sheep are the true stars of the show.  Julia Louis-Dreyfus (Lily), Bryan Cranston (Sebastian), Chris O’Dowd (Mopple), and Regina Hall (Cloud) highlight a cast of voice actors that make this film a true delight to watch.  Watching these sheep overcome their instincts to honor their shepherd is wonderful.

I watched this film at a Saturday-morning showing, filled with young kids and parents.  The kids, sometimes a terror to this old critic for their loud outbursts, were quiet while watching the film with rapt attention.  Yes, the film is that good.

 

Director: Kyle Balda

Cast: Hugh Jackman, Nicholas Braun, Nicholas Galitzine, Molly Gordon, with Hong Chau and Emma Thompson, Julia Louis-Dreyfus, Bryan Cranston, Chris O’Dowd, Regina Hall, Patrick Stewart, Bella Ramsey, Brett Goldstein, Rhys Darby

MPA Rating: PG for thematic material, some violent content, and brief language

Selig Rating: 5 Stars

Runtime: 108 Min.

Release Date: 05/08/2026

Language: English

Genre(s): Action, Comedy, Mystery, Whodunnit

Trailer: THE SHEEP DETECTIVES Official Trailer #2

 

The Selig Rating Scale:

5 Stars – Excellent movie/show, well worth the time and price.

4 Stars – Good movie/show

3 Stars – OK movie/show

2 Stars – Well, there was nothing else…

1 Star – Total waste of time.

Billie Eilish: Hit Me Hard and Soft – The Tour Live in 3D – A Review By Cynthia Flores

If you’re a Billie Eilish fan, you need to see this in 3D. If you saw her live during her year-long tour, it will bring back great memories. For those who missed out, this is your chance to experience the show. That’s good, because Ms. Eilish is one of the best performers today.

There is some traditional music documentary behind-the-scenes, making-of kind of stuff that goes on during this film. But believe it or not, there’s not that much of it; it’s mostly the performance that you get. Billie Eilish has co-directing credits on this and co-wrote it, so perhaps this is what she wanted. She’s more focused on the music and the connection between her music and her fans than anything else.

In fact, I would say the word ‘connection’ is the common thread that runs through this whole documentary. Her fans are deeply devoted. And she gives the appearance of being just as devoted to them and to using her music to help people. As well as touching on why she dresses the way she does and why she does the things she does on stage, without getting bogged down in anything that would take away from the actual performance she gives each night on tour. I was extremely impressed with the connection you feel between her music and yourself while sitting in the theater. It is pretty impressive to achieve something like that in this medium.

​If the storyline was from Ms. Elish, then the production style for this film was driven by James Cameron. He emphasized using his 30 years of 3D movie-making experience to create this immersive, deep-focus experience that captures the energy of being in the crowd. Even down to people walking in front of you or the audio that’s around you when you’re in a mass of people like that.

Instead of using traditional filmmaking processes for this documentary, he chose to have his team of specialized camera people, led by Michael Laakmann and Florian Maier, who call themselves stereographers rather than cinematographers, use 3D technology from Cameron’s Lightstorm Vision company to capture the live show portion of the documentary. Lightstorm has always focused on revolutionizing 3D stereoscopic production and mixed reality content. All that being said, this gives the documentary a richer experience for anybody willing to wear those crazy 3D glasses.  These are not just any ordinary 3D glasses; if you choose to take them out of the theater, they set off alarms like you stole something from Target.  So don’t forget to leave them behind with your friends if you decide to go to the restroom or go grab some popcorn once you’re in the theater. The glasses themselves are still bulky, and if you’re prone to headaches from wearing 3D glasses, it won’t be as severe with these. Just remember not to set off any alarms, and you’ll be okay.

​I give Billie Eilish: Hit Me Hard and Soft – the Tour Live in 3D 4.5 stars. It’s a wonderful capture of her Manchester shows. You’ll feel like you’re in a great seat. See it in 3D for the full effect.

Directed by: James Cameron, Billie Eilish

Written by: Tarik Mikou, Billie Eilish

Rated: PG-13

Running Time: 1 hr 54 min

Documentary, Music

Release: In Theaters May 8th

Starring: Billie Eilish, Finneas O’Connell, Andrew Marshall, Solomon Smith, Agraham Nouri, Tom Crouch, Jane and Ava Horner, James Cameron

TRIBENY RAI’S SHAPE OF MOMO AND JASMINE KAUR ROY & AVINASH ROY’S ROOM AT THE FARM TAKE TOP HONORS AT THE 2026 INDIAN FILM FESTIVAL OF LOS ANGELES (IFFLA)

The 24th Indian Film Festival of Los Angeles (IFFLA) announced the winners of the 2026 Jury and Audience Choice Awards. Winners were announced at the Closing Night Awards Ceremony held at Landmark Sunset Hollywood.

The Grand Jury Prize for Best Feature was awarded to Shape of Momo directed by Tribeny Rai. The jury stated, “We are honored to award the Grand Jury Prize to a debut film that deftly creates a protagonist who inhabits the gray area between righteousness and humility and delicately charts her journey through the complexities of class and gender in a place steeped in tradition.”

Sarmad Sultan Khoosat’s Lali and Seemab Gul’s Ghost School received Honorable Mentions in the feature category. Talking about Lali, the jury stated, “We’re thrilled to award an honorable mention to a film that surprises us at every turn with its provocative cinematic choices. Moving between genres with ease and exuberance, this film envelopes the audience in a vibrant symphony of music and color.” About Ghost Story the jury mentioned “We’re delighted to award an honorable mention to a beautifully restrained, artistically precise debut feature that works both as a powerful political allegory and as piercing social realism.”

The Features Jury members were:

Cinematographer Farhad Ahmed Dehlvi

Filmmaker Juan Pablo González

Film curator Caroline Libresco

The Grand Jury Prize For Best Short was awarded to Room At The Farm, directed by Jasmine Kaur Roy & Avinash Roy. The Jury stated, “A delicate and nuanced allegory of the fragility of human relationships when faced with the impact of modernization. This film represents rural Punjab with a gaze rarely seen, one that centralizes humanity and desire. Over the course of twenty-three succinct minutes, it allows us to negotiate a devastating reality alongside its characters.”

In the Shorts category, Bleat! by Ananth Subramaniam and Permanent Guest by Sana Zahra Jafri received Honorable Mentions. Talking about Bleat!, the jury called it “An absurdist commentary that throws into question our understanding of religion, gender and cultural identity with a profoundly original vision and a strikingly unexpected approach. In bringing us into the absurdity of its world, with its courage to pair an animalistic humor with the seriousness of ceremony and tradition, this work left a lasting impression on us for its audacity, imagination, and distinct voice.” Talking about Permanent Guest, the jury stated, “The second honorable mention goes to a film that has crafted immense tension and finds both power and pain in what is left unsaid. The restraint shown by this director is a bold authorial choice.”

 

The Shorts Jury members were:

Film curator Malin Kan

Filmmaker Alisha Tejpal

 

Voted on by IFFLA attendees, the 2026 Audience Choice Awards for Best Feature went to Breaking The Code by Ben Rekhi and Swetlana, and the Audience Choice Award for Best Short went to Rihanna by Suraj Paudel.

Amarik Singh Khosa’s project, Blind Tiger, won the IFFLA Industry Days Launchpad: Pitch Competition 2026 and received a $10,000 Development Grant. Blind Tiger is an engrossing, propulsive, and deeply authentic series that immediately draws you in. Building on the familiar framework of a crime drama, it introduces a compelling outsider protagonist with expert-level skills while layering in a fresh perspective rooted in the real history of an underrepresented community in suburban New Jersey. The result is a “familiar surprise” — both classic and contemporary — with all the elements of a standout, binge-worthy prestige series.

Priyanka Krishnan and Raman Nimmala received an Honorable Mention at the IFFLA Industry Days Launchpad: Pitch Competition 2026 for their project, Thottal Poo Malarum (Flowers Bloom When Touched). The story follows a status-obsessed bride-to-be whose dream of an arranged marriage into high society hinges on maintaining an illusion of “purity.” The project takes a precise cultural idea and transforms it into a bold, modern story that feels both provocative and accessible. With an immediately engaging concept, it stands out for balancing relatability with a distinct, darker comedic voice.

 

Pitch Competition jury:

Abhijay Prakash, President, Blumhouse

Aneesh Chaganty, Writer and Director (Searching, Run)

Kamala Avila-Salmon, Founder and CEO, Kas Kas Productions

Ugo Obioha, Motion Picture Literary Agent, United Talent Agency

Kimia Simab, Manager, Television, Searchlight Pictures

Paul Tamasy, Writer/Producer/ Director

Vanessa Pearce, Coordinator, Studio Series team at Netflix

 

Pitch Mentors:

Tanuj Chopra, Showrunner/Director/Executive Producer, Delhi Crime Season 2 & 3

Agam Darshi, Actor/Writer/Director, Donkeyhead

Shruti Ganguly,  Producer/Director/Writer

Ravi Kapoor, Writer/Director, Patel, Four Samosas

Meera Menon, Writer/Director, Didn’t Die

Sanjay Shah – Showrunner/Executive Producer, Everybody Still Hates Chris

 

The 24th edition of the Indian Film Festival of Los Angeles (IFFLA), kicked off with Ben Rekhi and Swetlana’s crowd pleasing documentary, Breaking the Code, and closed with Anusha Rizvi’s social satire The Great Shamsuddin Family. Recognized worldwide as a leading platform for South Asian cinema in the U.S., IFFLA once again celebrated the work of filmmakers from around the world, while also introducing new voices and helping film artists take vital next steps in their careers by connecting them with key industry professionals.

This year IFFLA featured 27 films, including seven narrative features, two documentary features, and 18 short films. Countries represented include India, Bangladesh, Nepal, Pakistan, Malaysia, the Philippines, Japan, France, the UK, Netherlands, Germany, Saudi Arabia, and the USA.

The film festival’s IFFLA Industry Days also returned bigger and better than ever before – including panels, masterclasses, screenings, and pitch finalists, with details to be announced in the coming weeks. The third year of IFFLA Industry Days served as a bridge between South Asian film and television creatives and influential players across Hollywood. Executives and creatives from across studios, production companies, and independent platforms will participate in a robust lineup of programming, including IFFLA Connect, Launchpad: Pitch Competition, One-on-One Program, panels, and a special masterclass.

IFFLA 2026 is supported in part by the Joy of Sharing Foundation, Tarsadia Foundation, General Consulate of India in Los Angeles, NB Patel Foundation, NBCUniversal, Los Angeles County Department of Arts and Culture, City of Los Angeles Department of Cultural Affairs, and additional sponsors.

For more information visit www.indianfilmfestival.org. Follow IFFLA on Facebook (/indianfilmfestival), Instagram (@indianfilmfestival), and X (formerly Twitter) (@iffla).

 

The 2026 Indian Film Festival of Los Angeles (IFFLA) Award Winners:

 

GRAND JURY PRIZE FOR BEST FEATURE

Shape of Momo

Director: Tribeny Rai

 

FEATURE JURY HONORABLE MENTIONS

Ghost School

Director: Seemab Gul

 

Lali

Director: Sarmad Sultan Khoosat

 

GRAND JURY PRIZE FOR BEST SHORT

Room At The Farm

Directors: Jasmine Kaur Roy, Avinash Roy

 

SHORT JURY HONORABLE MENTIONS

Bleat!

Director: Ananth Subramaniam

 

Permanent Guest

Director: Sana Zahra Jafri

 

AUDIENCE CHOICE  AWARD FOR BEST FEATURE

Breaking The Code

Directors: Ben Rekhi and Swetlana

 

AUDIENCE CHOICE AWARD FOR BEST SHORT

Rihanna

Director: Suraj Paudel

 

LAUNCHPAD: PITCH COMPETITION WINNER

Amarik Singh Khosa’s project, Blind Tiger

 

PITCH COMPETITION HONORABLE MENTION

Priyanka Krishnan and Raman Nimmala’s project,

Thottal Poo Malarum (Flowers Bloom when Touched)

The 11th Annual Indie Meme Film Festival wraps record-breaking edition of Austin-based film festival celebrating South Asian film and announces Filmmaker Awards

The 11th Indie Meme Film Festival wrapped a record-breaking edition of the Austin-based film festival celebrating South Asian film, and announced filmmaker award winners at the Closing Night Awards After Party and Ceremony held at XXXX. Tribeny Rai’s Shape of Momo was a two-time winner, taking both the Grand Jury Prize and the Audience Choice Award for Best Narrative Feature. Vaishali Sinha’s Give It a Shot wins the Grand Jury Prize, and Orlando von Einsidel’s The Cycle of Love takes the Audience Choice Award for Best Documentary Feature. The winner of the Audience Choice Award for Short Film was Sayani Gupta’s Aasmani. Gupta had made the trip to Austin from Bombay to represent her directorial debut, and fans of here films were delighted with her appearance at the AFS Cinema.

Regarding Shape of Momo, the jury said, “For its daring cinematic language and profound emotional resonance, Director Tribeny Rai crafts a work that transcends conventional storytelling, merging striking visual composition with a deeply introspective narrative that lingers long after the screen fades to black. The film’s innovative structure and poetic sensibility challenges the boundaries of form while remaining intimately human at its core. Through precise direction and evocative performances, the film captures the fragile interplay between memory, identity, and perception with rare clarity.” Sivaranjini J’s Victoria received an Honorable Mention in the category.

The Narrative Features Jury members were:

Lindsey Ashley, SXSW Film and TV Relations Manager
Yen Tan, Filmmaker
Bijan Tehrani, Film historian, writer, and critic

Vaishali Sinha’s Give It a Shot, which was Indie Meme’s Closing Night selection, received the Grand Jury Prize after captivating the Austin audience earlier that evening with its call to action regarding a male contraceptive breakthrough developed in India in the 70s, yet still not being made available her in the U.S. The Honorable Mention in the category went to Arjun Talwar’s Letters From Wolf Street.

The Documentary Features Jury members were:

Sachin Dheeraj, National Award-winning filmmaker, educator
Stephen Jannise, Senior Director of Film Programming, Paramount and State Theatres

Kalani Gacon’s Family Man received the Grand jury Prize for Best Short Film. The jury said they were impressed with “this elegant film’s fearless approach to pace, tone and mood, trusting the audience with a minimalist sensibility that compels and surprises throughout. A stunning visual and sonic palette brings this spectral meditation on memory, loss and the endless search for belonging to vibrant life.” Chandradeep Das’ Jasmine That Blooms in Autumn received an Honorable Mention in the category. Runners up as the Audience Choice selections for Short Film were Apurva Bardapurkar’s Blessings (Maaybaapache Aashiriwaad), and Amol Jalandhar Jadhav’s Deva Aaj Pan Vhay.

The Short Films Jury members were:

Asha Magarati, screenwriter, producer, and actress
Jim Kolmar, Film curator, consultant, and writer
Mindy Raymond, Film producer, consultant

Austin film fans came out in record numbers to enjoy Indie Meme’s curation of bold and innovative South Asian cinema from around the world. Gala selections began with a Kick-Off screening of Jitank Singh Gurjar’s Vimukt (In Search of the Sky), followed with an Opening Night presentation of Tribeny Rai’s Shape of Momo, a Centerpiece screening of Ali Asgari’s Divine Comedy, and a Closing Night presentation of Vaishali Sinha’s Give It a Shot. Films featured a diverse slate of narrative features, documentaries, and short films highlighting voices from South Asian, and Iran, with themes including explorations of identity, migration, family, politics, and social change. This year’s lineup included 27 films, (6 narrative features, 4 documentaries, and 17 short films), representing 14 countries.

Indie Meme’s Texas Showcase was a highlight including Rachel Immaraj’s documentary An Unquiet Mind, Santosh Dahal’s New Moon Rain, and Aliza Khan’s Texas Jaanu. Additional highlights included Annapurna Sriram’s offbeat Fucktoys focuses on a sex worker determined to break a strange curse through a chaotic quest across a surreal world of eccentric characters, featuring the filmmaker’s appearance at the film festival. The festival’s documentary slate was another strong feature of the film festival, including Orlando von Einsidel’s The Cycle of Love, and the appearance of the film’s subject, Delhi street artist PK Mahanandia. As previously mentioned, South Asian film star Sayani Gupta’s appearance with her film Aasmani, was a late-breaking addition to Indie Meme, which could not have provided a better addition to the events on the final day of the film festival.

For more information on Indie Meme, please visit: https://www.indiememe.org/

 

The 2026 Indie Meme Film Festival Award Winners:

 

JURY AWARDS

 

GRAND JURY PRIZE FOR BEST NARRATIVE FEATURE

Shape of Momo

Director: Tribeny Rai

 

NARRATIVE FEATURE JURY HONORABLE MENTION

Victoria

Director: Sivaranjini J

 

GRAND JURY PRIZE FOR BEST DOCUMENTARY FEATURE

Give It a Shot

Director: Vaishali Sinha

 

DOCUMENTARY FEATURE JURY HONORABLE MENTION

Letters From Wolf Street

Director: Arjun Talwar

 

GRAND JURY PRIZE FOR BEST SHORT

Family Man

Director: Kalani Gacon

 

SHORT JURY HONORABLE MENTION

Jasmine That Blooms in Autumn

Director: Chandradeep Das

 

 

AUDIENCE AWARDS

 

AUDIENCE CHOICE AWARD FOR BEST NARRATIVE FEATURE

Shape of Momo

Director: Tribeny Rai

 

AUDIENCE CHOICE AWARD FOR BEST DOCUMENTARY FEATURE

The Cycle of Love

Director: Orlando von Einsidel

 

 

AUDIENCE CHOICE AWARD FOR BEST SHORT

Aasmani

Director: Sayani Gupta

 

AUDIENCE CHOICE AWARD FOR BEST SHORT RUNNER UPS

Blessings (Maaybaapache Aashiriwaad)

Director: Apurva Bardapurkar

 

Deva Aaj Pan Vhay

Director: Amol Jalandhar Jadhav

Interview with Cinematographer Allie Schultz

Cinematographer Allie Schultz had an in-depth chat with our Gadi Elkon about working as DP, her Texas ties, SXSW Festival and so much more!  Here is our Interview with DP Allie Schultz.